Charging a phone and a pair of earbuds is easy enough, but sharing that same stand with another phone is a different matter. Peak Design’s new Charging Station addresses that problem with two equally capable magnetic pads and a hinged arm. Stand it up beside your laptop, or lay it flat so two phones can recharge without competing for the better spot.

The shape is straightforward, with a narrow metal arm linking two rounded-square charging surfaces. Die-cast aluminum and zinc form the chassis, while the machined aluminum stem provides the moving structure. Laminated Clarino covers the pads, and a non-slip TPU foot sits underneath. Black and Moon finishes keep the color choices restrained, rather than turning your nightstand into a brightly branded electronics display.

Designer: Peak Design

Two hinges let you adjust the arm and upper pad separately, positioning a phone for a video call or a glance at your calendar. Magnetic attachment supports portrait and landscape orientations, so changing what you’re doing doesn’t require another stand. An earbud case can sit on the lower pad while the phone stays raised, keeping both devices within the same small desktop footprint.

The lower pad gets more interesting when you fold the station flat. Peak Design rates both Qi2.2 pads for up to 25W simultaneously, allowing two compatible phones to recharge at once without assigning one a slower accessory spot. That doesn’t mean every magnetically attached phone will receive 25W, though. The device’s own charging support still determines how much power it can accept.

That folding movement also changes how the charger travels. Packed flat, it measures 6.3 by 2.7 by 0.6 inches, with the arm tucked alongside the body instead of projecting into your bag. At 9.7 ounces, it still adds weight to a travel kit, but you aren’t packing a rigid desktop stand just to keep a phone propped up in a hotel room.

A separate USB-C output makes room for a third device, although this connection is wired. Its 7.5W output is suited to smaller accessories rather than replacing a laptop charger. A watch still needs its own charging cable or puck, so this isn’t a dedicated three-device wireless dock. It simply gives that extra cable somewhere to connect without occupying another outlet on the wall.

The $99.95 price also leaves out the wall adapter. Peak Design includes a fabric-wrapped USB-C cable rated for 100W, but specifies at least a 45W power supply to operate the station and 75W or more for maximum dual charging speed. That makes the adapter part of the buying decision, particularly if your existing charger is already committed to powering something else at home.

The post Peak Design’s Charging Station Folds Flat to Charge Two Phones first appeared on Yanko Design.

The most interesting EDC upgrade here begins with something that already fits a pocket: a Zippo case. Open the lid, and there’s no lighter inside, just a miniature ratchet and carefully arranged bits. That little reversal sets the tone for this November selection. These designs aren’t trying to turn you into a survivalist. They reconsider the objects you reach for when something needs tightening, illuminating, carrying, organizing, or writing down.

We’ve brought together one DIY project and four retail designs, including a swiveling flashlight, a cork wallet, and a pencil that skips sharpening. This is our November edit of existing designs, not a roundup of November launches. The common thread is thoughtful use of limited space, whether that means fitting tools inside a familiar shell or removing an annoyance from something as ordinary as the keys you carry every day.

1. DIY Zippo Toolkit

Tiny Tool Shop’s Zippo conversion makes a persuasive case for designing around an enclosure rather than starting again. A custom-printed insert holds a micro ratchet, two Steinwhale bits, and a Klein utility knife extension inside the emptied lighter shell. Each component gets its own recess, turning the interior into a fitted tray rather than a loose collection of hardware. The recognizable metal case supplies the hinge, lid, and compact outline, while the insert gives it an entirely different purpose.

The best detail addresses the obvious drawback of tight packing: getting the ratchet back out. A spring salvaged from a disposable Bic lighter helps push it through an opening in the case. It’s a satisfying piece of resourcefulness, but this remains a maker project, not a finished product sold by Zippo. Reproducing it involves sourcing compatible tools, producing the insert, and modifying the shell. It also replaces the lighter function completely, trading a flame for a very small repair kit.

What we like

• Reuses a familiar hinged enclosure with a fitted layout for the tools.
• Spring-assisted retrieval makes tightly packed components easier to access.

What we dislike

• Requires fabrication, compatible components, and modifications to the case.
• The insert’s dedicated recesses limit flexibility when changing the tool selection.

2. Painless Key Ring

Most key rings make you use your fingernails as miniature pry bars. The Painless Key Ring changes the entry geometry instead, using a continuous wave shape to guide a key onto the ring. You’re still working with a springy metal loop, but without the same tightly stacked starting point as a conventional split ring. It’s a modest redesign with a clear purpose: make changing keys less fiddly without turning the key ring into another complicated mechanism you need to carry around.

Made from stainless spring steel, the ring is listed at 0.8mm thick and weighs three grams. The silver set costs $30 and includes one large ring plus three small ones, giving you separate attachment points for different keys. The appeal isn’t adding another tool to your pocket. It improves the connection between what you already have. If you rarely change keys, the benefit may not justify the price. For someone regularly swapping house, office, and shared keys, the geometry is more compelling.

Click Here to Buy Now: $30.00

What we like

• Wave-shaped entry offers an alternative to prying apart a conventional split ring.
• The set includes smaller rings for organizing separate keys.

What we dislike

• At $30 for the silver set, it’s a deliberate upgrade to a basic accessory.
• Keys still need threading around the ring rather than releasing through a gate.

3. WUBEN G5 Compact Flashlight

The WUBEN G5 puts its most useful feature above the body: a head that rotates through 180 degrees. Rather than repositioning the entire flashlight whenever the beam misses your work, you can change its direction while the body stays attached. An adjustable clip and tail magnet give you different mounting options, particularly useful when both hands are occupied. The flat form also avoids the rolling habit of cylindrical flashlights, making this a small lighting tool with several sensible working positions.

WUBEN lists the standard G5 at approximately 52 grams, with USB Type-C charging and maximum white output of 400 lumens. Its current specification gives an IP65 rating, which means this is not a light to treat as submersible. At $19.99 for standard colors, it’s an accessible alternative to reaching for your phone. The limitation is endurance: WUBEN’s longest runtime figure belongs at the lowest output, not maximum brightness. Choose it for short tasks rather than prolonged use at maximum brightness.

What we like

• Rotating head, clip, and magnet provide several ways to position the beam.
• The compact, flat body suits pocket carry without rolling away when set down.

What we dislike

• Maximum brightness and maximum runtime describe different operating settings.
• Its IP65 rating does not cover immersion.

4. Pocket Everlasting All-Metal Pencil

A pocket pencil needs to survive being carried before it can be useful on paper. Sun-Star’s Pocket Everlasting All-Metal Pencil approaches that problem with a metal body, protective cap, and a writing tip that doesn’t need sharpening. At 4.7 inches long, it gives you a dedicated place to put a measurement, sketch, or passing thought without unlocking a screen. There’s no elaborate deployment mechanism, just a compact writing instrument ready to accompany a notebook.

The tip uses graphite and alloy particles to make an erasable mark. That makes it better understood as an alternative pencil technology than a pen that happens to look metallic. At $19.95, it’s also one of the less expensive objects in this selection. The name needs a little perspective: “Everlasting” isn’t a literal promise of infinite use. Its appeal is avoiding routine sharpening, while your preference for line darkness and feel still determines whether it earns space beside your keys.

Click Here to Buy Now: $19.95

What we like

• A capped metal body gives the writing tip protection during carry.
• Erasable marks and no routine sharpening make it an interesting notebook companion.

What we dislike

• At 4.7 inches, it still needs more space than a miniature keychain tool.
• Pencil marks aren’t a substitute for ink when permanent writing is needed.

5. Corkor Front-Pocket Cork Wallet

Corkor’s Front-Pocket Cork Wallet provides a welcome break from machined metal. Its cork fabric exterior has an irregular grain that gives a familiar card holder a distinct material identity. The layout stays straightforward: three card slots, an ID window, and two compartments for folded bills. Rather than adding moving parts to make a wallet interesting, Corkor keeps the construction restrained and lets the surface do the work. It suits an edited daily carry better than a collection of forgotten receipts.

The Portuguese maker lists an empty weight of 20 grams and dimensions of 110 by 80 by 10 millimeters. That last figure matters: adding cards and folded notes will change how much room it occupies. Corkor makes the $59 holder in Portugal and includes RFID-blocking construction, though the more tangible benefit is its simple organization. There’s no coin pocket, and cash takes more preparation than sliding notes into a full billfold. Those are deliberate compromises for someone who wants to downsize.

What we like

• Cork fabric offers an animal-free alternative to a conventional leather exterior.
• Separate card, ID, and cash compartments keep the layout easy to understand.

What we dislike

• There’s nowhere dedicated to loose change.
• Bills must be folded, making cash less convenient to sort.

Small Improvements Worth Carrying

The Zippo conversion is the conversation starter, but the quieter designs may make the bigger difference to a particular routine. A ring that’s easier to load helps someone changing keys. A swiveling light helps someone working with both hands. A simpler wallet helps someone trying to carry less. None needs to solve every problem to justify its place; it just needs to address one you actually encounter with some regularity.

These five designs aren’t a checklist to buy in full. The Zippo project asks for making time rather than a quick checkout, while the wallet asks you to reconsider what deserves carrying at all. Start with the small frustration you already recognize, then consider the space, upkeep, and setup its solution requires. A useful everyday carry should make your day feel less encumbered, not simply leave your pockets more fully equipped.

The post The 5 Best EDC Designs of November 2026 first appeared on Yanko Design.

A miniature Eiffel Tower tells you where someone went, but rarely gives you much reason to look closer. I’m more interested in souvenirs that carry a little of a place’s actual history, especially when they earn their space at home. The challenge is giving that history a useful role without polishing away everything that makes it worth preserving.

That’s the appeal of the La Tour Eiffel Diamond Light, designed by A+A Cooren Design Studio with Lagardère x Arteum. Built around a retired fixture from the Eiffel Tower’s sparkling illumination, it turns a piece of lighting infrastructure into a working tabletop lamp. The preserved paint marks are part of the point. Rather than manufacture another miniature monument, the designers have given an actual component a reason to stay switched on.

Designers: A+A Cooren Design Studio and Lagardère x Arteum (LxA)

The iron-alloy base makes the architectural connection without turning the whole object into another miniature tower. Drawing from Gustave Eiffel’s historical blueprints, its arches and cross-bracing reinterpret the structure near the monument’s top. I prefer that approach to a literal replica. You get enough of the tower’s visual language to recognize the reference, while the lamp keeps its own proportions and identity as an object for a room.

