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  • ✇Yanko Design
  • Seiko’s New Panda Chronograph gives your wrist a playful personality without sacrificing function
    There are plenty of watches that get called “panda” because of their black-and-white dials. Seiko decided to take that nickname a little more literally, creating the Power Design Project Panda Chronograph. The timepiece is a playful mechanical-looking chronograph that actually puts a panda’s face on the dial, which is quite fun, to be honest. The idea first appeared as a concept at Seiko’s Incredibly Specialized Watch Exhibition in 2024. Designer Kiyotaka Sakai wondered what a chronograph would
     

Seiko’s New Panda Chronograph gives your wrist a playful personality without sacrificing function

7 octobre 2026 à 14:20

There are plenty of watches that get called “panda” because of their black-and-white dials. Seiko decided to take that nickname a little more literally, creating the Power Design Project Panda Chronograph. The timepiece is a playful mechanical-looking chronograph that actually puts a panda’s face on the dial, which is quite fun, to be honest.

The idea first appeared as a concept at Seiko’s Incredibly Specialized Watch Exhibition in 2024. Designer Kiyotaka Sakai wondered what a chronograph would look like if the word “panda” wasn’t just a collector’s nickname. The production versions – HHK001P and HHK002P – stay remarkably close to that original thought. The watch is designed to make you smile, but it still has the proportions, finishing and functionality of a proper Seiko chronograph.

Designer: Seiko

The first thing you notice is the face, where black subdials naturally become the panda’s eye patches, while a small nose and curved mouth sit below them. The two chronograph pushers rise above the case like ears, giving the watch an expression that is surprisingly easy to read. It sounds like a gimmick on paper, but the proportions make it work.

Seiko has carried the theme into details that are easier to miss. The dial has a radial texture intended to resemble panda fur, while the hour and minute hands take inspiration from bamboo leaves. The tachymeter scale around the edge gets a suitably playful name: “SASAMETER,” from sasa, the Japanese word for bamboo. It remains a functional tachymeter, with Seiko noting that it could theoretically measure a panda running at around 30 km/h.

The 43mm stainless-steel case is 14.6mm thick and uses hidden lugs, which help keep its footprint from feeling quite as large as those numbers suggest. The recessed crown sits between the ear-like pushers, while the caseback continues the joke with a rounded profile and a small three-dimensional tail.

Underneath, there is no complicated mechanical movement trying to compete with the design. Seiko uses its quartz Caliber 8T61, which provides hours, minutes, central chronograph seconds and a 60-minute counter with 1/5-second measurement. It is rated to an accuracy of ±15 seconds per month and offers 30-meter water resistance.

The watch comes on a cowhide leather strap with suede-like sections. This is a cute attempt to bring the panda theme into something you actually feel when wearing it. Out of the two versions, the HHK001P is the familiar black-and-white panda, limited to 3,000 pieces. The HHK002P swaps the usual colors for pink and gray, inspired by the appearance of newborn pandas, which are born with pink skin before developing their characteristic black-and-white fur. That version is limited to 2,000 pieces. Both watches are priced at $540 and are scheduled for release in November 2026.

The post Seiko’s New Panda Chronograph gives your wrist a playful personality without sacrificing function first appeared on Yanko Design.

  • ✇Yanko Design
  • After 15 Years, Patek Philippe Returns With a Hand-Wound Chronograph That Stores Energy Like a Bow
    Perpetual calendar chronographs are Patek Philippe’s version of a solar eclipse. They do not happen often, and when they do, everyone stops what they’re doing to look up. The last one arrived back in 2011, which in watch years is basically a geological era. The wait is over, and Patek did not play it safe on the comeback. The new Ref. 5978P-010 is the first watch to combine the brand’s hand-wound chronograph movement with an instantaneous perpetual calendar, a mechanism usually reserved for its
     

After 15 Years, Patek Philippe Returns With a Hand-Wound Chronograph That Stores Energy Like a Bow

4 octobre 2026 à 16:45

Perpetual calendar chronographs are Patek Philippe’s version of a solar eclipse. They do not happen often, and when they do, everyone stops what they’re doing to look up. The last one arrived back in 2011, which in watch years is basically a geological era.

