A phone with a screen beside its rear camera is a literal way to improve a selfie. A mouse that folds flat takes a direct approach to an overstuffed laptop bag. Our November gadget selection starts with those practical ideas, then moves through music players, a camera, a keyboard, and a handheld console that makes its electronics part of the view. Each earns its place through a specific design decision.

These are our editorial picks for November 2026, not eight November launches or winners from a comparative test. The selection includes products offered for purchase, announced hardware, and projects still working toward production, with those differences identified below. We’ve favored useful mechanisms, distinctive controls, and objects that offer something beyond another spec upgrade. Consider it a guide to what deserves attention, with availability treated as carefully as the industrial design itself.

1. Acer Sospiro A70 5G Phone

The Acer Sospiro A70 gives its rear camera a useful companion: a 1.88-inch display that doubles as a selfie viewfinder. Instead of guessing your framing when using the 64MP main camera, you can check it on the back of the phone. That small screen sits inside a broad, V-shaped camera module, giving the handset an identity beyond its logo. Senwa Global, which licenses the Acer name for phones in Latin America, is the company behind this particular Acer-branded 5G model.

The rest of the hardware preserves options many buyers still value: a 3.5mm headphone jack, 256GB of storage, and microSD expansion up to 1TB. A 5,000mAh battery accompanies the 6.67-inch main display, although its 120Hz refresh rate comes with a modest 720 × 1600 resolution. That’s the compromise behind the feature list. Pricing and the launch date remain unconfirmed in our sources, and a US release hasn’t been established, so this belongs on a watchlist rather than a shopping cart.

What we like

• The rear display provides framing when taking selfies with the main camera.
• A headphone jack and expandable storage preserve useful everyday options.

What we dislike

• The main screen pairs a large panel with relatively low resolution.
• Pricing, launch timing, and US availability remain unresolved.

2. OrigamiSwift Folding Mouse

A conventional mouse is awkward luggage because its useful shape becomes wasted volume when you close the laptop. Horace Lam’s OrigamiSwift addresses that with a folding, origami-inspired body that rises into a working mouse and flattens for storage. At 40 grams, it adds little weight to a mobile setup. The more interesting achievement is giving the mouse two distinct shapes for two different jobs, rather than asking you to work all afternoon with a permanently shrunken travel accessory in hand.

Bluetooth 5.2 handles the connection, while USB-C recharges a battery that rates for up to three months of use. The $85 asking price buys a more considered packing solution, not a promise that every hand will prefer its angular form. There’s also a dimensional catch worth understanding: the flattened body spreads to roughly 4.8 by 5 inches, and the sensor housing stays thicker than the panels. It’s better suited to a slim laptop sleeve than a tiny pocket.

Click Here to Buy Now: $85.00

What we like

• Folding construction reduces the thickness needed for storage.
• Its 40-gram weight makes it a modest addition to a laptop bag.

What we dislike

• The flattened shape still occupies an almost five-inch-square footprint.
• The thicker sensor housing prevents a uniformly flat profile.

3. OnePlus Ice Card Mini

OnePlus’s Ice Card Mini is a China-listed magnetic phone cooler with a refreshingly restrained shape. At about 50 grams and 70 by 53.4mm, it resembles a small card accessory more than the clip-on fans associated with gaming phones. Inside, thermoelectric cooling works alongside an air-cooling system. The appeal is straightforward: an external accessory intended to manage heat without turning the phone into something that needs its own carrying case. It’s a focused answer to an accessory category prone to bulk.

The Mini takes power over USB-C, drawing up to 3.5W according to the published specifications. You can power it from the phone, a power bank, or an adapter, but that means the magnetic attachment doesn’t make the setup wireless. An included magnetic plate extends compatibility to phones without built-in magnets. That flexibility is welcome, especially if you change handsets regularly. The remaining questions are practical ones: case compatibility, the effect on your games, and availability outside its initial Chinese market.

What we like

• The compact magnetic format avoids a bulky clamping mechanism.
• USB-C power allows several options beyond a wall outlet.

What we dislike

• It requires a power connection during use.
• Cooling performance and US availability need confirmation.

4. ClearFrame Speaker CD Player

The ClearFrame Speaker CD Player gives an album two jobs: something to play and something to display. Its transparent body reveals the spinning disc and circuitry, while an included tray lets you insert the album artwork instead. That makes its appearance change with your listening rather than stay fixed behind a manufacturer’s grille. This is the speaker-equipped version of ClearFrame, with a built-in 40mm driver and bass diaphragm, so it can play your CDs without an additional speaker beside it.

At 27mm thick, the $240 player has proportions closer to a book than a conventional stereo component. It features six to seven hours of speaker playback, with USB-C charging and a 3.5mm headphone output. Bluetooth 5.3 sends CD audio to compatible headphones or speakers; it doesn’t receive music from your phone. That distinction matters if you’re imagining a transparent Bluetooth speaker. A display stand and wall mount cost extra, so budget for the arrangement you want at home.

Click Here to Buy Now: $240.00

What we like

• Album artwork becomes part of the player’s appearance.
• The built-in speaker removes the need for a separate listening setup.

What we dislike

• Bluetooth transmits CD audio but cannot receive music from a phone.
• Display accessories and wall-mounting hardware aren’t included.

5. Sudo Music Player

New Matter’s Sudo revisits the dedicated music player with an interface built around a capacitive scroll wheel and haptic feedback, paired with a touchscreen. The appeal is choosing an album on a device whose main purpose is listening, rather than opening another destination on your phone. Planned hardware includes a Cirrus Logic DAC, a 3.5mm headphone jack, and USB-C digital audio output. This is upcoming hardware, though, with New Matter expecting the first batch to ship in early Q4 2027.

The specification gives that familiar format room to grow: 64GB of internal storage, microSD expansion up to 2TB, and support for formats including FLAC, MP3, and WAV. New Matter also lists Wi-Fi and Bluetooth, so the throwback controls don’t mean abandoning connectivity. A refundable $50 reservation goes toward an expected $249 purchase price, rather than buying a finished player today. For anyone rebuilding a local music library, it’s worth following, but the production schedule makes patience part of the proposition.

What we like

• A dedicated wheel gives music navigation its own control surface.
• Expandable storage accommodates a growing local library.

What we dislike

• Expected shipping is in Q4 2027, not this November.
• The $249 price remains an estimate, not a finalized retail figure.

6. AULA Neos 75 Keyboard

AULA’s Neos 75 puts a small control console beside an otherwise compact keyboard. Two metal knobs, round media buttons, and a 2.3-inch color display give the right edge the look of a miniature hi-fi component. The useful part is having volume and playback controls where your hand already works, without requiring another desk accessory. Designed by AULA.New Renaissance, the 84-key board also uses a CNC-machined aluminum chassis and aluminum keycaps, extending that hardware-focused approach across the surface you actually touch.

Custom low-profile Kailh switches sit in hot-swappable sockets, letting you change switches without soldering. A gasket mount supports the typing assembly, and wired, Bluetooth, and 2.4GHz connections offer different ways to connect your devices. China preorders opened in October, while wider regional availability needs checking before purchase. The physical compromise is right there in the layout: a compact 75% key arrangement doesn’t produce the smallest possible keyboard when a separate control console occupies the space along its entire right edge.

What we like

• Dedicated knobs and media buttons put frequent controls within reach.
• Hot-swappable switches leave room to change the typing setup.

What we dislike

• The side console expands the footprint of the compact key layout.
• A confirmed official US rollout remains unclear.

7. Fujifilm Instax Mini Evo 2

Fujifilm’s Instax Mini Evo 2 makes printing a choice rather than the unavoidable outcome of pressing the shutter. The hybrid camera lets you review and adjust a digital image before committing it to Instax Mini film. Its lens-effect dial, film-effect dial, and print lever preserve physical actions alongside a 4.5-inch touchscreen. For someone who likes the idea of instant photography but hates wasting film on an accidental exposure, that division of labor makes more sense than nostalgia on its own.