In the official photographs, the faceted upper section sits above that open metal framework like an oversized jewel in an industrial setting. The brown finish helps the two parts feel related, despite their different origins. It looks substantial without relying on a large footprint, and the exposed latticework gives your eye somewhere to travel beneath the light.

The lighting modes make the connection to Paris more than visual. One provides a steady warm glow. Another alternates 55 minutes of steady illumination with five minutes of twinkling. A third leaves the lamp dark for 55 minutes before its five-minute sparkle sequence. I’d probably favor the steady setting most evenings, but the timed sparkle has an appealingly specific purpose: it brings the monument’s lighting rhythm into the room, rather than simply making a souvenir flash.

A four-position rotary switch handles the three modes and off setting. That feels appropriate for an object whose appeal is so physical. At roughly 10.4 inches tall and 2.9 pounds, it’s a tabletop piece rather than a floor-standing statement. The specifications list 24 LEDs, and the store describes it as ambient lighting. I’d treat it as a decorative accent, not buy it expecting a reading lamp.

It also improves on an earlier idea in a meaningful way. Diamond of Light editions offered in 2016 and 2017 were collectible objects, not functioning lamps. The 2026 version adds an everyday reason to interact with the preserved component. To me, that’s a stronger design move than simply finding a more elaborate way to display it.

Each of the 500 numbered pieces comes with an official certificate of authenticity and a wooden case. The presentation embraces its collector’s-item status, which seems fair enough here. If the attraction is owning an actual piece of the Eiffel Tower’s lighting, documentation of its origin matters considerably more than another decorative flourish on the base.

The price puts that appeal in perspective. The official store lists it at €990 including VAT, before shipping, with worldwide delivery available. You’re paying for provenance, limited production, and the design work around the reclaimed fixture. As a straightforward lighting purchase, it’s difficult to justify on function alone. As a collectible that also has a place in daily life, the proposition makes more sense.

I wouldn’t want the weathering polished away or hidden behind a pristine cover. Those irregularities are what make the premise convincing. The strongest choice here is giving the old component enough new structure to work in a home while letting it remain visibly old. A souvenir becomes more interesting when its previous life is still allowed to show.

The post A Real Eiffel Tower Light Becomes a Lamp Without the Kitsch first appeared on Yanko Design.

The Snapmaker U1 drops to $699 this Black Friday, down 30% from its $999 list price, and it might be the smartest buy on your holiday list, mostly because it can make plenty of the gifts on it. The U1 is a four-toolhead 3D printer that prints in up to four colors or materials in a single go. That covers personalized ornaments, figurines, and fidget toys, all printed in multicolor on your desk. It ships with four spools of PLA and 30 ready-to-print models, so after unboxing and automatic calibration, you can print your first model on day one. A good chunk of your Christmas list, sorted.

Four-head printers are rare at this price. Tool changers like the Prusa XL have historically cost well north of $2,000. Snapmaker’s SnapSwap system keeps four print heads loaded and swaps between them in about five seconds, while single-nozzle setups like Bambu’s AMS flush filament at every color change. Fewer purges mean faster prints and, by Snapmaker’s count, up to 85% less wasted plastic. More than 20,000 Kickstarter backers already bought in, making the U1 the most-funded 3D printer campaign in the platform’s history, with now more than 150,000 users worldwide.

Designer: Snapmaker

Click Here to Buy Now: Black Friday Sale. Hurry, deal ends soon!

Five-Second Swaps and a Lot Less Printer Poop

Each of the U1’s four print heads sits docked and preheated with its own filament. When a print calls for a new color, the printer parks the active head and grabs the next one. A steel-ball coupling and a mechanical lock seat each head in the exact same spot every time, and Snapmaker says the mechanism survived over a million continuous swaps with zero mechanical failures. The printer then auto-calibrates all four heads to within 0.04mm (about 0.0016 inches) of each other. That keeps the white trim on a Santa hat right where it belongs.

Single-nozzle printers handle color changes by shoving the old filament out until the new one runs clean. Snapmaker pegs that process at roughly two minutes per swap, and on a busy multicolor model the purged plastic can outweigh the model itself. The U1 only purges small amounts at the start of a job and during calibration. Print a tray of four-color ornaments and those savings stack up fast, in both hours and filament. Your filament budget ends up on the tree instead of in the trash.

A Personalized Ornament, From Download to Gift Box

Four heads can hold four different materials as easily as four colors, so flexible TPU or dissolvable supports can share a print with rigid plastic. For most holiday gifts, though, four colors of PLA do the heavy lifting. Snapmaker’s Full Spectrum feature stretches that palette by stacking thin alternating layers of your four filaments, which your eye reads as new in-between shades. Results depend on the filament, the model’s shape, and your settings, so a quick test print helps. Load red, green, white, and gold, and you’ve basically got Christmas in a box.

Personalizing a gift takes about as much skill as sending a text. Open an ornament model in Snapmaker Orca, add a name with the slicer’s text tool, and assign one of your four colors to each part. A palm-sized ornament uses only a few grams of filament, so each one costs pocket change in plastic. Hit print, and the U1 handles every color swap on its own while you get on with your evening. Repeat for each name on your list, and nobody else at the party will show up with those.

Smart Enough for First-Timers, Cheap Enough for Black Friday

Snapmaker Space, the company’s model library (currently in open beta), offers ready-to-print multicolor models, so beginners can skip 3D modeling entirely. Auto bed leveling helps your first layer stick, and input shaping reduces vibration for smoother walls, with speeds topping out at 500mm/s (about 20 inches per second). Filament loads itself, RFID tags on Snapmaker spools fill in settings for you, and Backup Mode switches to a matching spool when one runs dry. A built-in camera with AI monitoring can flag spaghetti failures and ping your phone. Tinkerers get Klipper firmware and OrcaSlicer support.

Click Here to Buy Now: Black Friday Sale. Hurry, deal ends soon!

The post Buy the printer, make the presents: Snapmaker’s U1 drops to $699 for Black Friday first appeared on Yanko Design.

MoMA owns The Starry Night, The Persistence of Memory, and a set of LEGO bricks designed by Godtfred Kirk Christiansen in the 1950s. The museum brought two of those together in 2022, when it partnered with LEGO on the Starry Night set that grew out of a LEGO Ideas submission. A new Ideas project wants to complete the triangle. BrickRelativity has rebuilt Salvador Dalí’s 1931 painting of melting clocks as a 3D brick diorama, complete with the dead tree, the ant-covered watch, and the weird sleeping figure sprawled across the beach. If MoMA wanted a sequel, it wouldn’t even need to leave the building.

Dalí’s original is tiny, just 9.5 by 13 inches (24 by 33 cm), which catches plenty of first-time visitors off guard. The brick version spreads the scene across a black display base with a gallery plaque and a sky built from horizontal bands of blue, aqua, and sunset-yellow plates. BrickRelativity says the central blob was one of the toughest challenges, since soft, shapeless forms and rigid LEGO elements get along about as well as cats and bathtubs. The clocks came a close second, their faces rebuilt from tile grids that warp along with the melt. LEGO Art has already worked through Hokusai, Van Gogh, and Monet, so Surrealism feels overdue.

Designer: BrickRelativity

Three clocks melt across the scene, and each gets its own construction trick. The one hanging off the tree branch wears a pearl-silver bezel that folds over the wood, with a small silver ball at its lowest point standing in for the drip. The pocket watch sliding off the orange ledge swaps silver for pearl-gold tube elements that kink around corners, with a transparent fly perched on its face. The third clock drapes over the sleeping figure in the middle, following the curve of the body underneath it. Numerals were applied as decals directly to the curved surfaces, while every clock hand is built from LEGO elements.

My favorite detail, though, is the face of that gold pocket watch. BrickRelativity built it from a grid of light-blue tiles, and as the face slumps over the ledge, the seams between them bend with it. The result looks like graph paper caught in a heat wave. The grid also gives the numerals a place to sit and recalls the stud-by-stud mosaics of LEGO Art, now visibly coming apart. A warped coordinate system feels very Einstein, which is funny, because Dalí insisted his soft watches came from cheese rather than relativity.

Dalí reportedly based the sleeping figure on a rock formation at Cap de Creus, and it’s generally read as a squashed self-portrait. BrickRelativity layered curved slopes in tan and pale flesh tones until the blob looked properly boneless. Dark gray bars and curves form a closed eye with long lashes, and a wing-like membrane of stacked plates trails off behind it. Back on the ledge, the closed orange pocket watch is a ring of curved elements with a little crown nub. A cluster of tiny ants made from dark clip plates swarms its lid, turning Dalí’s recurring symbol of decay into a minifig-scale infestation.

The landscape skips a printed backdrop entirely. Horizontal bands of blue, aqua, pale yellow, and orange plates build up the sunset sky. The Cap de Creus cliffs on the right use stepped wedges and slopes in tan, dark tan, orange, and gray, placed at different depths to make the coastline recede. Dark brown tiles cover the beach, with patches of exposed studs breaking up the flat surface like scrubby ground. Viewed head-on, that depth collapses back into the painting’s flat composition. BrickRelativity has some practice with perspective tricks: previous Ideas projects turned M.C. Escher’s impossible staircases into bricks.

Down in the front corner, a tiny Dalí minifig with swept gray hair, a patterned tie, and that famous upturned mustache paints at an easel holding a miniature copy of the painting. It’s a direct callback to the Van Gogh minifig and easel that shipped with the Starry Night set. A black base and a small plaque bearing the artist’s name, the title, and the year finish the gallery look. Fan builders have been chasing this museum energy all year, from a 1,117-piece Picasso portrait to a Brick Dangerous melting clock that just qualified for LEGO’s third 2026 review. Dalí’s copyright is managed by the Fundació Gala-Salvador Dalí, so any official version would need the estate’s blessing.

The project currently sits at 1,849 supporters, with 602 days left to hit the next milestone of 5,000. LEGO Ideas lets fans submit builds and rack up supporters, and projects that reach 10,000 move on to LEGO’s official review for a shot at becoming a real set. You can head to the LEGO Ideas page and give BrickRelativity your vote, which costs nothing but a LEGO account. Dalí already turned this painting into floating bricks once, in his 1954 sequel The Disintegration of the Persistence of Memory. Seems only fair to let someone finish the job properly, with clutch power this time.

The post Salvador Dalí’s melting clocks are now a 3D LEGO diorama, ants included first appeared on Yanko Design.

