The interiors most people aspire to these days tend to share a common trait: they’re clean, restrained, and almost aggressively neutral. Scandinavian minimalism, Japandi aesthetics, and muted palettes have dominated home design for years, and while there’s nothing wrong with a well-curated beige room, a lot of modern spaces have started to feel emotionally flat, like showrooms rather than places where people actually live.

That’s where the Caramel collection comes in. Designed by Moscow-based product designer Maxim Tatarintsev in collaboration with Russian brand Svoy Design, this new series of ceramic lighting and furniture takes a very different approach to interior objects. Rather than adding another understated piece to a polished shelf, it reaches back to a simpler, sweeter time, asking whether a lamp or a side table can carry something as intangible as joy.

Designer: Maxim Tatarintsev

Tatarintsev’s inspiration came from a period of deep personal reflection. Amid what he describes as the noise of contemporary life, he looked inward and found his answer in childhood, specifically in the candy that practically every kid growing up in the 90s and early 2000s would recognize. That small, glossy, jewel-toned caramel sweet became both his muse and his design vocabulary, shaping everything from the forms to the color palette.

The collection spans pendant lights, ceiling fixtures, and wall-mounted lamps, all crafted from semi-porcelain, as well as a low-profile side table made from a proprietary composite material. What stands out is the modular approach: each ceramic unit can be combined and reconfigured, letting you stack or cluster them into different lighting arrangements depending on the mood or corner of the room you’re working with.

Think of it like assembling your own arrangement from a jar of sweets. One configuration might call for a single pendant above a kitchen island; another might cluster a few units along the ceiling of a reading nook. The point isn’t to follow a prescribed layout but to put that creative decision in the hands of the person actually living in the space, not just the designer who furnished it.

The craftsmanship behind the lighting is traditional and deliberate. Each piece starts as a slip-cast semi-porcelain form, drying for several days before being fired at 1,100°C inside a muffle furnace. A coat of glaze and paint follows, giving the finished modules their signature smooth, candy-like sheen. It’s a fairly labor-intensive process for what might look like a simple geometric shape, but that’s precisely what gives each piece its quiet depth.

The side table takes a different manufacturing route altogether. Made from a proprietary composite rather than ceramic, it’s significantly more durable and comes in two versions, one for indoor use and one for covered outdoor settings. At first glance, it reads as a low, rounded ottoman, and people will probably be unable to resist using it as a delicious seat instead.

None of that is accidental. Tatarintsev’s stated goal wasn’t to produce pretty objects but to create what he calls “emotional anchors,” pieces capable of sparking a genuine reaction in whoever encounters them. A set of lamps you can rearrange on a whim, a table that moonlights as a seat, and a color palette borrowed from childhood treats make for a collection that gives any room a personality it actually earned.

The post These Ceramic Lamps Look Like 90s Caramel Candy and Stack Any Way first appeared on Yanko Design.

Foldable phones have reached a point where the form factor itself is no longer the talking point it once was. The big, dramatic “look how it folds” moment has settled into a quieter rhythm of iterative refinement, with each generation tweaking dimensions and chasing thinner profiles. Most buyers know what a modern book-style foldable looks like, and the language of change has shifted from shape to substance.

That’s the situation shaping the Samsung Galaxy Z Fold 8 conversation right now. Leaked CAD-based renders show a design that’s nearly indistinguishable from the Z Fold 7 pictured above: same flat sides, same sharp corners, same camera layout. The cover screen sits at 6.5 inches and the inner display at 8 inches, both unchanged. If you handed someone these renders without context, they’d probably just guess it was another angle of last year’s model.

Designer: Steve Hemmerstoffer/OnLeaks (Renders) via AndroidHeadlines

There’s one notable external difference, though, and it actually goes in the wrong direction. The leaked dimensions put the Z Fold 8 at 4.5mm thick when open and 9mm folded, compared to the Fold 7’s 4.2mm and 8.9mm. That’s a slight regression for a phone that went to considerable lengths to slim down the year prior. It’s not dramatic, but for a device that made a point of its thinness, it’s worth flagging. That said, the 4.5mm figure includes the protruding bezels around the display; it’s actually just 3.9mm thin.