The camera offers 10 lens effects and 10 film effects, giving you 100 combinations before printing. Expanded View shows the area beyond the intended print frame, while the updated app supports printing smartphone photos and remote shooting. Fujifilm lists a US MSRP of $289.95, with availability expected toward the end of November. Film remains a separate purchase, and the new short-movie feature needs a microSD card. Those ongoing costs deserve just as much consideration as the camera’s appealing physical controls.

What we like

• Reviewing images before printing gives you control over film use.
• Physical effect dials complement the touchscreen rather than disappearing into it.

What we dislike

• Instax Mini film adds an ongoing expense.
• The short-movie feature requires a separately purchased microSD card.

8. Arduview Transparent Gaming Handheld

Arduview takes transparent electronics beyond a clear shell. Louis Huang’s handheld also uses a see-through circuit board and display, leaving the background visible around its illuminated cyan pixels. It’s an unusually direct way to turn the workings of a gadget into its visual identity. This isn’t only a rendering trick: VGC reports using a working unit and confirms that the transparent screen functions as shown. The project is now crowdfunding, rather than sitting on a shop shelf ready for delivery.

Built on the open Arduboy platform, the 50-gram device is pitched around 400 preloaded games and USB-C charging. That makes it a small, focused alternative to a phone full of gaming apps, with room for enthusiasts to explore the underlying platform. Arduview’s maker projects February 2027 shipping for early supporters, rather than November availability. Its appeal rests on a deliberately narrow gaming experience and a display construction; neither should be confused with the capabilities of a larger, mainstream handheld console.

What we like

• Transparency extends to the screen, not merely the enclosure.
• The open Arduboy platform offers scope for tinkering beyond preloaded games.

What we dislike

• February 2027 shipping is a projection, not immediate availability.
• Its niche Arduboy library won’t suit someone seeking mainstream console games.

Match the Gadget to the Habit

The most useful way to approach this list is to start with a recurring annoyance, not an empty spot on the desk. A mouse that packs differently has a clear job. So does a CD player that lets an existing collection leave the cupboard. More specialized hardware needs a closer match to your habits: a phone cooler only matters if heat is a problem you actually encounter while using it.

Timing deserves the same scrutiny as design. A reservation, a crowdfunding pledge, and a retail order are different commitments, even when the product photography makes them look equally finished. If you need something for this month, check the version, delivery estimate, and accessories before paying. If you’re following an upcoming design, keep the expected date in view. An interesting object can be worth watching without being the right purchase today.

The post The 8 Best Tech Gadgets of November 2026 first appeared on Yanko Design.

Cordless table lamps let you move the whole fixture, but sometimes you only need to take the light. Studio Apure’s NOX makes that distinction with a magnetic head that lifts away from its stand and becomes a small flashlight. The stand can stay beside your chair while its illuminated tip follows you down a dark hallway, without carrying the base along for company.

The shape gives that arrangement a surprisingly tidy home. A slender upright rises from a flat circular foot, with a shorter cylinder attached near the top. There’s no broad shade or long articulated arm competing for space above a bedside table. Onyx Black, Nimbus Grey, and Dune Beige keep the finish choices subdued, letting the changing angle of the head supply most of the character.

Designer: Studio Apure (via The Curation)

That head rotates through 360 degrees, so you can redirect the beam without shifting everything else on the table. An adjustable lens changes its spread from a broad glow to a concentrated spot. You might keep the light wide during dinner, then narrow it toward a book afterward, giving the same small fixture two different jobs without changing where the stand sits.

Brightness gets its own adjustment, separate from the beam’s width. Tap the top of the head to switch the LED on or off, and hold to dim it between 5% and 100%. Its 140-lumen output has a warm 3000K color temperature. The touch control stays with the detachable head, so it remains accessible when you’re carrying the light without its supporting stand.

Taking it off the stand changes the scale of what you’re carrying. You can check behind a sofa or retrieve something from a dark closet without balancing an entire lamp in one hand. Return the head to its magnetic attachment, and its battery recharges from the stand. That gives the removable part a parking spot, which is useful for something so small.

Studio Apure estimates 12 to 14 hours of cordless operation for the complete lamp and up to an hour for the detached flashlight, both at full brightness. Recharging the lamp takes about seven hours using the supplied dock and adapter. The stand is therefore the longer-lasting arrangement, while the little light you pull away is better suited to shorter trips around home.

Outdoor trips still come with a few restrictions. NOX carries an IP54 rating, but Studio Apure restricts it to indoor or covered outdoor settings and advises avoiding direct water contact. A sheltered patio table fits that brief; leaving it exposed in the garden doesn’t. Cordless operation removes the outlet from the seating arrangement, not the need to bring the lamp under cover.

Listed at $385, NOX puts a substantial price on that flexibility. Its 2.03-pound weight still lets you carry the whole lamp when you want light somewhere else, while a flashing red ring warns you when it’s time to recharge. You’ll just need to return the head to its stand, since a magnetic connection can’t recharge something you’ve abandoned in a kitchen drawer.

The post NOX Cordless Lamp Lets You Carry the Beam Without the Base first appeared on Yanko Design.

The bamboo in Macau’s Bamboo Pagoda had already worked on construction sites before becoming a place to take a breather. I like that reversal. Scaffolding typically helps build the destination; here, it became the destination. Conceived as a temporary waterfront refuge, the pavilion addressed a familiar urban problem: having somewhere to go doesn’t necessarily mean having somewhere to pause. Its ambition was to give people that room.

Designed by Impromptu Projects, the Macau practice led by Rita Machado and João Ó, Bamboo Pagoda stood approximately 43 feet tall along Sai Van Lake. Its roughly 270-square-foot footprint was modest for something with that much vertical presence. Organized by Ephemera Public Space Cooperative, the built installation had a short October 2026 program ending October 11. Permanence was never part of the brief.

Designer: Impromptu Projects (photos by Tang Kuok Hou, Gonçalo Lobo Pinheiro)

The structure borrowed from traditional pagoda geometry, rising from an octagonal base and tapering upward. Slender bamboo poles formed its exposed structural frame, joined using traditional scaffolding lashings. That construction gives the design its strongest architectural idea: the connections and supporting members remain part of the expression. I’d rather understand how a pavilion stands up than have its structure disappear behind a decorative surface. Here, the craft supplied both the framework and the character.

That craft also deserves more attention than a passing reference to tradition. Macau added bamboo scaffolding to its Inventory of Intangible Cultural Heritage in 2017, and local scaffolding contractor Seng Kei Pang Chong worked on the pagoda. Those credits matter. Architectural heritage depends on people who know how to make things, not simply designers who appreciate their appearance. Giving those skills a public-facing role strikes me as a meaningful way to keep them relevant.

A semi-translucent bamboo-fabric skin wrapped the frame, filtering daylight rather than enclosing it behind an opaque wall. The material choice makes sense for a place intended for contemplation: it establishes a boundary without treating the waterfront as something to shut out. I wouldn’t confuse that intention with proven acoustic quiet or weather protection. The more convincing proposition is spatial, giving visitors a defined place to stop beside the water.

Underfoot, the material story took an unexpected turn. Macau-based Zence Object Technology, also known as CHAZENCE, supplied composite floor panels made with recycled tea waste and discarded wood chips. Tea waste is an appealing detail, but its use as flooring is what makes it interesting. Here, a byproduct became part of a usable architectural surface. That’s a more substantial design decision than adding a recycled-material accent for visitors to admire and then forget.