Severance did something no tech company has managed in decades: it made people want a trackball again. The MDR terminals on Lumon’s severed floor, with their cream shells, tiny glowing screens, and built-in trackballs, have become weird objects of desire for a show about corporate horror. Designer Shaun Wellens has dreamed up the computer I imagine Lumon would roll out for its next rebrand. The P1 Terminal is a CGI concept from a made-up 1970s company called Push / Pull, designed as a shared computer for people living in a communal space. It has a soft white clamshell body, a phosphor-style display, and a blue trackball that looks good enough to lick (please don’t).

Wellens says the P1 was inspired by a computer used to support experiments aboard the Space Shuttle, which makes sense once you notice the clamshell form. Then he wraps the whole thing in fake history. In his story, the P1 launched in 1972 for people living in underground communities called “pockets,” where it handled mail, bulletin boards, and shopping. It sold badly, its users adored it, and it got a sequel, which is basically the life story of every cult-classic gadget ever made. He also admits to sneaking deliberate flaws into his fictional designs so the imaginary engineers can fix them in the next version, and I love that level of commitment.

Designer: Shaun Wellens

The shell is a rounded off-white pod, with a sage-gray handle module sitting on top like the carrying grip on a vintage TV. That handle has a recessed slot and a tinted window that recall the iMac G3 and the 1999 clamshell iBook. The open renders show the two halves joined by a stacked metal hinge at the center, the one visibly mechanical part on an otherwise pebble-smooth body. The Space Shuttle inspiration was the GRiD Compass, a magnesium clamshell designed by Bill Moggridge that flew aboard Columbia in 1983 as the Shuttle Portable Onboard Computer, or SPOC.

Inside the lid sits a dark, rounded-rectangle display with cyan-green text that recalls an old phosphor CRT. A camera pokes through a tiny notch at the top center, which is a hilarious thing to find on a computer that supposedly shipped in 1972. Perforated speaker grilles flank the screen. The interface boots to a pixel-font “hello” and drops you into a numbered menu of services, a text-only setup that would sit comfortably next to a Lumon file full of scary numbers. Wellens calls it a lightning-fast graphical interface anyway. In his fictional timeline, it arrived a full year before the Xerox Alto, the pioneering 1973 GUI computer.

The bottom half is a dark oval tray holding a full keyboard, with the blue trackball parked dead center below the keys. That ball is the loudest color on the entire product, and it deserves to be. Trackballs have appeared in early terminals, arcade cabinets, and Logitech’s TrackMan, while Severance gave them another memorable role on the MDR desks. Putting it in the middle also makes sense for a shared machine, since lefties and righties get equal access. The oval keyboard looks a little cramped at the edges, but it matches the pebble shell so neatly that I’m happy to call it one of his intentional flaws.

A chunky, multi-jointed arm that looks borrowed from a robotics lab supports the terminal. It’s designed to let the P1 swing out, tilt, and tuck away, useful movements for a shared machine in a cramped communal space. In one render, the cable drops in from above, suggesting a ceiling- or wall-mounted setup like a dental lamp waiting for its next patient. Residents could walk up, pull it down, check their mail, and push it back, which might explain the Push / Pull name (my theory, Wellens hasn’t confirmed it). That setup makes the P1 feel closer to a payphone or a library catalog terminal than a personal computer.

Wellens’ conceptual history lands surprisingly close to the real thing. In August 1973, the Community Memory Project put a public bulletin board terminal in Leopold’s Records in Berkeley, with later terminals appearing in libraries and laundromats around town. A decade later, France was distributing free Minitel terminals that let people shop, bank, and message each other from home. The service lasted until 2012. The P1 mashes both ideas into one glossy pod for people living underground. Wellens even mocked up a period magazine ad with a big serif headline over a violet product shot, and it’s convincing enough that I briefly wanted to mail away for one.

Severance production designer Jeremy Hindle already gave us the most covetable fake office tech on television, so consider this a friendly nudge. Somebody on the show’s crew should get Wellens on the phone, because the P1 looks like a terminal Lumon would install somewhere much friendlier than the Break Room. He has form here too, having already dreamed up the Kriket 3000, a pastel retro robot that would look right at home wandering the severed floor’s hallways. The guy clearly loves building machines for a timeline that never happened, which is more or less the Lumon design brief. Hire him, throw him a waffle party, and let him build whatever strange hardware the next season needs.

The post The P1 Terminal is the Severance computer I’d actually want to use first appeared on Yanko Design.

The most anticipated video game of all time is launching within a few weeks. It’s 19 November, to be precise, when Rockstar Games will release Grand Theft Auto VI, and everyone, including Nike, wants to tap into the fanfare building up to the launch. No wonder then, the footwear giant has teamed up with rapper Travis Scott and Rockstar Games for a pair of Nike Air Force 1 Low themed after the upcoming game.

We have seen some Nike and Travis Scott collaborations in the past. The usual obvious with their releases has been their limited availability. Considering this one is based on a game whose fanfare is already blowing out of the roof, these won’t be an easy buy either.

Designer: Nike

If the leaked Travis Scott’s Cactus Jack x Rockstar Games x Nike Air Force 1 Low “Grand Theft Auto” is released in limited quantity, there is going to be a fight to get them. Anyway, we do not have that information at the moment, what we know from leaked images is that the shoes will have the reverse swoosh logo on their lateral side, which is a signature of Travis Scott x Nike sneakers. The surfaced images show the GTA sneaker in Black avatar with Grand Theft Auto-inspired accents such as a pink toe-box money band and a pink six-star wanted level graphic.

The Nike Air Force 1 Low “Grand Theft Auto” features a leather upper and will reportedly be available in three colorways: White and Pink, Black and Pink, and a Multicolored option. It is rumored that the sneaker will retail for $130 and will be available for purchase starting 19 November, the same day as the game’s release.

As a nod to Grand Theft Auto VI, the Travis Scott x Rockstar Games x Nike Air Force 1 Low features the six-star wanted level iconography in the outsole. In addition to the star motif, the black sneaker in the pictures is highlighted with the pink rubber money band wrapped around the toe box. It features branding for all involved parties in the collaborative Air Force 1 Low, and comes with an extra set of laces in pink color to contrast with the black all-over look of the sneaker.

For a more intriguing change, it’s reported that the collaborative Air Force 1 replaces the “AIR” lettering on the midsole with GTA, which is an evident reference to the upcoming game. Since there are very limited images that have leaked, we don’t have a picture of what’s on the inside of these sneakers, so we’ll reserve our comment for now, until more information comes in.

The post First look of Rockstar Games x Travis Scott x Nike Air Force 1 Low “Grand Theft Auto” in Black dropped first appeared on Yanko Design.

There was a time when a computer’s biggest annoyance was a progress bar inching slowly or a dial-up modem screeching and hissing its way online. Nobody pinged you on Teams, Copilot didn’t offer to rewrite your emails, and the worst thing your PC could do was crash in the middle of Solitaire. Benlywatch’s Desktop 95 bottles that era and straps it to your wrist. The limited-edition analog watch puts a Windows 95-style desktop on its dial, complete with teal wallpaper, beveled windows, and a dialog box that reads “Loading memories…” Honestly, that progress bar is the most accurate thing anyone has written about millennials.

Two pixel cursors serve as the hands, a SYSTEM “Ready” dialog sits near the center, and a taskbar runs along the bottom of the dial. It all lives in a 39mm-wide, 10mm-thick case made from 316L stainless steel, with a Swiss quartz movement and a 5 ATM water-resistance rating. You get a blue or white dial with a leather strap, Milanese mesh, or steel bracelet, plus a numbered caseback. The edition is limited to 500 pieces. Pre-orders are open at $159, with shipping slated for November 2026. The only notification it will ever send you is the time.

Designer: Benly Watch

Pixel Cursor Hands and Two Desktop Dials

One hand is a classic arrow pointer, and the other is the little pointing hand that appeared whenever you hovered over a link. Together they move around the dial telling the time, which is the most productive thing a cursor has done since the invention of the screensaver. Everything else on the dial stays put. On the blue version, an ARCHIVE window with File, Edit, and View menus holds WORK, PHOTOS, and NOTES icons, while DESK, SAVE, and FILES shortcuts line the left edge. Chunky pixel numerals mark 12, 3, 6, and 9, and the taskbar reads MENU, ARCHIVE, and READY, speaker icon included.

The white dial swaps teal for a creamy beige and renames the main window DESKTOP, with COMPUTER, FILES, and DISK icons and a simpler “Loading…” bar. Its numerals almost disappear into the background, so it looks like a screenshot someone shrank down and laminated. I like that the two dials feel like two moods of the same machine. Blue is the cheerful default everybody remembers from the family PC. White is the office computer in accounting that never got its wallpaper changed. Both keep that SYSTEM “Ready” box parked near the center like a promise.

The Windows 95 Design Behind the Dial

Windows 95 launched on August 24, 1995, backed by a $300 million marketing push, a launch event hosted by Jay Leno, and people lining up at midnight to buy an operating system. Its startup sound was composed by Brian Eno, which remains a wild sentence to type. The interface reflected the work of a design team led by Virginia Howlett, a painter by training. Those teals, royal blues, and medium grays came partly from the limited color palettes of graphics cards at the time. Hardware limits, basically, turned into an aesthetic people now pay money to recreate.

Three decades later, Windows comes with Copilot, Teams, and a Solitaire that serves you ads, and Howlett herself has called the Windows 95 years a “kinder, gentler time.” The Desktop 95 taps into that feeling. It’s a desktop with no updates, no pop-ups to dismiss, and no assistant asking how it can help. The only thing missing is Clippy, though in fairness he didn’t arrive until Office 97, and the dial is probably better off without a backseat driver.

Case Specs, Pricing, and Availability

The case measures 39mm across and 44.5mm long, and at 10mm thick it should slip under a shirt cuff without a fight. It’s made from 316L stainless steel, with a matching steel caseback engraved with the Desktop 95 name and an individual edition number. The leather strap is 20mm wide and fits wrists from 5.3 to 8.1 inches (13.5 to 20.5cm), with Milanese mesh and steel bracelet versions also available. Inside is a Swiss quartz movement, which suits the theme, because nobody in 1995 wanted to wind anything except a VHS tape. Water resistance is rated at 5 ATM.