The likely reason for that extra thickness is one of the better leaks so far: the possible return of S Pen support. Samsung dropped the stylus from the Fold 7, and that’s been a consistent complaint from the people who actually used it for note-taking or sketching on that wide inner canvas. If the S Pen does come back, a fraction of a millimeter is a fair trade for most of those users.

The battery theory, however, is probably more probable. A jump from 4,400 mAh to a rumored 5,000 mAh would mark the first capacity upgrade since the Galaxy Z Fold 3, and pairing that with 45W wired charging, up from 25W, addresses one of the more persistent frustrations with this lineup. Spending less time near an outlet matters more on a device you’re likely using across more tasks throughout the day.

The camera is also in line for a significant upgrade, according to the same leak. The main sensor is rumored to still be 200MP, and the ultrawide jumps from 12MP to 50MP. That ultrawide improvement in particular has been a long time coming. The gap between the Fold’s main and ultrawide cameras has been noticeable enough that it’s affected how people use the phone outdoors.

All of this is still leak territory, of course, pulled from CAD renders and a specs tipster ahead of what’s expected to be a July 2026 Unpacked announcement. Samsung hasn’t confirmed any of it, and final specs frequently shift between early renders and launch day. The Z Fold 8 is shaping up to be a phone that looks familiar and updates what actually needs updating, but none of that is official yet.

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Battery life has been one of the laptop industry’s most persistent design headaches, especially among Windows notebooks. Despite significant gains in chip efficiency, the display consistently ranks among the biggest power consumers in any portable computer. Most laptop screens refresh at a fixed rate regardless of what’s actually on them, which means the panel keeps drawing full power even when you’re sitting completely still, reading a document with nothing on screen changing at all.

LG Display’s new Oxide 1Hz panel is the first mass-produced LCD laptop screen that doesn’t work that way. Rather than holding a fixed rate, it reads what’s on screen and drops to 1 Hz when the content is static, then scales back up to 120 Hz for video or gaming. LG began mass production on March 22, 2026, claiming the first-ever achievement of this at scale.

Designer: LG, Dell

The technology relies on custom circuit algorithms and a new oxide material applied to the panel’s thin-film transistor. That oxide holds an electric charge longer than conventional LCD materials, letting the screen maintain a still image without continuously refreshing it. LG claims the result is up to 48% more use on a single charge versus existing solutions, which is a significant number if it holds up in everyday use.

In practice, this matters most during the parts of a workday you spend the bulk of your time in. Checking emails, reading through documents, and sitting on a static slide during a meeting are all moments where a 60 Hz or 120 Hz screen burns power for no real benefit. The Oxide 1Hz panel handles those scenarios at a fraction of the usual draw without any visible difference.

When you do pull up a video or launch something that demands smooth motion, the panel doesn’t hesitate. It detects the change and jumps back up to 120 Hz automatically. There’s no mode to switch into, no setting to toggle, and no trade-off to manage. It just adjusts based on what’s happening on screen, which is how this kind of feature should work in the first place.

The first laptops to ship with this panel are the Dell XPS 14 and Dell XPS 16 for 2026, both unveiled at CES 2026 in January. The LCD option on both models runs at 1920 x 1200 pixels and 500 nits of brightness. Dell’s OLED option only drops as low as 20 Hz, which means the more affordable LCD configuration actually wins on low-power behavior.

Here’s where it gets interesting from a design standpoint. The display is one of the biggest power consumers in any laptop, so a screen drawing significantly less power during typical use creates real headroom for designers. They can use that headroom to maintain battery size and gain extra runtime, or to trim the battery slightly for a lighter, thinner chassis without giving up the battery life buyers already expect.

Of course, LG is already planning a 1 Hz OLED version of this technology for 2027, which is when things could get more interesting. OLED handles contrast and color in ways LCD can’t match, and pairing that quality with proper low-refresh-rate behavior could push portable laptop design further than it’s been able to go. For now, the Oxide 1Hz LCD is in something you can actually go out and buy.

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