Solar panels also powered the installation’s spotlights, according to local reporting. Alongside the previously used bamboo and tea-waste flooring, that gave the environmental intentions some specific substance. Still, those choices don’t establish the project’s total carbon footprint or prove that every component avoided waste. I find the individual decisions persuasive enough without asking them to support a sweeping sustainability claim. Knowing where a material came from is a useful place to start.

The brief lifespan is the tradeoff I’m less ready to romanticize. The public program lasted only a week, which limits the everyday usefulness of a space created for people to pause. A temporary pavilion can’t substitute for lasting access to welcoming public places. But it can make a proposal tangible. Instead of leaving the idea of a contemplative waterfront space in a planning document, the organizers gave visitors an actual structure to enter.

For me, Bamboo Pagoda’s appeal rests in the relationship between its scale and its purpose. A tower about 43 feet tall sounds like an attention-seeking gesture, yet the stated invitation was simply to stop and reconnect with the waterfront. The reused poles, visible construction, and small floor area kept that invitation grounded in a particular place and building culture. I’d like more public design to make room for an activity as undemanding as taking a pause.

The post Old Bamboo Scaffolding Becomes a Retreat, but Not Forever first appeared on Yanko Design.

A knight’s horse-shaped head is easy to recognize, but it offers no clue about that peculiar L-shaped move. That’s a small frustration with learning chess: identifying the pieces and remembering what they do are two separate tasks. I like the idea of giving their shapes a little more responsibility, especially when the alternative is explaining the knight’s movement for the fifth time.

Pinke Gans’s Bauhaus Chess Set, a LEGO Ideas fan concept, takes that possibility as its starting point. According to the designer, the idea emerged during a summer visit to the Bauhaus Museum in Weimar, Germany, where Josef Hartwig’s geometric chess pieces brought LEGO bricks to mind. It’s an appealing connection: a construction system built around basic shapes meets a chess set designed to make those shapes meaningful.

Designer: Pinke Gans

Hartwig designed his Bauhaus chess set in 1923, while working at the school in Weimar. Its abstraction wasn’t simply a matter of removing decorative details. The pieces used their forms to communicate their movement, replacing familiar figures with a geometric vocabulary. A minimalist chess set can still leave you memorizing arbitrary symbols; Hartwig’s approach gives some of those symbols a practical explanation.

The knight is the clearest example. Its stepped shape echoes its L-shaped movement, while the bishop’s diagonal cross relates to its diagonal paths across the board. Pinke Gans’s version carries those recognizable forms into bricks. These are useful memory cues, not a complete substitute for learning the rules. Nobody should expect a small cube to explain every complication of a pawn’s first move or capture.

In the supplied images, the queen provides the most conspicuous departure from all those straight edges. Its rounded top becomes a faceted, layered construction, with individual elements visible around its surface. Nearby, the king has a smaller cube turned relative to its base. Together, they introduce enough variation to interrupt the rows of blocks. The brick-built approximation of a sphere gives the queen a texture of its own.

That translation is more interesting to me than a perfectly smooth replica would be. Historical examples of Hartwig’s set were made in wood, so rebuilding the forms in LEGO changes how their surfaces read. Here, joints and tile seams remain visible. They establish a second, finer grid within the larger chessboard pattern, making the construction legible even where exposed studs don’t dominate the design.

The board itself stays restrained: black and white squares, a dark perimeter, and no elaborate scenery competing with the pieces. From the lower viewing angles, the arrangement resembles a small collection of architectural models. I could see this earning its place on a living room table because the visual interest comes from proportion and repetition, rather than decoration.

There is a potential usability tradeoff, though. If you already recognize conventional chess silhouettes instantly, a geometric set asks you to learn a different identification system before its logic becomes helpful. A blocky king and a rounded queen might be clear once explained, but that doesn’t establish faster recognition during play. The images also can’t tell us how securely the pieces hold together when repeatedly picked up.

The project is presented as a LEGO Ideas proposal, rather than an announced retail set. That distinction deserves to stay attached to the enthusiasm. Fan product ideas that reach 10,000 supporters may be considered for production, but reaching that threshold doesn’t itself put a box on store shelves. This submission shouldn’t be treated as a confirmed release or given an imagined price.

For me, the strongest reason to want it is the opportunity to assemble the shapes before playing with them. Building a knight’s stepped form could make its design rationale more tangible than simply reading an explanation beside a finished piece. You’d still need to learn chess. But spending a little time constructing the thing that represents a move seems like a particularly appropriate introduction to Hartwig’s idea.

The post LEGO Bauhaus Chess Concept Has Hidden Clues to Its Moves first appeared on Yanko Design.

Every Green Lantern has the same annoying chore. Once a day, the ring needs a top-up, so our cosmic cop has to press his fist against a glowing green lantern and recite a whole poem before it’ll charge. Imagine your iPhone demanding spoken word every night before you plug it in.

Xedge’s NoxTi TRI skips the ritual. It’s a pocket-sized lantern in Grade 5 titanium that hangs off your keys or around your neck, with three glow tubes tucked inside. Fit it with tritium tubes and it glows without charging, a switch, or poetry, slowly dimming over a couple of decades. Prefer something non-radioactive? Photoluminescent tubes absorb light and glow after dark. Hal would be jealous.

Designer: Xedge

Click Here to Buy $35 $55 (36% off). Hurry, only a few left! Raised over $81,000.

Three Tubes, One Glowing Core

NoxTi TRI holds three 3 x 22.5mm glow tubes spaced 120 degrees apart to keep the glow visible from more angles, whether the capsule is dangling from a keyring or lying in a cupholder. The tubes sit in a custom carrier made of optical-grade PMMA acrylic, for which Xedge claims around 97 percent light transmission. The carrier is designed to use total internal reflection to distribute the light, making the three tubes appear as one luminous core behind the titanium windows.

Six colors are on the menu: Apple Green, Ice Blue, Ocean Blue, Red, Violet, and Sunset Orange. Run one across all three slots for a uniform glow, or mix them. Yes, that means three Lantern Corps on one keyring. Tritium is the set-and-forget option. Its half-life is about 12 years, so the glow gradually dims rather than switching off, with Xedge describing a usable lifespan of about two decades. That’s still a better deal than any battery I own. The tritium is sealed inside glass vials, and Xedge reports a radiation-meter reading of 0.07 µSv/h. Photoluminescent tubes are the cheaper, non-radioactive option, recharging through exposure to light.

Titanium Outside, Shock Absorbers Inside

The shell is CNC-machined from Grade 5 titanium, an alloy also used in aircraft parts and bone implants. Its corrosion resistance should suit the sweat and daily handling of life on a crowded keyring. It measures 47mm long and 14.3mm across, and weighs 15.8 grams, roughly the weight of three US nickels. Inside, a quartz sleeve surrounds the glowing core to help keep dust out and the view clear, while O-rings seal the threaded body. Xedge says it tested the design at temperatures from minus 20°C to 100°C. It comes in sandblasted raw titanium or a stealthier Black DLC finish. I’d pick the black, purely because the glow stands out more against it.

The more interesting detail is how the design cushions those glass tubes. Each one rests on a 3mm silicone ball, and a stainless steel spring under the core is intended to absorb jolts from dropped keys or a swinging pendant. That spring sits on a magnetic base to help keep it in place when you unscrew the body to swap tubes, reducing the chance of tiny parts bouncing across the kitchen floor. A machined Tri-Index Cap keeps all three tubes aligned with their windows. Xedge says every component is accessible and replaceable, giving the titanium shell a chance to outlive several sets of tubes.

Wear It, Clip It, Break Glass With It

The attachment hole at the top takes a split ring, a quick-release clip, or a chain, so the TRI can live on your keys, hang off a bag zipper, dangle from a phone strap, or ride around your neck as a pendant. The kit supports both single-tube and triple-tube setups, so you can switch between them. On the opposite end sits a ceramic glass-breaker bead, intended for breaking car windows in an emergency, which I sincerely hope nobody ever needs. Keep expectations calibrated, though: this is a locator glow for finding your keys or bag in the dark. It won’t light up a trail.