Most of Benlywatch’s catalog is retro-futurist digital hardware with OLED and LCD screens, from the Cybertruck-inspired Future Warrior to its 1970s-style Stargazer. The Desktop 95 takes a different approach, recreating a screen on an analog dial. It’s listed at $159 on pre-order through Benlywatch’s website, limited to 500 pieces, with shipping expected in November 2026. Free worldwide shipping is included, and the brand covers import taxes and duties.

The post The “Desktop 95” Watch is a love-letter to the greatest Windows OS of all time first appeared on Yanko Design.

Camping stoves can be awkward things to pack, especially when the burner and pot supports insist on keeping their cooking shape inside your bag. Easy Cooking approaches that problem with a folding stove concept that tucks its parts into an elongated, rounded case. Developed in 2023, it proposes a smaller package for the trip without making you assemble a kitchen from loose pieces.

The closed body has a sandy beige finish, interrupted by black details and a short fabric loop at one end. Concentric slots near the opposite end echo the circular burner hidden inside, while a field of smaller perforations breaks up the broad face. It’s a restrained way to give camping equipment some character without covering it in rugged-looking armor or oversized branding.

Designers: Hao Kong, Qi Qiu

Opening it changes the relationship between those parts. The burner extends away from the housing, and three serrated pot supports spread around it to create a cooking position wider than the packed form. Folded inward, those supports nest alongside the burner. The proposal concentrates on rearranging what a stove needs, rather than giving a conventional rectangular cooktop a handle and calling it portable.

The fuel cartridge sits lengthwise inside the open housing, keeping the supply beside the burner rather than requiring a separate fuel hose. A large rotary dial occupies the side, and an OPEN label marks a separate control on top. Those familiar physical cues suggest where to begin, although the presentation doesn’t explain the ignition system or the cartridge’s locking and release mechanisms.

That arrangement would make sense for a quick outdoor meal, when you want to put a kettle on without unpacking a boxy tabletop appliance. The enclosure serves two jobs: concealing the burner for transport and accommodating the cartridge once the stove is deployed. Its usefulness would depend on how easily those parts move, especially after grit and food residue get into the joints.

There’s a precedent for this kind of transformation. Snow Peak’s Home & Camp Burner, released in 2019, also folds its burner into an enclosure that holds a butane cartridge during use. Easy Cooking explores that packing problem with a flatter, capsule-like outline. The shared idea makes the details of deployment more interesting than any suggestion that folding a stove is entirely new.

Easy Cooking remains a concept rather than an established retail product. There’s no mention of dimensions or weight figures to demonstrate how much space it saves, and material grades aren’t specified. The folding supports leave practical questions about how a full pot would be held above the ground, particularly when stirring or lifting it could shift the load across that narrow structure.

Heat management matters as much as the folding trick. Snow Peak warns that certain cookware can radiate enough heat toward its canister to create a hazard, a reminder of what’s at stake when fuel and flame share a small footprint. Making the stove disappear for travel is appealing; keeping its fuel from overheating once a pan goes on top demands more care.

The post Easy Cooking Stove Concept Folds Its Burner and Pot Supports Into One Case first appeared on Yanko Design.

OpenAI tests AI for hardware design and vehicle engineering. Explore manufacturing limits and what businesses should check before adopting these tools.

The post OpenAI Expands AI Engineering Tests From Devices to Vehicles appeared first on TechRepublic.

A phone with a screen beside its rear camera is a literal way to improve a selfie. A mouse that folds flat takes a direct approach to an overstuffed laptop bag. Our November gadget selection starts with those practical ideas, then moves through music players, a camera, a keyboard, and a handheld console that makes its electronics part of the view. Each earns its place through a specific design decision.

These are our editorial picks for November 2026, not eight November launches or winners from a comparative test. The selection includes products offered for purchase, announced hardware, and projects still working toward production, with those differences identified below. We’ve favored useful mechanisms, distinctive controls, and objects that offer something beyond another spec upgrade. Consider it a guide to what deserves attention, with availability treated as carefully as the industrial design itself.

1. Acer Sospiro A70 5G Phone

The Acer Sospiro A70 gives its rear camera a useful companion: a 1.88-inch display that doubles as a selfie viewfinder. Instead of guessing your framing when using the 64MP main camera, you can check it on the back of the phone. That small screen sits inside a broad, V-shaped camera module, giving the handset an identity beyond its logo. Senwa Global, which licenses the Acer name for phones in Latin America, is the company behind this particular Acer-branded 5G model.

The rest of the hardware preserves options many buyers still value: a 3.5mm headphone jack, 256GB of storage, and microSD expansion up to 1TB. A 5,000mAh battery accompanies the 6.67-inch main display, although its 120Hz refresh rate comes with a modest 720 × 1600 resolution. That’s the compromise behind the feature list. Pricing and the launch date remain unconfirmed in our sources, and a US release hasn’t been established, so this belongs on a watchlist rather than a shopping cart.

What we like

• The rear display provides framing when taking selfies with the main camera.
• A headphone jack and expandable storage preserve useful everyday options.

What we dislike

• The main screen pairs a large panel with relatively low resolution.
• Pricing, launch timing, and US availability remain unresolved.

2. OrigamiSwift Folding Mouse

A conventional mouse is awkward luggage because its useful shape becomes wasted volume when you close the laptop. Horace Lam’s OrigamiSwift addresses that with a folding, origami-inspired body that rises into a working mouse and flattens for storage. At 40 grams, it adds little weight to a mobile setup. The more interesting achievement is giving the mouse two distinct shapes for two different jobs, rather than asking you to work all afternoon with a permanently shrunken travel accessory in hand.

Bluetooth 5.2 handles the connection, while USB-C recharges a battery that rates for up to three months of use. The $85 asking price buys a more considered packing solution, not a promise that every hand will prefer its angular form. There’s also a dimensional catch worth understanding: the flattened body spreads to roughly 4.8 by 5 inches, and the sensor housing stays thicker than the panels. It’s better suited to a slim laptop sleeve than a tiny pocket.

Click Here to Buy Now: $85.00

What we like

• Folding construction reduces the thickness needed for storage.
• Its 40-gram weight makes it a modest addition to a laptop bag.

What we dislike

• The flattened shape still occupies an almost five-inch-square footprint.
• The thicker sensor housing prevents a uniformly flat profile.

3. OnePlus Ice Card Mini

OnePlus’s Ice Card Mini is a China-listed magnetic phone cooler with a refreshingly restrained shape. At about 50 grams and 70 by 53.4mm, it resembles a small card accessory more than the clip-on fans associated with gaming phones. Inside, thermoelectric cooling works alongside an air-cooling system. The appeal is straightforward: an external accessory intended to manage heat without turning the phone into something that needs its own carrying case. It’s a focused answer to an accessory category prone to bulk.

The Mini takes power over USB-C, drawing up to 3.5W according to the published specifications. You can power it from the phone, a power bank, or an adapter, but that means the magnetic attachment doesn’t make the setup wireless. An included magnetic plate extends compatibility to phones without built-in magnets. That flexibility is welcome, especially if you change handsets regularly. The remaining questions are practical ones: case compatibility, the effect on your games, and availability outside its initial Chinese market.

What we like

• The compact magnetic format avoids a bulky clamping mechanism.
• USB-C power allows several options beyond a wall outlet.

What we dislike

• It requires a power connection during use.
• Cooling performance and US availability need confirmation.

4. ClearFrame Speaker CD Player

The ClearFrame Speaker CD Player gives an album two jobs: something to play and something to display. Its transparent body reveals the spinning disc and circuitry, while an included tray lets you insert the album artwork instead. That makes its appearance change with your listening rather than stay fixed behind a manufacturer’s grille. This is the speaker-equipped version of ClearFrame, with a built-in 40mm driver and bass diaphragm, so it can play your CDs without an additional speaker beside it.

At 27mm thick, the $240 player has proportions closer to a book than a conventional stereo component. It features six to seven hours of speaker playback, with USB-C charging and a 3.5mm headphone output. Bluetooth 5.3 sends CD audio to compatible headphones or speakers; it doesn’t receive music from your phone. That distinction matters if you’re imagining a transparent Bluetooth speaker. A display stand and wall mount cost extra, so budget for the arrangement you want at home.

Click Here to Buy Now: $240.00

What we like

• Album artwork becomes part of the player’s appearance.
• The built-in speaker removes the need for a separate listening setup.

What we dislike

• Bluetooth transmits CD audio but cannot receive music from a phone.
• Display accessories and wall-mounting hardware aren’t included.

5. Sudo Music Player

New Matter’s Sudo revisits the dedicated music player with an interface built around a capacitive scroll wheel and haptic feedback, paired with a touchscreen. The appeal is choosing an album on a device whose main purpose is listening, rather than opening another destination on your phone. Planned hardware includes a Cirrus Logic DAC, a 3.5mm headphone jack, and USB-C digital audio output. This is upcoming hardware, though, with New Matter expecting the first batch to ship in early Q4 2027.

The specification gives that familiar format room to grow: 64GB of internal storage, microSD expansion up to 2TB, and support for formats including FLAC, MP3, and WAV. New Matter also lists Wi-Fi and Bluetooth, so the throwback controls don’t mean abandoning connectivity. A refundable $50 reservation goes toward an expected $249 purchase price, rather than buying a finished player today. For anyone rebuilding a local music library, it’s worth following, but the production schedule makes patience part of the proposition.

What we like

• A dedicated wheel gives music navigation its own control surface.
• Expandable storage accommodates a growing local library.

What we dislike

• Expected shipping is in Q4 2027, not this November.
• The $249 price remains an estimate, not a finalized retail figure.

6. AULA Neos 75 Keyboard

AULA’s Neos 75 puts a small control console beside an otherwise compact keyboard. Two metal knobs, round media buttons, and a 2.3-inch color display give the right edge the look of a miniature hi-fi component. The useful part is having volume and playback controls where your hand already works, without requiring another desk accessory. Designed by AULA.New Renaissance, the 84-key board also uses a CNC-machined aluminum chassis and aluminum keycaps, extending that hardware-focused approach across the surface you actually touch.

Custom low-profile Kailh switches sit in hot-swappable sockets, letting you change switches without soldering. A gasket mount supports the typing assembly, and wired, Bluetooth, and 2.4GHz connections offer different ways to connect your devices. China preorders opened in October, while wider regional availability needs checking before purchase. The physical compromise is right there in the layout: a compact 75% key arrangement doesn’t produce the smallest possible keyboard when a separate control console occupies the space along its entire right edge.