The wait is over, and Patek did not play it safe on the comeback. The new Ref. 5978P-010 is the first watch to combine the brand’s hand-wound chronograph movement with an instantaneous perpetual calendar, a mechanism usually reserved for its most serious grand complications, where every calendar display jumps simultaneously in under 30 milliseconds instead of dragging itself forward at midnight. It debuted at Patek’s seventh Watch Art Grand Exhibition in Milan, limited to 120 platinum pieces at $337,585 each, with a navy dial, red chronograph hands, and calendar text printed in Italian for the occasion. Rare watch, rare city, apparently rare patience too.

Designer: Patek Philippe

The new caliber inside the 5978P-010 is called the CH 29-535 PS QI, a hand-wound movement built from 500 parts. Patek fused two things it already had, the CH 29-535 PS chronograph base from 2009 and the instantaneous calendar module developed for the R CHR 27 PS QI inside references like the 5207, 5308, and 5208. The result is a watch where the day, date, month, leap year, and day and night indicators do not creep forward through the night. Instead, they wait, then snap into their new position together in roughly 30 milliseconds. Even the chronograph’s 30-minute counter gets the same instantaneous treatment, jumping to its next position in one clean motion rather than crawling minute by minute.

Rather than letting a spring slowly push the calendar discs forward, the movement spends hours steadily storing tension, then releases it all at once like a drawn bow. A progressive perpetual calendar can leave a date disc caught mid-flip for a few minutes around midnight, which looks fine until you actually need to read it. This one simply will not do that. The caliber beats at 28,800 vibrations per hour on a Breguet balance spring, and because it is hand-wound, there is no rotor blocking the view, so the full chronograph architecture sits exposed through the sapphire caseback.

The 42mm (1.65 inch) platinum case measures 14.24mm (0.56 inch) thick, with a concave bezel and scalloped lugs lifted from the Calatrava-style cases of the 5208 and 5205, a departure from the ornate shapes Patek usually reserves for this complication. A single diamond sits at 6 o’clock, the hallmark Patek adds to every platinum watch in its catalog. The sunburst navy dial fades into a black-gradient rim around a textured center, with white gold faceted markers and dauphine hands finished in white luminescent coating. Red varnished hands carry the chronograph and small seconds, the only flash of color on the dial. Calendar apertures ring the top of the dial between 10 and 2 o’clock, with the moon phase sitting at 6 and the instantaneous 30-minute counter opposite it at 3.

Patek’s own marketing describes the 5978P-010 as a sporty look timepiece, which is a strange way to describe a platinum perpetual calendar chronograph until you look at it. The navy and red color scheme, paired with a composite strap finished in a fabric weave rather than alligator, borrows more from the Aquanaut than from anything in the formal grand complications catalog. It is not the first time Patek has let its sportier instincts bleed into serious territory. We covered the Cubitus back when it launched, a watch that took the Nautilus’s DNA and reshaped it into something squarer and more divisive. The 5978P-010 is a subtler version of that same impulse, applied to a complication that has spent 85 years dressed for black tie.

The calendar windows on the 5978P-010 are printed in Italian, so Saturday reads SAB instead of SAT, a detail that only makes sense once you know this watch was built for Milan. The strap repeats the gesture in miniature, with a stopping point stitched in the colors of the Italian flag just before the clasp. Patek built the watch for its seventh Watch Art Grand Exhibition, which opened October 2 inside Milan’s CityOval and runs free through October 18. It is one of seven limited editions made for this stop on the tour, a group that also includes enamel-dialed World Time minute repeaters and three carbon-patterned Calatravas in the same tricolore palette. Altogether those seven references add up to 685 pieces, a genuinely small run by Patek’s standards.

There is a catch for anyone outside Italy who wants this watch: all seven Milan editions, including the 5978P-010, sell exclusively through Patek retailers inside the country. Buyers elsewhere wait for one to surface at auction, where past exhibition pieces have historically carried a premium over retail. At $337,585, this was never going to be an impulse buy, and the exclusivity only adds to that. What sticks with me is not the price, it is the choice to dress the brand’s most formal complication pairing in a strap that would not look out of place on a dive watch. Eighty five years after the 1518 started this lineage in stern black and gold, Patek just sent its most serious watch out wearing red sneakers, and somehow it works.

The post After 15 Years, Patek Philippe Returns With a Hand-Wound Chronograph That Stores Energy Like a Bow first appeared on Yanko Design.

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