The NoxTi TRI Kickstarter campaign lists a retail price of about $55 (HK$429) per unit. Pledge pricing starts at $35 for the launch special, followed by $39 for Super Early Bird and $45 for Early Bird, with two-packs from $65 and a four-pack at $119. Glow tubes are separate add-ons: tritium costs $20 per tube or $60 for three, while photoluminescent tubes are $7 each or $15 for three. Extras include the Black DLC upgrade ($15), a stainless steel necklace ($12), a titanium quick-release clip ($15), and titanium split rings ($12 for three). Shipping is listed as free worldwide, with deliveries planned for February 2027. Xedge hasn’t published warranty terms yet.

Click Here to Buy $35 $55 (36% off). Hurry, only a few left! Raised over $81,000.

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A king-size bed and a freestanding soaking tub are generous starting points for a 400-square-foot cabin. Zook Cabins’ A-Frame Studio makes both central to its layout, giving this compact retreat priorities closer to a hotel suite than a miniature family house. Designed for vacation getaways and short-term rentals, it’s an existing park-model product, with completed installations including one at Congaree and Penn in Jacksonville, Florida.

The floor plan keeps sleeping, cooking, and lounging together in one open room, with the bathroom enclosed at the opposite end from the glazed facade. There’s no loft ladder between the bed and a midnight bathroom trip. A sofa and chair occupy the window end, while the king-size bed sits farther back beside a wardrobe. Keeping those activities on one level avoids making daily circulation depend on climbing or rearranging furniture.

Designer: Zook Cabins

That arrangement also leaves a clear relationship between the sitting area and the large A-shaped window. In Zook’s published imagery, the glazing follows the pointed front profile, framed by a dark exterior. The cabin’s sides retain vertical walls beneath the roof, rather than carrying the slope down to the ground. Visually, it delivers the recognizable A-frame silhouette without turning the entire interior into a triangular tunnel.

The kitchenette stays compact, with an undercounter refrigerator, a two-burner electric cooktop, and a stainless steel sink set into a quartz countertop. Birch cabinetry has integrated bevel-edge handles, keeping projections off the cabinet fronts. Beside it, a built-in surface serves as either a desk or a dining table for two. Sharing that surface makes sense here: a separate workspace would compete directly with the open floor area around the bed.

The bathroom receives an unusually substantial allocation of space. Zook’s published plan labels it at 80 square feet, accommodating a separate shower and tub rather than asking one fixture to perform both jobs. Specifications include a tiled curbless shower with a glass door, a 59-inch freestanding tub, and a wall-mounted vanity. It’s a deliberate tradeoff: more room for bathing means less space available for another enclosed sleeping area.

Its transportable construction still requires a prepared destination. Zook specifies a compacted gravel pad or concrete slab, along with electrical, water, and wastewater connections. The company distinguishes its park-model RV standards from local building-code compliance, so prospective owners need to establish what their site permits before ordering. Delivery doesn’t remove those responsibilities, and the cabin shouldn’t be mistaken for an off-grid shelter ready to occupy anywhere.

For a couple’s retreat, the layout’s restraint is its strongest quality. It spends limited space on a bed, somewhere to sit, and a bathroom worth lingering in, rather than maximizing the number of overnight occupants.

The post This 400-Square-Foot A-Frame Tiny Home Makes Room for a King-Size Bed and a Soaking Tub first appeared on Yanko Design.

I’m a big fan of notebooks, as evidenced by the ton of used and unused ones that I have sitting at home. But there are times when I’m working on a project and wish there were a way to rearrange my notes without having to tear the pages out because it hurts my heart to actually tear pages out of anything bound. Sure, you can use notepads with tearaway pages, but it’s hard to keep them together when needed.

The MagBoard Clipboard is an alternative you can use if you don’t need a fixed notebook structure but still want to keep those pages flexibly organized. It’s a hardcover, loose-sheet notepad and clipboard that uses a magnet-and-lever mechanism to hold the pages together. You can rearrange them when needed without keeping them permanently bound.

Click Here to Buy Now: $45

Unlike the pages of a notepad, which can be difficult to keep together once you’ve torn them from their binding, these loose sheets can be secured by the mechanism, then released and reorganized as needed. It can hold up to 30 sheets, which could be enough for your notes, sketches, and project plans for the specific thing you’re working on. It’s a working collection rather than somewhere to archive everything.

For example, you could keep your initial sketches next to your revised ideas instead of having them separated by several pages of unrelated notes. If a project changes direction, you can change the order of the pages along with it. You can also remove completed tasks and add fresh sheets without starting another notebook just because the existing one no longer feels organized.

The hardcover serves a practical purpose as well, aside from looking good. The seller says it provides support for taking notes or sketching while standing. This could be useful if you’re doing a walkthrough for an event, stopping to take notes while going through an exhibit, or attending a lecture where you’re not at a desk. Not every notebook or notepad provides enough support for writing without a table underneath it, so the clipboard aspect has a practical role here.

The cover is also described as water-resistant and easy to clean, but note that this doesn’t mean the paper inside is waterproof. It comes in two sizes: the smaller A5 option for a more compact way of taking notes and making sketches, and the A4 size, which gives you more space for larger drawings, printed references, and documents. The listed colors are silver, black, red, navy, and yellow, although availability may vary by size and color.

Of course, rearrangeable pages aren’t exclusive to MagBoard. Established stationery brand KOKUYO offers the Campus Smartring Slim Binder, whose A5 version holds up to 25 sheets and uses 20-hole loose-leaf paper. Its cover also folds back. MagBoard holds sheets with its magnet-and-lever clip rather than rings, so there’s no need to punch matching holes in the paper. KOKUYO makes sense if you like a ring-bound system, while MagBoard could appeal more if you want to keep unpunched sheets together. The difference is less about whether you can rearrange pages and more about how you want to hold them.

That freedom still comes with some organizing on your part. Once you remove a sheet, you’ll need somewhere to keep it if you want to refer to it later. A folder for finished work could help keep the clipboard focused on your current project. Otherwise, you’re back to the same loose-paper pile you were trying to avoid in the first place.

I don’t think something like this would replace all the notebooks sitting at home, especially the ones I use for keeping things in chronological order. But for projects that involve moving ideas around, combining references, and changing plans, the MagBoard Clipboard’s format makes sense. Sometimes, I don’t need a new notebook. I just need a way to keep my pages together without deciding that their order has to stay that way forever.

The post MagBoard Clipboard Rearranges Notes Without Tearing Pages first appeared on Yanko Design.

Jackery’s new Explorer 100D looks like it should play AM radio. The squat little cube has a framed front panel, orange slatted vents down its sides, and a webbing strap you’d expect on a vintage transistor set. Instead of tuning into ballgames, it stores 96Wh of energy and delivers up to 158W across two USB-C ports and one USB-A port. It measures 4.67 by 3.25 by 3.37 inches (11.9 x 8.3 x 8.6cm), making it roughly softball-sized, and weighs 1.87 pounds (850g). It’s the smallest power station Jackery has ever built.

Jackery’s D-series models skip the AC outlet entirely, and that decision explains much of the design. They don’t need an inverter, a bulky component that generates heat and often requires a cooling fan. Leaving it out lets the box shrink to desk-friendly proportions, while the 96Wh battery sits just below the FAA’s 100Wh threshold for batteries carried without airline approval. Jackery estimates more than four charges for an iPhone 17 or Galaxy S26, or roughly one full recharge for a 14-inch MacBook Pro. That’s a useful reserve in something that weighs less than the laptop it’s charging.