What we like

• Dedicated knobs and media buttons put frequent controls within reach.
• Hot-swappable switches leave room to change the typing setup.

What we dislike

• The side console expands the footprint of the compact key layout.
• A confirmed official US rollout remains unclear.

7. Fujifilm Instax Mini Evo 2

Fujifilm’s Instax Mini Evo 2 makes printing a choice rather than the unavoidable outcome of pressing the shutter. The hybrid camera lets you review and adjust a digital image before committing it to Instax Mini film. Its lens-effect dial, film-effect dial, and print lever preserve physical actions alongside a 4.5-inch touchscreen. For someone who likes the idea of instant photography but hates wasting film on an accidental exposure, that division of labor makes more sense than nostalgia on its own.

The camera offers 10 lens effects and 10 film effects, giving you 100 combinations before printing. Expanded View shows the area beyond the intended print frame, while the updated app supports printing smartphone photos and remote shooting. Fujifilm lists a US MSRP of $289.95, with availability expected toward the end of November. Film remains a separate purchase, and the new short-movie feature needs a microSD card. Those ongoing costs deserve just as much consideration as the camera’s appealing physical controls.

What we like

• Reviewing images before printing gives you control over film use.
• Physical effect dials complement the touchscreen rather than disappearing into it.

What we dislike

• Instax Mini film adds an ongoing expense.
• The short-movie feature requires a separately purchased microSD card.

8. Arduview Transparent Gaming Handheld

Arduview takes transparent electronics beyond a clear shell. Louis Huang’s handheld also uses a see-through circuit board and display, leaving the background visible around its illuminated cyan pixels. It’s an unusually direct way to turn the workings of a gadget into its visual identity. This isn’t only a rendering trick: VGC reports using a working unit and confirms that the transparent screen functions as shown. The project is now crowdfunding, rather than sitting on a shop shelf ready for delivery.

Built on the open Arduboy platform, the 50-gram device is pitched around 400 preloaded games and USB-C charging. That makes it a small, focused alternative to a phone full of gaming apps, with room for enthusiasts to explore the underlying platform. Arduview’s maker projects February 2027 shipping for early supporters, rather than November availability. Its appeal rests on a deliberately narrow gaming experience and a display construction; neither should be confused with the capabilities of a larger, mainstream handheld console.

What we like

• Transparency extends to the screen, not merely the enclosure.
• The open Arduboy platform offers scope for tinkering beyond preloaded games.

What we dislike

• February 2027 shipping is a projection, not immediate availability.
• Its niche Arduboy library won’t suit someone seeking mainstream console games.

Match the Gadget to the Habit

The most useful way to approach this list is to start with a recurring annoyance, not an empty spot on the desk. A mouse that packs differently has a clear job. So does a CD player that lets an existing collection leave the cupboard. More specialized hardware needs a closer match to your habits: a phone cooler only matters if heat is a problem you actually encounter while using it.

Timing deserves the same scrutiny as design. A reservation, a crowdfunding pledge, and a retail order are different commitments, even when the product photography makes them look equally finished. If you need something for this month, check the version, delivery estimate, and accessories before paying. If you’re following an upcoming design, keep the expected date in view. An interesting object can be worth watching without being the right purchase today.

The post The 8 Best Tech Gadgets of November 2026 first appeared on Yanko Design.

Cordless table lamps let you move the whole fixture, but sometimes you only need to take the light. Studio Apure’s NOX makes that distinction with a magnetic head that lifts away from its stand and becomes a small flashlight. The stand can stay beside your chair while its illuminated tip follows you down a dark hallway, without carrying the base along for company.

The shape gives that arrangement a surprisingly tidy home. A slender upright rises from a flat circular foot, with a shorter cylinder attached near the top. There’s no broad shade or long articulated arm competing for space above a bedside table. Onyx Black, Nimbus Grey, and Dune Beige keep the finish choices subdued, letting the changing angle of the head supply most of the character.

Designer: Studio Apure (via The Curation)

That head rotates through 360 degrees, so you can redirect the beam without shifting everything else on the table. An adjustable lens changes its spread from a broad glow to a concentrated spot. You might keep the light wide during dinner, then narrow it toward a book afterward, giving the same small fixture two different jobs without changing where the stand sits.

Brightness gets its own adjustment, separate from the beam’s width. Tap the top of the head to switch the LED on or off, and hold to dim it between 5% and 100%. Its 140-lumen output has a warm 3000K color temperature. The touch control stays with the detachable head, so it remains accessible when you’re carrying the light without its supporting stand.

Taking it off the stand changes the scale of what you’re carrying. You can check behind a sofa or retrieve something from a dark closet without balancing an entire lamp in one hand. Return the head to its magnetic attachment, and its battery recharges from the stand. That gives the removable part a parking spot, which is useful for something so small.

Studio Apure estimates 12 to 14 hours of cordless operation for the complete lamp and up to an hour for the detached flashlight, both at full brightness. Recharging the lamp takes about seven hours using the supplied dock and adapter. The stand is therefore the longer-lasting arrangement, while the little light you pull away is better suited to shorter trips around home.

Outdoor trips still come with a few restrictions. NOX carries an IP54 rating, but Studio Apure restricts it to indoor or covered outdoor settings and advises avoiding direct water contact. A sheltered patio table fits that brief; leaving it exposed in the garden doesn’t. Cordless operation removes the outlet from the seating arrangement, not the need to bring the lamp under cover.

Listed at $385, NOX puts a substantial price on that flexibility. Its 2.03-pound weight still lets you carry the whole lamp when you want light somewhere else, while a flashing red ring warns you when it’s time to recharge. You’ll just need to return the head to its stand, since a magnetic connection can’t recharge something you’ve abandoned in a kitchen drawer.

The post NOX Cordless Lamp Lets You Carry the Beam Without the Base first appeared on Yanko Design.

A knight’s horse-shaped head is easy to recognize, but it offers no clue about that peculiar L-shaped move. That’s a small frustration with learning chess: identifying the pieces and remembering what they do are two separate tasks. I like the idea of giving their shapes a little more responsibility, especially when the alternative is explaining the knight’s movement for the fifth time.

Pinke Gans’s Bauhaus Chess Set, a LEGO Ideas fan concept, takes that possibility as its starting point. According to the designer, the idea emerged during a summer visit to the Bauhaus Museum in Weimar, Germany, where Josef Hartwig’s geometric chess pieces brought LEGO bricks to mind. It’s an appealing connection: a construction system built around basic shapes meets a chess set designed to make those shapes meaningful.

Designer: Pinke Gans

Hartwig designed his Bauhaus chess set in 1923, while working at the school in Weimar. Its abstraction wasn’t simply a matter of removing decorative details. The pieces used their forms to communicate their movement, replacing familiar figures with a geometric vocabulary. A minimalist chess set can still leave you memorizing arbitrary symbols; Hartwig’s approach gives some of those symbols a practical explanation.

The knight is the clearest example. Its stepped shape echoes its L-shaped movement, while the bishop’s diagonal cross relates to its diagonal paths across the board. Pinke Gans’s version carries those recognizable forms into bricks. These are useful memory cues, not a complete substitute for learning the rules. Nobody should expect a small cube to explain every complication of a pawn’s first move or capture.

In the supplied images, the queen provides the most conspicuous departure from all those straight edges. Its rounded top becomes a faceted, layered construction, with individual elements visible around its surface. Nearby, the king has a smaller cube turned relative to its base. Together, they introduce enough variation to interrupt the rows of blocks. The brick-built approximation of a sphere gives the queen a texture of its own.

That translation is more interesting to me than a perfectly smooth replica would be. Historical examples of Hartwig’s set were made in wood, so rebuilding the forms in LEGO changes how their surfaces read. Here, joints and tile seams remain visible. They establish a second, finer grid within the larger chessboard pattern, making the construction legible even where exposed studs don’t dominate the design.

The board itself stays restrained: black and white squares, a dark perimeter, and no elaborate scenery competing with the pieces. From the lower viewing angles, the arrangement resembles a small collection of architectural models. I could see this earning its place on a living room table because the visual interest comes from proportion and repetition, rather than decoration.

There is a potential usability tradeoff, though. If you already recognize conventional chess silhouettes instantly, a geometric set asks you to learn a different identification system before its logic becomes helpful. A blocky king and a rounded queen might be clear once explained, but that doesn’t establish faster recognition during play. The images also can’t tell us how securely the pieces hold together when repeatedly picked up.

The project is presented as a LEGO Ideas proposal, rather than an announced retail set. That distinction deserves to stay attached to the enthusiasm. Fan product ideas that reach 10,000 supporters may be considered for production, but reaching that threshold doesn’t itself put a box on store shelves. This submission shouldn’t be treated as a confirmed release or given an imagined price.

For me, the strongest reason to want it is the opportunity to assemble the shapes before playing with them. Building a knight’s stepped form could make its design rationale more tangible than simply reading an explanation beside a finished piece. You’d still need to learn chess. But spending a little time constructing the thing that represents a move seems like a particularly appropriate introduction to Hartwig’s idea.

The post LEGO Bauhaus Chess Concept Has Hidden Clues to Its Moves first appeared on Yanko Design.

Every Green Lantern has the same annoying chore. Once a day, the ring needs a top-up, so our cosmic cop has to press his fist against a glowing green lantern and recite a whole poem before it’ll charge. Imagine your iPhone demanding spoken word every night before you plug it in.

Xedge’s NoxTi TRI skips the ritual. It’s a pocket-sized lantern in Grade 5 titanium that hangs off your keys or around your neck, with three glow tubes tucked inside. Fit it with tritium tubes and it glows without charging, a switch, or poetry, slowly dimming over a couple of decades. Prefer something non-radioactive? Photoluminescent tubes absorb light and glow after dark. Hal would be jealous.

Designer: Xedge

Click Here to Buy $35 $55 (36% off). Hurry, only a few left! Raised over $81,000.

Three Tubes, One Glowing Core

NoxTi TRI holds three 3 x 22.5mm glow tubes spaced 120 degrees apart to keep the glow visible from more angles, whether the capsule is dangling from a keyring or lying in a cupholder. The tubes sit in a custom carrier made of optical-grade PMMA acrylic, for which Xedge claims around 97 percent light transmission. The carrier is designed to use total internal reflection to distribute the light, making the three tubes appear as one luminous core behind the titanium windows.

Six colors are on the menu: Apple Green, Ice Blue, Ocean Blue, Red, Violet, and Sunset Orange. Run one across all three slots for a uniform glow, or mix them. Yes, that means three Lantern Corps on one keyring. Tritium is the set-and-forget option. Its half-life is about 12 years, so the glow gradually dims rather than switching off, with Xedge describing a usable lifespan of about two decades. That’s still a better deal than any battery I own. The tritium is sealed inside glass vials, and Xedge reports a radiation-meter reading of 0.07 µSv/h. Photoluminescent tubes are the cheaper, non-radioactive option, recharging through exposure to light.

Titanium Outside, Shock Absorbers Inside

The shell is CNC-machined from Grade 5 titanium, an alloy also used in aircraft parts and bone implants. Its corrosion resistance should suit the sweat and daily handling of life on a crowded keyring. It measures 47mm long and 14.3mm across, and weighs 15.8 grams, roughly the weight of three US nickels. Inside, a quartz sleeve surrounds the glowing core to help keep dust out and the view clear, while O-rings seal the threaded body. Xedge says it tested the design at temperatures from minus 20°C to 100°C. It comes in sandblasted raw titanium or a stealthier Black DLC finish. I’d pick the black, purely because the glow stands out more against it.

The more interesting detail is how the design cushions those glass tubes. Each one rests on a 3mm silicone ball, and a stainless steel spring under the core is intended to absorb jolts from dropped keys or a swinging pendant. That spring sits on a magnetic base to help keep it in place when you unscrew the body to swap tubes, reducing the chance of tiny parts bouncing across the kitchen floor. A machined Tri-Index Cap keeps all three tubes aligned with their windows. Xedge says every component is accessible and replaceable, giving the titanium shell a chance to outlive several sets of tubes.

Wear It, Clip It, Break Glass With It

The attachment hole at the top takes a split ring, a quick-release clip, or a chain, so the TRI can live on your keys, hang off a bag zipper, dangle from a phone strap, or ride around your neck as a pendant. The kit supports both single-tube and triple-tube setups, so you can switch between them. On the opposite end sits a ceramic glass-breaker bead, intended for breaking car windows in an emergency, which I sincerely hope nobody ever needs. Keep expectations calibrated, though: this is a locator glow for finding your keys or bag in the dark. It won’t light up a trail.

The NoxTi TRI Kickstarter campaign lists a retail price of about $55 (HK$429) per unit. Pledge pricing starts at $35 for the launch special, followed by $39 for Super Early Bird and $45 for Early Bird, with two-packs from $65 and a four-pack at $119. Glow tubes are separate add-ons: tritium costs $20 per tube or $60 for three, while photoluminescent tubes are $7 each or $15 for three. Extras include the Black DLC upgrade ($15), a stainless steel necklace ($12), a titanium quick-release clip ($15), and titanium split rings ($12 for three). Shipping is listed as free worldwide, with deliveries planned for February 2027. Xedge hasn’t published warranty terms yet.

Click Here to Buy $35 $55 (36% off). Hurry, only a few left! Raised over $81,000.

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Jackery’s new Explorer 100D looks like it should play AM radio. The squat little cube has a framed front panel, orange slatted vents down its sides, and a webbing strap you’d expect on a vintage transistor set. Instead of tuning into ballgames, it stores 96Wh of energy and delivers up to 158W across two USB-C ports and one USB-A port. It measures 4.67 by 3.25 by 3.37 inches (11.9 x 8.3 x 8.6cm), making it roughly softball-sized, and weighs 1.87 pounds (850g). It’s the smallest power station Jackery has ever built.

Jackery’s D-series models skip the AC outlet entirely, and that decision explains much of the design. They don’t need an inverter, a bulky component that generates heat and often requires a cooling fan. Leaving it out lets the box shrink to desk-friendly proportions, while the 96Wh battery sits just below the FAA’s 100Wh threshold for batteries carried without airline approval. Jackery estimates more than four charges for an iPhone 17 or Galaxy S26, or roughly one full recharge for a 14-inch MacBook Pro. That’s a useful reserve in something that weighs less than the laptop it’s charging.

Designer: Jackery

One Button Runs the Whole Show

A TFT display on the front tracks input and output wattage, battery level, and estimated runtime, with additional screens for battery health, cycle count, and internal temperature. One DISPLAY button handles it all. Tap once to flip between status screens, double-tap to keep the screen on or switch it off, and hold for three seconds to enter Low-Power Charging Mode. That last trick is for smartwatches and earbuds. Some power banks stop supplying power when a device draws too little current, leaving you with AirPods stuck at 40%. Jackery’s dedicated mode is designed to keep power flowing to those smaller gadgets.

The screen resembles a car’s instrument cluster, with a circular battery gauge in the middle and input and output readouts flanking it. A glossy, framed front panel groups the display and ports into a single face, which is where the transistor-radio vibe comes from. Port labels are printed directly on the panel, and a small bracket under the two USB-C ports marks their 140W maximum. The horizontal vent slats carry Jackery’s signature orange. Four rubber feet help keep it steady on a café table, and the strap fastens to round studs on either side.

140 Watts That Fit in a Tote Bag

The USB-C ports offer up to 140W and support three fast-charging protocols: USB Power Delivery (PD), Programmable Power Supply (PPS), and Adjustable Voltage Supply (AVS). PD serves modern laptops, PPS fine-tunes voltage for compatible devices, including Samsung phones, and AVS is the newer addition Jackery highlights for Apple gear. Jackery claims the 100D can charge an iPhone 17 to 50% in 21 minutes. Total output across all three ports reaches 158W, allowing a laptop, phone, and pair of earbuds to share it. The 18W USB-A port handles whatever legacy cable is still living in your bag.

Recharging options include a 140W USB-C wall charger, a 100W car charger, or a 100W solar panel. Jackery quotes 1.7 hours from zero to 80% on solar. Car charging supports both 12V and 24V sockets, covering semi-truck cabs as well as hatchbacks. Car and solar charging use a USB-C to DC8020 adapter connected to C1, the only port that accepts input. When charging the battery and powering devices simultaneously, input and output are capped at 100W each, worth knowing if you plan to use it as a desk hub. Jackery rates the LFP cells for 3,000 cycles before capacity drops to 80%, equivalent to more than eight years of daily cycles.

The Pocket-Size Panic Buy

The 100D replaces the Explorer 100 Plus, Jackery’s previous smallest station, with several improvements. Weight drops from 2.13 pounds to 1.87, output climbs from 128W to 158W, and rated cycles rise from 2,000 to 3,000, with a 3Wh reduction in capacity. The one step back: only one USB-C port accepts input, whereas the 100 Plus could charge through either. Anker’s Solix C200 DC is an obvious rival, offering 192Wh for $149. That doubles the energy but exceeds the FAA’s 160Wh upper limit for spare lithium-ion batteries in passenger baggage, ruling it out for air travel.

Walmart is scheduled to start selling the 100D for $99 on November 15, Costco already offers a two-pack for $179.99, and Jackery lists it at $119 on its own site, with sign-ups for preorder alerts. It’s a compact entry into 2026’s power-station panic buy. Large home-backup stations are built to keep appliances running during an outage. The 100D is for the laptop deadline at an airport gate where every outlet is taken, or the campsite with no plug for miles. It’s a power station you might actually use on a Tuesday.

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The traffic cone is basically a Rorschach test for the internet generation. Construction workers see a long night shift, college kids see dorm decor, and anyone who’s ever downloaded a movie sees VLC. I mostly see something to swerve around. Xinhao Guo saw a robot. Guo led a student team at the Beijing Institute of Technology that developed SkyCone, a drone concept designed to fly to a highway incident, land in position, and fold itself into a traffic cone.

Guo’s teammates were Songyan Pan, Zixu Zhang, and Wanzheng Liu, and their concept won in the Conceptual Industrial Product Design category at the 2026 European Product Design Award. SkyCone is designed to fly as an X-shaped quadcopter, with each of its four triangular arms housing a ducted propeller. After landing, the arms would tilt up and lock together at magnetic tips, forming a four-sided pyramid with the familiar orange and white stripes. The goal is to keep workers out of live lanes. The team cites a figure that 57% of frontline highway personnel consider manual cone placement their most dangerous task.

Designers: Xinhao Guo, Songyan Pan, Zixu Zhang & Wanzheng Liu

A square central hub anchors SkyCone, carrying a downward-facing camera on a gimbal, with an LED strip and a non-slip mat built into its underside. The four arms are what the team calls Triangular Prism Buckets, hollow orange wedges that each surround a ducted propeller. Red magnetic locks with integrated indicator lights cap the arm tips, which meet at the cone’s apex when everything folds shut. Reflective strips trace the arm edges to improve visibility. My favorite detail is graphic: the white cone bands sit on the faces that point outward after folding, so the drone only looks like a cone once it actually is one.

Charles D. Scanlon, a Los Angeles street painter, designed the modern traffic cone to keep cars away from his wet paint, building it from rubber and fabric salvaged from old tires. His patent was granted in November 1943, and Interstate Rubber Products began manufacturing the design in 1947. The cone eventually made it into the Manual on Uniform Traffic Control Devices, the federal traffic-control manual. Materials and reflective collars have evolved over eight decades, yet the silhouette has barely budged. SkyCone largely keeps that familiar shape while changing how it gets into position, a sensible approach for an object drivers need to recognize quickly.

Placing those cones is still mostly manual work, with crews riding the back of a slow-moving truck or walking beside it and setting cones down a few feet from passing traffic. The US recorded 850 work zone deaths in 2024, an average of more than two a day. In March 2023, a single crash on I-695 outside Baltimore killed six roadway workers. The SkyCone team describes the first few minutes of an emergency or maintenance call as the most critical stretch, when crews are particularly exposed. A fleet of drones that could position cones before anyone steps out of the truck might reduce that initial exposure.

Brisbane-based Arrowes has already built an Automated Cone Truck that drops a cone every five seconds. On Melbourne’s Eastern Freeway, it handled 65,000 cones while cutting worker exposure to live traffic by roughly 500 hours. Caltrans and UC Davis developed a cab-operated cone machine back in the 2000s, and Spain’s Sacyr and GMV set out to prototype a self-driving trailer with an AI-guided robotic arm. Each system relies on a truck or trailer. SkyCone proposes making each cone responsible for its own delivery. Chris Chang’s Apiece showed in 2022 that a cone could be assembled from flat triangles, and SkyCone basically gives those triangles propellers.