Designer: Jackery

One Button Runs the Whole Show

A TFT display on the front tracks input and output wattage, battery level, and estimated runtime, with additional screens for battery health, cycle count, and internal temperature. One DISPLAY button handles it all. Tap once to flip between status screens, double-tap to keep the screen on or switch it off, and hold for three seconds to enter Low-Power Charging Mode. That last trick is for smartwatches and earbuds. Some power banks stop supplying power when a device draws too little current, leaving you with AirPods stuck at 40%. Jackery’s dedicated mode is designed to keep power flowing to those smaller gadgets.

The screen resembles a car’s instrument cluster, with a circular battery gauge in the middle and input and output readouts flanking it. A glossy, framed front panel groups the display and ports into a single face, which is where the transistor-radio vibe comes from. Port labels are printed directly on the panel, and a small bracket under the two USB-C ports marks their 140W maximum. The horizontal vent slats carry Jackery’s signature orange. Four rubber feet help keep it steady on a café table, and the strap fastens to round studs on either side.

140 Watts That Fit in a Tote Bag

The USB-C ports offer up to 140W and support three fast-charging protocols: USB Power Delivery (PD), Programmable Power Supply (PPS), and Adjustable Voltage Supply (AVS). PD serves modern laptops, PPS fine-tunes voltage for compatible devices, including Samsung phones, and AVS is the newer addition Jackery highlights for Apple gear. Jackery claims the 100D can charge an iPhone 17 to 50% in 21 minutes. Total output across all three ports reaches 158W, allowing a laptop, phone, and pair of earbuds to share it. The 18W USB-A port handles whatever legacy cable is still living in your bag.

Recharging options include a 140W USB-C wall charger, a 100W car charger, or a 100W solar panel. Jackery quotes 1.7 hours from zero to 80% on solar. Car charging supports both 12V and 24V sockets, covering semi-truck cabs as well as hatchbacks. Car and solar charging use a USB-C to DC8020 adapter connected to C1, the only port that accepts input. When charging the battery and powering devices simultaneously, input and output are capped at 100W each, worth knowing if you plan to use it as a desk hub. Jackery rates the LFP cells for 3,000 cycles before capacity drops to 80%, equivalent to more than eight years of daily cycles.

The Pocket-Size Panic Buy

The 100D replaces the Explorer 100 Plus, Jackery’s previous smallest station, with several improvements. Weight drops from 2.13 pounds to 1.87, output climbs from 128W to 158W, and rated cycles rise from 2,000 to 3,000, with a 3Wh reduction in capacity. The one step back: only one USB-C port accepts input, whereas the 100 Plus could charge through either. Anker’s Solix C200 DC is an obvious rival, offering 192Wh for $149. That doubles the energy but exceeds the FAA’s 160Wh upper limit for spare lithium-ion batteries in passenger baggage, ruling it out for air travel.

Walmart is scheduled to start selling the 100D for $99 on November 15, Costco already offers a two-pack for $179.99, and Jackery lists it at $119 on its own site, with sign-ups for preorder alerts. It’s a compact entry into 2026’s power-station panic buy. Large home-backup stations are built to keep appliances running during an outage. The 100D is for the laptop deadline at an airport gate where every outlet is taken, or the campsite with no plug for miles. It’s a power station you might actually use on a Tuesday.

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Five layers of paint. That’s how many Norton applied to the bodywork of its new Manx R, enough that the engineers had to factor paint thickness into how the panels fit together. It’s the sort of obsessive detail you’d expect from Bentley, and a RevZilla tester floated the “Bentley of bikes” comparison after riding it. The Manx R is the 206-horsepower V4 flagship of Norton’s comeback under TVS Motor, and it’s already rolling into UK and European dealerships. It has also picked up an IDEA Bronze and a Red Dot: Best of the Best this year.

Norton’s in-house team in Solihull designed it under Head of Design Simon Skinner, with Range Rover and Defender design veteran Gerry McGovern steering the creative direction. The surfaces are free of winglets and exposed bolts, with the only visible bodywork fasteners on the front fender. Even the switchgear buttons are metal, a small luxury you can feel every time you use them. Under all that paint sits a new 1,200cc, 72-degree V4 tuned for the midrange, where most real riding happens. The base bike starts at £20,250 (about $27,600) in the UK, with US pricing still under wraps ahead of an expected early 2027 launch.

Designers: Simon Skinner & Gerry McGovern (Norton Motorcycles)

Norton’s original Manx was a racing single built from 1947 to 1962, named after the Isle of Man and its legendary TT. In 1950, it gained the Featherbed frame, designed by Belfast brothers Rex and Cromie McCandless, and riders like Geoff Duke used it to collect world championships and TT wins in the early fifties. Resurrecting that badge carries real pressure, and plenty of brands would have answered it with spoked wheels and a round headlamp. Norton went the other direction entirely, replacing the curvy, retro-tinged V4SV with something sharp and forward-looking. I think that was the right call.

Skinner builds the design around four principles he calls modernity, integration, drama, and connection, and he describes the result as reductive. His favorite explanation compares a new-build estate house with a 20-year-old glass-and-steel home that still looks like it arrived from the future. The Manx R lands firmly in the second camp. Its nose is a smooth, wingless shell with split chevron LED headlights tucked under a tall smoked screen, and the mirror stalks grow straight out of the fairing shoulders. Clean volumes, precise gaps, and reflections define the front end, rather than the winglets and vents found on rival bikes.

Carbon infill panels on each flank frame a window onto the top of the V4, its covers dressed in carbon plates, making the engine part of the display. Three angled gills on the upper fairing vent heat from the electronics, and the repeated-line motif runs across the seat and side panels. Out back, a three-bar LED taillight sits above a stack of black louvers, while the exhaust hides under the belly and the single-sided swingarm leaves the rear wheel fully on show. The fuel cap carries an embossed Manx R badge, a detail most owners will notice at the pump. If I could change one thing, I’d lose those tail louvers, which look a touch like a space heater on an otherwise clean rear end.

Norton rates the V4 at 206 hp at 11,500 rpm and 96 lb-ft at 9,000 rpm. Those peak figures trail a few rivals, which Norton says is deliberate. Its engineers logged roughly 135,000 miles of data on Ducati, Aprilia, and BMW superbikes and found riders spent 99% of their time below 8,000 rpm, so the engine’s tuning prioritizes the middle of the rev range. According to RevZilla, it can run as a 600cc twin at deep lean angles and small throttle openings, and it shuts down the rear cylinders at idle to reduce heat around the rider’s legs. The narrow V layout also helped fit everything into a 56.5-inch (1,435mm) wheelbase.

At the 2026 International Design Excellence Awards, the Manx R took Bronze in Automotive and Transportation, and Norton says it’s the first combustion-engined production motorcycle to win an IDEA. Two months later, it collected Red Dot: Best of the Best in the Design Concept competition, aimed mainly at concepts and prototypes, despite already being in dealerships. Both prizes come from design juries, not lap-time comparisons. The Ducati Panigale V4, Aprilia RSV4, and BMW M 1000 RR all wear visible aero on their fairings, and Norton is betting some superbike buyers would prefer a cleaner look.

Norton sells the Manx R in four trims. The base bike gets manually adjustable Marzocchi suspension, cast aluminum wheels, and room for a passenger, while the Apex adds semi-active Marzocchi suspension and forged wheels. The Signature goes single-seat with carbon fiber bodywork and Rotobox carbon wheels, and the First Edition piles on titanium fixings, a numbered top yoke, and a quilted leather seat. Every version gets Brembo Hypure brakes and an 8-inch TFT touchscreen. UK pricing runs from £20,250 (about $27,600) for the base bike to £38,750 (about $52,800) for the Signature, with the First Edition priced on request. US pricing hasn’t been announced ahead of an expected early 2027 arrival, so American riders have a few months to save up for all that paint. US pricing hasn’t been announced ahead of an expected early 2027 arrival, so American riders have a few months to save up for all that paint.