The team’s renders place SkyCone at a nighttime highway repair, an incident scene behind an arrow-board truck, a rockfall on a mountain road, a snowed-over highway, and the crumbling edge of an open-pit mine. The mine scenario sold me, since walking a crumbling pit edge to place cones sounds like a genuinely terrible afternoon. SkyCone joins a line of highway concepts that propose sending machines into hazardous places. The Highway Patrol Drone was designed to wait on light towers and fly to crash scenes ahead of responders, while the Median AMB proposed riding the road divider like a monorail to skip traffic. SkyCone’s role would be marking off the scene so responders can work.

The European Product Design Award is a global, open-entry program run by Farmani Group. SkyCone won in its conceptual tier as a student project, so the award recognizes a design proposal rather than proven roadside performance. Guo and his team want the cone to get into position on its own; whether it can do that reliably beside live traffic remains to be demonstrated. My brain will probably keep saying VLC whenever I see a cone, but now it’s going to add “robot” right after.

 

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Nike and LEGO kicked off their in-line product collaboration with the LEGO x Nike Air Max Dn bright yellow sneaker in August 2025. Now the duo is targeting kids this holiday season with new additions to their multi-year partnership. Within a month from the the release of the Jordan’s 30th-anniversary Space Jam collection, Nike has teamed up with LEGO to unveil the space-inspired kids’ basketball collection that comprises Air Force 1 Low LV8 and S.T. Dynamite sneakers.

The two new space-inspired basketball sneakers are from the same collection, but are starkly different from each other, right from their DNA to the aesthetics. The Nike x LEGO collaboration, which has been limited to the courts on Earth until, is now inviting kids to imagine basketball beyond the court, in outer space, if you may.

Designer: Nike

As mentioned, the Nike x LEGO basketball collection is radically different, but shares the space theme. It has been, according to Nike, “created for basketball-loving kids.” The company says, “the collection gives young athletes new ways to connect with the sport,” without compromising personal style or their seriousness toward the sport.

If you’re interested, the Air Force 1 Low LV8 borrows its appearance from an actual astronaut spacesuit, while the S.T. Dynamite seems prepared for a game in an icy blizzard. The shoes are available in sizes ranging from 10.5C to 7Y.

The Nike Air Force 1 Low LV8 is reimagined with an upper that looks like an astronaut’s spacesuit. The sketched stitch detailing adds a constructed feel and playfulness, while the LEGO space-themed Swoosh and minifigs give the Air Force 1 a new feel that kids are definitely going to appreciate. It wouldn’t be surprising if basketball fans line up outside Nike stores to get a pair for their kids, not because they can’t get it in their size but for their little one to feel the fanfare.

The Nike x LEGO collaboration gets a deeper meaning with the Nike S.T.Dynamite that takes basketball – the kids’ collection – to an “ice planet.” The sneaker wears a color-shifting finish and a glittering outsole to generate that outer space icy look. Alongside the space-inspired aesthetics, these new collaborative sneakers have multidirectional treads in the sole, bouncy foam cushioning, and a lightweight upper.

The Nike x LEGO kids basketball collection is not limited to footwear alone. The sneaker duo, which will be available in North America from November 24 (but is in stores elsewhere starting November 2), comes with printed ripstop trousers, a graphic T-shirt, and Dri-FIT basketball shorts with a lunar landscape print. Also, part of the collection is a full-zip fleece hoodie equipped with a basketball minifigure patch that changes as you move.

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Best known for its luxury coffee table books, Assouline is extending its design-led approach to everyday objects with the launch of The Library Collection: Game Room. This new collection reinterprets five familiar tabletop pastimes as carefully crafted lifestyle accessories, combining traditional games with premium materials and decorative detailing. Chess, backgammon, tic-tac-toe, dominoes, and playing cards receive a refined makeover, portraying them as objects designed for both entertainment and display.

The board game collection brings together rich walnut, pebbled and inlaid leather, brushed brass, heavyweight aluminium, and soft polysuede. A restrained colour palette of red, camel, brown, and stone gives the five pieces a consistent visual identity, allowing them to complement contemporary interiors, libraries, studies, and living spaces. Rather than changing how these games are played, Assouline focuses on their physical presentation, turning familiar objects into collectible pieces that can remain on display between games.

Designer: Assouline

Leading the board game collection is the Empire Chess Set, priced at $2,500. The chessboard combines a walnut structure with a brushed brass border and an inlaid pebbled leather playing surface. Integrated removable drawers provide storage for the pieces, while soft polysuede underlays add another layer of finish. Its heavyweight aluminium chess pieces feature brass accents and sculptural forms. One notable detail is the queen, whose crown draws inspiration from the distinctive visual motifs of artist Jean-Michel Basquiat.

The Pebble Backgammon Set follows at $2,250, housed in a solid walnut case with an inlaid leather playing surface. Its checkers are wrapped in leather and finished with brass detailing, while the dice are hand-painted in Assouline’s signature colour palette. The combination of tactile materials and traditional craftsmanship gives the set a more considered presence than conventional board-game accessories.

For a more compact alternative, the Library Tic-Tac-Toe Set costs $750 and combines walnut with pebbled leather. Its playing pieces introduce an unusual design detail: alongside wood and brass markers, the O-shaped pieces take the form of miniature books, referencing Assouline’s publishing heritage.

Completing the lineup are the Pebble Domino Set and Pebble Playing Card Set, priced at $650 and $450, respectively. The dominoes feature oversized leather-inlaid tiles framed in walnut, with recessed walnut pips and a distinctive pebble-shaped brass handle on the storage box. Meanwhile, the playing card set includes two gold-gilded decks featuring Didot typography and illustrated jokers depicting characters juggling books. Both decks are housed in a sliding leather case.

With prices ranging from $450 to $2,500, The Library Collection: Game Room extends Assouline’s approach to design beyond printed publications. Each piece brings a familiar social activity into the language of luxury interiors, where material quality, craftsmanship, and thoughtful detailing are as important as everyday functionality. The collection is available through Assouline’s online store.

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Petoi has been shrinking Boston Dynamics down to desk size for almost a decade now. Dr. Rongzhong Li started the company in his dorm lab in 2016, after a video of his open-source robot cat prototype went viral. That cat became Nybble, a laser-cut wooden kitty, and it was followed by Bittle, a palm-sized robot dog that ended up in classrooms, research labs, and a surprising number of home offices. Petoi says it has shipped more than 30,000 robots to over 60 countries, all running its open-source OpenCat framework. Each new model has gotten smaller, smarter, and easier to build, which brings us to the newest pup in the litter.

Meet Quaddle, a palm-sized robot dog that walks, glides, spins, and does backflips using just four servos. That’s half what Bittle uses in its legs and roughly a third of what most quadrupeds need, thanks to a spring-loaded linkage Petoi calls the MinDoF leg, which lets one motor drive both the shoulder and the knee. It weighs about 6 ounces, snaps together without screws, and takes LEGO bricks on its back. You can teach it tricks by physically moving its legs, chat with it, or code it in anything from beginner blocks to ROS. Prices start at $179, which is pretty reasonable for a dog that never needs walking.

Designer: Petoi

How one servo runs an entire leg

Each of Quaddle’s legs hangs off a single servo, with a spring and a four-bar linkage doing the job a second motor normally would. As the servo swings the upper leg, the linkage folds the knee up and straightens it again, turning one rotating shaft into a proper step. Petoi calls this the MinDoF leg, short for Minimal Degrees of Freedom, a degree of freedom being one independent way a joint can move. The spring clips onto different anchor points, changing how stiff or bouncy each leg feels. In Petoi’s tabletop tests, Quaddle walks about one body length per second, turns 90° in a single step cycle, and climbs onto a ledge as tall as its own knee.

Walking machines driven by a single crank go back to Pafnuty Chebyshev, the Russian mathematician whose 1870s linkage turned rotation into a surprisingly lifelike stride. Theo Jansen’s wind-powered Strandbeests on Dutch beaches run on the same basic idea, and Quaddle feels like their tiny, battery-powered cousin. Petoi added one more trick by fitting small bearings to the tips of the feet. Angle the legs just right and those bearings become wheels, letting Quaddle glide across a smooth desk at around three body lengths per second without a single extra motor. Fewer motors also means less weight, less cost, and less battery drain, which is how the whole dog comes in at roughly 6 ounces.

Teach it tricks by hand, then teach it in code

On the Buddy and Scout models, every leg servo reports its position back to the robot, so you can teach Quaddle a move by simply grabbing its legs. Tap to start recording, guide the legs through whatever silly dance you have in mind, and tap again to have it play the motion back. There’s no app or code involved, and Petoi says you can teach it a basic walk in about ten seconds. Recorded moves can be pulled into Petoi’s Skill Composer software for fine-tuning and shared with other Quaddle owners. For a kid, this is probably the fastest route from “I wonder if” to a robot actually doing the thing.

Buddy and Scout split their thinking across two ESP32-S3 chips, one for motion and balance and one for voice chat and smart home control. A physical slide switch cuts power to the AI chip entirely, which is great for privacy and for days when your robot dog gets a bit too chatty. Coding starts with drag-and-drop blocks, moves to Python or MicroPython, and eventually reaches the Arduino C++ firmware. Bigger projects can mount a Raspberry Pi Zero on its back or plug into ROS, the software framework most research robots run on. A browser-based simulator runs the same code as the real robot, so you can test ideas on a laptop or even a phone with no robot in sight.

LEGO bricks, a Nokia battery, and three Quaddles to pick from

The top of Quaddle’s shell takes LEGO bricks, and Petoi will publish printable shells and mounts for anyone with a 3D printer. Petoi’s own demos have turned it into a walking LEGO AT-AT, a waddling biped called the NanoDuck, and a rover on Mecanum wheels, which use angled rollers to slide sideways. Power comes from a swappable Nokia-format phone battery, the same BL-5C shape that lived inside Nokia’s famously indestructible early-2000s handsets. Quaddle ships with the bigger 1,800 mAh BL-10C cell, good for roughly 1 to 1.5 hours of walking depending on the model. Plug it into USB-C while you code and it charges as it runs, so marathon debugging sessions are fair game.

Builder PLUS ($179) handles walking and coding, Buddy ($219) adds AI chat and teach-by-hand, and Scout ($269) adds a sensor head that detects gestures, light, distance, and people. All three are priced at $144, $175, and $215, with deliveries starting in December. For context, Petoi’s own Bittle X lists at $279, Unitree’s Go2 starts around $1,600, and Sony’s Aibo launched in the US at $2,900. Petoi spent a decade shrinking big robots down to desk size, and Quaddle shows the smartest way to shrink one further is to give it fewer parts.

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Halloween decorating can start small, with something like a skeleton on the porch. A strange little object on the dinner table, a lamp that reveals something unexpected, or a pair of shoes with eyes on the heels can be enough. The most interesting seasonal designs give familiar things a new personality, leaving room for a little mischief without turning the entire house into a haunted attraction overnight.

These eight picks approach the season through miniature storytelling, everyday utility, and atmospheric details. Some are unmistakably Halloween, while others suggest a darker mood without wearing a pumpkin on their sleeve. This is an editorial selection rather than a tested ranking or a collection of new releases. It includes retail products, an older lighting design, and a LEGO fan proposal, with those distinctions kept clear as we explore each one below.

1. Halloween Snow Globe

The Brick Artist’s Halloween Snow Globe puts a graveyard where you would normally expect a snowman. Published as a LEGO Ideas fan proposal, rather than an official retail set, it gathers a twisted tree, a floating ghost, and a pumpkin-headed scarecrow beneath a transparent dome. Its proposed hand crank rotates the scene, bringing a skeleton and spider into view from behind the tombstones. That gives the mechanism a storytelling purpose beyond simply displaying the same arrangement from another angle.

The published renders make the strongest case for its inclusion here. Orange leaves interrupt the black and gray palette, while a vampire on the base greets anyone approaching the miniature scene. It would be an appealing centerpiece for someone who prefers examining tiny details to hanging oversized decorations. The construction is less convincing from behind, where the moon exposes its studs, but that also reveals the theatrical thinking: this is a small stage with a carefully arranged opening view.

What we like

• Rotation reveals hidden characters.
• The dome contains an entire miniature Halloween scene.

What we dislike

• It is a fan proposal, not an official retail set.
• The rear view exposes some scenic construction.

2. Nike Dunk Low “Shibuya Halloween”

Nike’s Dunk Low Premium Halloween takes a quieter approach to dressing for October. The leather upper has a scaly appearance, with dark green and black keeping the daytime palette restrained. The more theatrical detail sits behind you: eyes on the heel tabs glow in the dark, accompanied by an outsole with the same effect. Nike also includes a Shibuya city tongue label, connecting the shoe’s familiar nickname to a specific detail rather than relying on Halloween colors alone.

For anyone who wants a seasonal accessory without committing to a costume, that restraint is the attraction. The familiar sneaker silhouette remains intact, and the monster character emerges through texture and small graphic interventions. It is a more flexible wardrobe proposition than footwear covered in pumpkins, at least aesthetically. The limitation is that much of the Halloween effect depends on darker surroundings. Nike describes the glowing elements but does not specify their duration, so treat them as decoration, not illumination.

What we like

• Heel eyes give a familiar sneaker an unexpected character.
• The dark palette is less overtly seasonal than orange graphics.

What we dislike

• The Halloween effect is subdued in daylight.
• Nike does not specify how long the glow lasts.

3. Skeleton Wine Glasses

Pottery Barn’s Skeleton Wine Glasses let a tiny skeletal figure do the lifting. Instead of decorating the bowl with a printed Halloween motif, the design incorporates the skeleton into the stem, with raised arms reaching toward the glass above. The manufacturer specifies a handmade zinc alloy embellishment and a bowl made from mouth-blown soda lime glass. It is a satisfying change of scale: something normally imagined standing in a doorway becomes the character supporting a drink at dinner.

This is a particularly useful direction for a Halloween table because the decoration participates in the meal rather than occupying another patch of tabletop. Set against plain plates and napkins, the figure could carry most of the seasonal theme on its own. The practical compromise comes afterward. Pottery Barn calls for washing by hand with mild soap and warm water, and the glass cannot be removed from its skeleton. These are entertaining pieces that ask for a little extra cleanup.

What we like

• The skeleton becomes part of the glass’s structure.
• One piece supplies both drinkware and table decoration.

What we dislike

• Cleaning requires washing by hand.
• The glass does not detach from the skeleton.

4. Elizabat Kitchen Scissors

Elizabat turns a pair of kitchen scissors into a bat without hiding what the tool is supposed to do. The wings form the handles, and a small face sits between them, giving the silhouette a character that becomes especially clear when the scissors open. OTOTO combines stainless steel blades with plastic and rubber components. The tool also incorporates a bottle opener and a nutcracker, putting several kitchen jobs inside a shape that would otherwise be easy to dismiss as novelty.

Something is appealing about letting Halloween enter through food preparation instead of adding another ornament to a shelf. Elizabat can remain in the kitchen after the decorations come down, assuming the bat aesthetic suits your everyday tools. OTOTO lists the scissors as dishwasher-safe, which is a useful distinction from the more demanding glassware in this collection. The wing shape is still a stylistic commitment, and the friendly expression should not obscure the fact that these are sharp kitchen scissors.

What we like

• The handles give the bat silhouette a functional role.
• Scissors, bottle opener, and nutcracker share one tool.

What we dislike

• The winged handles are visually busy.
• The playful appearance can obscure the sharp blades.

5. Angela Deane Incense Smoker

West Elm’s collaboration with Angela Deane brings a pair of small ceramic ghosts to the tabletop. Their uneven heights, dark eyes, and draped forms make them look more like curious visitors than threatening apparitions. The object is an incense smoker, giving the sculpture a role beyond standing on a shelf. Its soft, pale silhouette offers a useful alternative to the black metal, orange plastic, and deliberately distressed finishes that can make a Halloween display feel visually crowded before anything happens.

For a smaller seasonal arrangement, the ghost pair could sit beside a stack of books or become the focus of an otherwise ordinary side table. The ceramic form remains legible without needing a large surrounding display, which is part of its appeal. Incense introduces another layer of atmosphere, though smoke and fragrance will not suit every space or preference. West Elm recommends wiping the piece with a soft, dry cloth, so its upkeep is closer to caring for a sculpture than washing tableware.

What we like

• Two ghost figures create a charming sculptural composition.
• It combines seasonal decoration with an incense function.

What we dislike

• Incense smoke will not suit every space.
• Care requires wiping with a soft, dry cloth.

6. Agatha Spoon Holder & Steam Releaser

Agatha’s joke becomes clear as soon as a spoon passes through her hands: the utensil becomes a witch’s broomstick. Designed by OTOTO in collaboration with Uli Ben Israel, the purple silicone character works as a spoon holder and steam releaser. Her pointed hat and flowing outline make the Halloween reference immediate, but the cooking connection gives the character a reason to exist. A witch beside a pot is a more convincing piece of visual storytelling than a random seasonal graphic.

The appeal is strongest for someone who enjoys the season while doing ordinary things. Preparing dinner becomes the setting for the design, with the pot standing in for a cauldron and the spoon completing the scene. OTOTO lists the silicone as dishwasher-safe and resistant to boiling water. Fit still deserves attention, since a useful holder needs to work with your particular spoon and cookware. Agatha is a small accent rather than a decoration that changes the mood of an entire room.

What we like

• The spoon completes the witch’s broomstick silhouette.
• One silicone character serves two cooking roles.

What we dislike

• Compatibility needs checking against your utensils and cookware.
• Its decorative impact stays mostly around the stove.

7. King Edison Ghost Pendant Lamp

A dark pendant shade is not an obvious Halloween decoration until it reveals the chandelier hidden inside. Designed by Young & Battaglia for Mineheart, the King Edison Ghost contains a miniature brass chandelier within a shade of hand-blown black glass. According to the manufacturer, the interior becomes visible when the light is switched on. The result borrows the visual language of an old drawing room, then compresses it into an object whose exterior initially gives very little away.

This is the collection’s most permanent approach to creating an eerie atmosphere. There are no cartoon ghosts or seasonal slogans, just an illuminated object appearing through dark glass. It could appeal to someone who prefers a suggestion of haunted architecture to literal party decor. It also demands a different commitment: this is a ceiling pendant with a ceiling rose, not a lamp to unpack for one evening. Mineheart’s page currently offers availability notifications, so immediate purchase should not be assumed.

What we like

• Switching it on reveals an unexpected miniature chandelier.
• The ghostly effect does not depend on seasonal graphics.

What we dislike

• Ceiling installation makes it a longer-term commitment.
• The manufacturer currently directs shoppers to availability notifications.

8. Miniature Bonfire Wood Diffuser Set

Shinchi Ringyo’s Miniature Bonfire Wood Diffuser Set takes its seasonal cue from campfire stories rather than haunted houses. The Japanese design arranges miniature firewood on a stainless steel stand, using the wood to disperse aromatic oil. The stand measures about 2.1 by 2.7 by 2.3 inches, making this a tiny campsite rather than a conventional centerpiece. Its appeal lies in recognizing a familiar outdoor arrangement at a scale intended for a desk or shelf.

The Halloween connection is atmospheric, so this is the pick for anyone who would rather suggest a woodland evening than display another pumpkin. The shop lists cedar and Hakusan scent options, with the latter combining cedar, cypress, and lindera umbellata. Fragrance preferences are personal, and the set’s $99 price makes this a considered purchase for such a small object. Its role here is as an aroma diffuser; the listing’s separate stove claims are not the basis for recommending it.

Click Here to Buy Now: $99.00

What we like

• The miniature campsite offers a quieter autumnal mood.
• Its woodland theme can remain relevant after Halloween.

What we dislike

• At $99, it is expensive for a small decorative diffuser.
• The Halloween connection is indirect.

A Little Halloween Goes a Long Way

A good starting point is to choose the moment you want to change rather than the number of decorations you want to own. A dinner table needs something different from an entryway, and a kitchen tool earns attention differently from a display piece. Give one object enough space to be noticed. A distinctive silhouette or unexpected reveal can lose its effect when surrounded by too many competing seasonal props nearby.

It is also worth deciding how much Halloween you want to keep after October. Literal ghosts and skeletons can become an annual ritual, while darker lighting or woodland references may suit the room for longer. Neither approach needs to dominate the house. The pleasure is in finding a design whose particular joke, detail, or small surprise still makes you look twice when you pass it during an otherwise ordinary day.

The post The 8 Best Halloween Designs for a Delightfully Spooky October first appeared on Yanko Design.