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A mustard-yellow body, rosy arms, and bent legs make this household robot look like it might wander out of an animated movie and ask where you keep the mugs. Its illuminated eyes sit low on a boxy torso, leaving a lot of forehead, if that’s even the right word. I like the awkward proportions. They give it character without trying to pass for a person.

Called Voxel, the robot is being developed by New York company Tuesday Labs to tackle the little jobs that keep a home from staying tidy. Put the book away. Bring over a drink. Water the plants. Remember where the wallet went. Those are the four roles outlined for the robot: Home Reset, Fetch, Tend, and Find.

Designer: Tuesday Labs

For now, though, Voxel is a development prototype, not a household appliance you can order for next weekend. Tuesday Labs expects to substantially redesign its hardware before delivery, and its reservation agreement says appearance, capabilities, and specifications may change significantly. That distinction matters here because the version we’re admiring is also a design proposal, not a settled promise about what arrives at your door.

Still, I’m glad the proposal has a point of view. The warm colors and exposed joints make Voxel look approachable to me, while the unapologetically mechanical body avoids the strange social expectations of a realistic human face. Tuesday Labs works with illustrators, animators, and character designers on its robots. You can see why that matters: a machine sharing your kitchen has to be tolerable company, even when it isn’t doing anything.

The hardware description is more practical than the cartoon styling suggests. Each arm has seven degrees of freedom and an actuated wrist, intended to help it maneuver around counters, shelves, and doors. The grippers have just one degree of freedom. That’s a relatively simple hand for a complicated environment, and I’d judge it by how consistently it handles everyday objects rather than how convincingly it imitates fingers.

Find is the feature that makes the premise feel especially relatable. Tuesday Labs says Voxel would tell you where it last saw a misplaced object. That’s a modest but useful distinction: remembering the wallet on the counter is different from magically knowing where it is now. I’d take a dependable last sighting over a confident guess, particularly during the familiar scramble to get out the door.

The plant-watering brief also sets a sensible scale for the ambition. I don’t need a robot to perform an elaborate dinner routine to understand the appeal of getting small chores off my list. The harder question is how much setup and supervision those chores would require. A helper that needs constant rescuing would simply create another household responsibility.

That attentive presence raises a less photogenic design issue, too. Voxel’s listed vision system includes stereo RGB cameras and wide-field vision. Before putting one in my living room, I’d want clear answers about what gets recorded, what stays on the robot, and who can access it. The published privacy policy covers the website, purchases, and reservations; it doesn’t establish those operating details for a robot inside the home.

The financial commitment is equally worth slowing down for. Reservations cost $200 and are fully refundable before an order is placed. The estimated purchase price is $20,000, not a fixed final price, and deliveries are expected to begin in 2028, potentially later. A reservation buys an opportunity to purchase, not a finished machine or a guaranteed arrival date.

At that price, charm would get Voxel my attention, but it wouldn’t settle the decision. I’d want to watch it repeat the same ordinary tasks, unassisted, in a room that hadn’t been carefully arranged for it. Keep the odd proportions and the expressive eyes. Just make the useful behavior as convincing as the character. A robot earns its place beside the couch by giving you fewer reasons to get up.

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The traffic cone is basically a Rorschach test for the internet generation. Construction workers see a long night shift, college kids see dorm decor, and anyone who’s ever downloaded a movie sees VLC. I mostly see something to swerve around. Xinhao Guo saw a robot. Guo led a student team at the Beijing Institute of Technology that developed SkyCone, a drone concept designed to fly to a highway incident, land in position, and fold itself into a traffic cone.

Guo’s teammates were Songyan Pan, Zixu Zhang, and Wanzheng Liu, and their concept won in the Conceptual Industrial Product Design category at the 2026 European Product Design Award. SkyCone is designed to fly as an X-shaped quadcopter, with each of its four triangular arms housing a ducted propeller. After landing, the arms would tilt up and lock together at magnetic tips, forming a four-sided pyramid with the familiar orange and white stripes. The goal is to keep workers out of live lanes. The team cites a figure that 57% of frontline highway personnel consider manual cone placement their most dangerous task.

Designers: Xinhao Guo, Songyan Pan, Zixu Zhang & Wanzheng Liu

A square central hub anchors SkyCone, carrying a downward-facing camera on a gimbal, with an LED strip and a non-slip mat built into its underside. The four arms are what the team calls Triangular Prism Buckets, hollow orange wedges that each surround a ducted propeller. Red magnetic locks with integrated indicator lights cap the arm tips, which meet at the cone’s apex when everything folds shut. Reflective strips trace the arm edges to improve visibility. My favorite detail is graphic: the white cone bands sit on the faces that point outward after folding, so the drone only looks like a cone once it actually is one.

Charles D. Scanlon, a Los Angeles street painter, designed the modern traffic cone to keep cars away from his wet paint, building it from rubber and fabric salvaged from old tires. His patent was granted in November 1943, and Interstate Rubber Products began manufacturing the design in 1947. The cone eventually made it into the Manual on Uniform Traffic Control Devices, the federal traffic-control manual. Materials and reflective collars have evolved over eight decades, yet the silhouette has barely budged. SkyCone largely keeps that familiar shape while changing how it gets into position, a sensible approach for an object drivers need to recognize quickly.

Placing those cones is still mostly manual work, with crews riding the back of a slow-moving truck or walking beside it and setting cones down a few feet from passing traffic. The US recorded 850 work zone deaths in 2024, an average of more than two a day. In March 2023, a single crash on I-695 outside Baltimore killed six roadway workers. The SkyCone team describes the first few minutes of an emergency or maintenance call as the most critical stretch, when crews are particularly exposed. A fleet of drones that could position cones before anyone steps out of the truck might reduce that initial exposure.

Brisbane-based Arrowes has already built an Automated Cone Truck that drops a cone every five seconds. On Melbourne’s Eastern Freeway, it handled 65,000 cones while cutting worker exposure to live traffic by roughly 500 hours. Caltrans and UC Davis developed a cab-operated cone machine back in the 2000s, and Spain’s Sacyr and GMV set out to prototype a self-driving trailer with an AI-guided robotic arm. Each system relies on a truck or trailer. SkyCone proposes making each cone responsible for its own delivery. Chris Chang’s Apiece showed in 2022 that a cone could be assembled from flat triangles, and SkyCone basically gives those triangles propellers.

The team’s renders place SkyCone at a nighttime highway repair, an incident scene behind an arrow-board truck, a rockfall on a mountain road, a snowed-over highway, and the crumbling edge of an open-pit mine. The mine scenario sold me, since walking a crumbling pit edge to place cones sounds like a genuinely terrible afternoon. SkyCone joins a line of highway concepts that propose sending machines into hazardous places. The Highway Patrol Drone was designed to wait on light towers and fly to crash scenes ahead of responders, while the Median AMB proposed riding the road divider like a monorail to skip traffic. SkyCone’s role would be marking off the scene so responders can work.

The European Product Design Award is a global, open-entry program run by Farmani Group. SkyCone won in its conceptual tier as a student project, so the award recognizes a design proposal rather than proven roadside performance. Guo and his team want the cone to get into position on its own; whether it can do that reliably beside live traffic remains to be demonstrated. My brain will probably keep saying VLC whenever I see a cone, but now it’s going to add “robot” right after.

 

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Nike and LEGO kicked off their in-line product collaboration with the LEGO x Nike Air Max Dn bright yellow sneaker in August 2025. Now the duo is targeting kids this holiday season with new additions to their multi-year partnership. Within a month from the the release of the Jordan’s 30th-anniversary Space Jam collection, Nike has teamed up with LEGO to unveil the space-inspired kids’ basketball collection that comprises Air Force 1 Low LV8 and S.T. Dynamite sneakers.

The two new space-inspired basketball sneakers are from the same collection, but are starkly different from each other, right from their DNA to the aesthetics. The Nike x LEGO collaboration, which has been limited to the courts on Earth until, is now inviting kids to imagine basketball beyond the court, in outer space, if you may.

Designer: Nike

As mentioned, the Nike x LEGO basketball collection is radically different, but shares the space theme. It has been, according to Nike, “created for basketball-loving kids.” The company says, “the collection gives young athletes new ways to connect with the sport,” without compromising personal style or their seriousness toward the sport.

If you’re interested, the Air Force 1 Low LV8 borrows its appearance from an actual astronaut spacesuit, while the S.T. Dynamite seems prepared for a game in an icy blizzard. The shoes are available in sizes ranging from 10.5C to 7Y.

The Nike Air Force 1 Low LV8 is reimagined with an upper that looks like an astronaut’s spacesuit. The sketched stitch detailing adds a constructed feel and playfulness, while the LEGO space-themed Swoosh and minifigs give the Air Force 1 a new feel that kids are definitely going to appreciate. It wouldn’t be surprising if basketball fans line up outside Nike stores to get a pair for their kids, not because they can’t get it in their size but for their little one to feel the fanfare.

The Nike x LEGO collaboration gets a deeper meaning with the Nike S.T.Dynamite that takes basketball – the kids’ collection – to an “ice planet.” The sneaker wears a color-shifting finish and a glittering outsole to generate that outer space icy look. Alongside the space-inspired aesthetics, these new collaborative sneakers have multidirectional treads in the sole, bouncy foam cushioning, and a lightweight upper.

The Nike x LEGO kids basketball collection is not limited to footwear alone. The sneaker duo, which will be available in North America from November 24 (but is in stores elsewhere starting November 2), comes with printed ripstop trousers, a graphic T-shirt, and Dri-FIT basketball shorts with a lunar landscape print. Also, part of the collection is a full-zip fleece hoodie equipped with a basketball minifigure patch that changes as you move.

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Touchscreens have plenty of games, but tapping on glass doesn’t quite replace moving a piece across a board. The Board, a tabletop console from the company of the same name, makes that physical interaction central to its design. Its 24-inch screen responds to toy utensils, spaceships, and robots, giving players something to hold while keeping the action on the table between them.

The broad, wood-finished frame gives it more in common with a serving tray than a television console. Rounded corners and gently curved edges soften its rectangular outline, while the large screen lies flat so people can gather around it. At 25.7 inches wide and 1.5 inches thick, it’s a substantial tabletop object, not something you’ll casually hold in one hand between turns.

Designer: Board

The clever part is underneath those playful pieces. Each has a distinct conductive pattern on its base that the screen can recognize through capacitive sensing, the same general touch technology used in phones and tablets. According to Board, the pieces contain no batteries, sensors, or electronics. There’s nothing to charge or pair before a plastic spaceship can become your controller for the evening.

That recognition happens through PieceSense, Board’s system for identifying pieces and following their position and rotation. Its machine learning runs on the device rather than sending those interactions to the cloud. It’s also designed to filter out accidental palm touches. That’s an important distinction when several people lean over the same screen, although Board’s developer guidance acknowledges that very fast movements can interrupt tracking.

Chop Chop puts that relationship between shape and action to work. You use a little knife to slice and a spoon to stir, rather than memorizing which button handles each task. The physical tools give the digital kitchen a familiar vocabulary. Passing a utensil across the table also puts some of the game’s coordination outside the screen, where everyone can see it.

Strata takes a different approach, using chunky blocks to build upward and claim territory. Here, the pieces contribute height instead of standing in for characters on a flat display. A new game can redraw the playing field, while different pieces give your hands another way to interact. Of course, those pieces will need a home when it’s time to put everything away.

Board currently lists the console at $339 in the US, reduced from $399, with seven games and their pieces included. There’s no required subscription, and additional individual titles range from free to $34.95. Software downloads directly to the console, while any corresponding pieces ship to your door. Expanding the collection can involve waiting for a package, rather than simply tapping another download button.

There is a power cord to consider, though. Board runs from a wall outlet, so its place on the coffee table depends on where you can plug it in. It’s still another screen in the living room, of course. The interesting design decision is giving everyone an object to move on that screen, with the players sitting close enough to steal your actual spoon.

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Carrying a tablet and a laptop means packing two screens when what you really need is another operating system. Hero Devices’ upcoming Hero Keyboard puts a Windows 11 PC inside a keyboard with its own trackpad and battery, leaving the display to a compatible tablet or monitor. The idea is to carry your computer without committing to the screen attached to it.

That makes Hero look rather like a laptop that’s misplaced its lid. Its Midnight Merlot enclosure has rounded corners, black keys, and a broad trackpad, with none of the hinge hardware anchoring a display behind it. The aluminum body measures about 10.04 by 7.48 inches and just 0.46 inches thick, although that compact footprint doesn’t leave room for a separate number pad.

Designer: Hero Devices

Inside, Hero specifies an Intel Core Ultra 5 125H processor, 16 GB of memory, and a 512 GB SSD. Windows runs on that hardware, not on the tablet, which simply supplies the display and supported touch inputs. That’s critical when you need a Windows application your tablet can’t run natively, without replacing the mobile software you already enjoy using on it.

Using a tablet as the display takes some software, though. Hero Port uses a standard USB-C data cable for wired video, while touch and stylus inputs travel separately over Bluetooth Low Energy. Hero’s companion app targets iPadOS 17 and later and Android 7 and later, but its product page still marks it as forthcoming. iPhone users are directed to third-party alternatives, such as Duet.

At a desk, a compatible USB-C monitor can provide both a display connection and power through one cable. Move elsewhere, and the same files and applications travel inside the keyboard, rather than needing another PC to pick up the work. The optional $50 Sidekick case gives those separate parts a home, carrying Hero and an 11-inch iPad while doubling as a tablet stand.

Hero has a role when you don’t need Windows. Switch off its PC, and the keyboard and trackpad can still serve a tablet over Bluetooth. You could answer messages in your tablet’s native apps, then switch back to Windows for work that needs it. There’s no need to pack a second keyboard just because you’ve changed operating systems rather than changing screens.

Of course, leaving out the screen doesn’t make the rest weightless. Hero alone weighs about 1.59 pounds, before adding a tablet, stand, or charger. The company promises up to nine hours of battery life and includes a 100-watt USB-C charger, but those figures don’t establish how long your workload will last. The tablet supplying your display also has its own battery to manage.

The Founders Edition is listed at $999 for preorder in the US and Canada, with initial shipments planned for the fourth quarter of 2026. That’s a substantial price for something that still needs a separate display. Its appeal depends on already owning the right screen and wanting Windows enough to accept a cable, an app, and a less self-contained setup than a laptop.

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Best known for its luxury coffee table books, Assouline is extending its design-led approach to everyday objects with the launch of The Library Collection: Game Room. This new collection reinterprets five familiar tabletop pastimes as carefully crafted lifestyle accessories, combining traditional games with premium materials and decorative detailing. Chess, backgammon, tic-tac-toe, dominoes, and playing cards receive a refined makeover, portraying them as objects designed for both entertainment and display.

The board game collection brings together rich walnut, pebbled and inlaid leather, brushed brass, heavyweight aluminium, and soft polysuede. A restrained colour palette of red, camel, brown, and stone gives the five pieces a consistent visual identity, allowing them to complement contemporary interiors, libraries, studies, and living spaces. Rather than changing how these games are played, Assouline focuses on their physical presentation, turning familiar objects into collectible pieces that can remain on display between games.

Designer: Assouline

Leading the board game collection is the Empire Chess Set, priced at $2,500. The chessboard combines a walnut structure with a brushed brass border and an inlaid pebbled leather playing surface. Integrated removable drawers provide storage for the pieces, while soft polysuede underlays add another layer of finish. Its heavyweight aluminium chess pieces feature brass accents and sculptural forms. One notable detail is the queen, whose crown draws inspiration from the distinctive visual motifs of artist Jean-Michel Basquiat.

The Pebble Backgammon Set follows at $2,250, housed in a solid walnut case with an inlaid leather playing surface. Its checkers are wrapped in leather and finished with brass detailing, while the dice are hand-painted in Assouline’s signature colour palette. The combination of tactile materials and traditional craftsmanship gives the set a more considered presence than conventional board-game accessories.

For a more compact alternative, the Library Tic-Tac-Toe Set costs $750 and combines walnut with pebbled leather. Its playing pieces introduce an unusual design detail: alongside wood and brass markers, the O-shaped pieces take the form of miniature books, referencing Assouline’s publishing heritage.

Completing the lineup are the Pebble Domino Set and Pebble Playing Card Set, priced at $650 and $450, respectively. The dominoes feature oversized leather-inlaid tiles framed in walnut, with recessed walnut pips and a distinctive pebble-shaped brass handle on the storage box. Meanwhile, the playing card set includes two gold-gilded decks featuring Didot typography and illustrated jokers depicting characters juggling books. Both decks are housed in a sliding leather case.

With prices ranging from $450 to $2,500, The Library Collection: Game Room extends Assouline’s approach to design beyond printed publications. Each piece brings a familiar social activity into the language of luxury interiors, where material quality, craftsmanship, and thoughtful detailing are as important as everyday functionality. The collection is available through Assouline’s online store.

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For many travelers around the world, Bali stands out as the ultimate dream destination. Now, the island’s iconic Beachwalk Shopping Center is home to something entirely new: Infinix’s first global flagship concept store. If you have ever pictured tech retail as rows of cold gadgets under harsh lights, prepare to have that image turned upside down. This space is much more than just a place to shop for smartphones. Here, you can sip inventive coffee creations, try out the latest devices, explore art installations, and even enjoy a special scent experience that adds an unexpected twist.

If you are not familiar with Infinix, the brand is known across Asia and Africa for its innovative smartphones and growing ecosystem of smart devices. With this new flagship store in Bali, Infinix is introducing itself to a wider international audience by showing how technology can be part of an imaginative lifestyle, not just something you carry in your pocket.

Designer: Infinix

Infinix calls its guiding philosophy “Joy Tech.” Technology here is meant to spark happiness and curiosity rather than just show off its technical specifications. From the moment you spot the metallic exterior glinting in the Balinese sun, you know something different is waiting inside. Step into the store and visitors are greeted by a futuristic robotic arm installation that would not look out of place in a science fiction film.

The in-store café features n_x coffee, Infinix’s own creation. Guests can indulge in imaginative drinks like Moo Moo Land with real beef jerky or Angry Chilli with two chili peppers perched playfully like devil horns. These signature beverages add a sense of adventure to your visit and reflect Infinix’s playful approach to both technology and lifestyle.

In addition to creative coffee and interactive tech displays, visitors can also sample Infinix’s signature scent at a special station. This perfume experience adds a unique sensory layer to the visit, highlighting how the brand aims to engage more than just your eyes and hands.

For those who love gadgets and smart technology, there are plenty of opportunities to dive in. Visitors can get hands-on with Infinix’s newest smartphones, laptop, and tablet and explore accessories like wireless headphones and portable power stations. Everything is set up so you can actually try before you buy instead of just peering at products behind glass.

What truly sets this concept apart is its ambition to become more than just a retail space. Infinix plans to welcome artists, musicians, and other creative talents into the mix so each visit could feature anything from an art showcase to live music or gaming competitions. Feedback from visitors will help shape future events and activities so this store could quickly become one of Bali’s most interesting destinations for both locals and international travelers.

The opening of this flagship marks only the beginning for Infinix’s new approach. The company plans to open five more stores across Indonesia within the year, each reflecting local culture and consumer preferences rather than simply copying what works in Bali. This concept will grow and evolve based on community input wherever it appears next.

Whether you come for the latest smartphone or because you are curious about adventurous coffee or simply want to soak up an atmosphere designed for all five senses, Infinix invites everyone—including those lucky enough to be visiting Bali—to discover technology in a whole new way inside one vibrant destination at Beachwalk Shopping Center.

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Petoi has been shrinking Boston Dynamics down to desk size for almost a decade now. Dr. Rongzhong Li started the company in his dorm lab in 2016, after a video of his open-source robot cat prototype went viral. That cat became Nybble, a laser-cut wooden kitty, and it was followed by Bittle, a palm-sized robot dog that ended up in classrooms, research labs, and a surprising number of home offices. Petoi says it has shipped more than 30,000 robots to over 60 countries, all running its open-source OpenCat framework. Each new model has gotten smaller, smarter, and easier to build, which brings us to the newest pup in the litter.

Meet Quaddle, a palm-sized robot dog that walks, glides, spins, and does backflips using just four servos. That’s half what Bittle uses in its legs and roughly a third of what most quadrupeds need, thanks to a spring-loaded linkage Petoi calls the MinDoF leg, which lets one motor drive both the shoulder and the knee. It weighs about 6 ounces, snaps together without screws, and takes LEGO bricks on its back. You can teach it tricks by physically moving its legs, chat with it, or code it in anything from beginner blocks to ROS. Prices start at $179, which is pretty reasonable for a dog that never needs walking.

Designer: Petoi

How one servo runs an entire leg

Each of Quaddle’s legs hangs off a single servo, with a spring and a four-bar linkage doing the job a second motor normally would. As the servo swings the upper leg, the linkage folds the knee up and straightens it again, turning one rotating shaft into a proper step. Petoi calls this the MinDoF leg, short for Minimal Degrees of Freedom, a degree of freedom being one independent way a joint can move. The spring clips onto different anchor points, changing how stiff or bouncy each leg feels. In Petoi’s tabletop tests, Quaddle walks about one body length per second, turns 90° in a single step cycle, and climbs onto a ledge as tall as its own knee.

Walking machines driven by a single crank go back to Pafnuty Chebyshev, the Russian mathematician whose 1870s linkage turned rotation into a surprisingly lifelike stride. Theo Jansen’s wind-powered Strandbeests on Dutch beaches run on the same basic idea, and Quaddle feels like their tiny, battery-powered cousin. Petoi added one more trick by fitting small bearings to the tips of the feet. Angle the legs just right and those bearings become wheels, letting Quaddle glide across a smooth desk at around three body lengths per second without a single extra motor. Fewer motors also means less weight, less cost, and less battery drain, which is how the whole dog comes in at roughly 6 ounces.

Teach it tricks by hand, then teach it in code

On the Buddy and Scout models, every leg servo reports its position back to the robot, so you can teach Quaddle a move by simply grabbing its legs. Tap to start recording, guide the legs through whatever silly dance you have in mind, and tap again to have it play the motion back. There’s no app or code involved, and Petoi says you can teach it a basic walk in about ten seconds. Recorded moves can be pulled into Petoi’s Skill Composer software for fine-tuning and shared with other Quaddle owners. For a kid, this is probably the fastest route from “I wonder if” to a robot actually doing the thing.

Buddy and Scout split their thinking across two ESP32-S3 chips, one for motion and balance and one for voice chat and smart home control. A physical slide switch cuts power to the AI chip entirely, which is great for privacy and for days when your robot dog gets a bit too chatty. Coding starts with drag-and-drop blocks, moves to Python or MicroPython, and eventually reaches the Arduino C++ firmware. Bigger projects can mount a Raspberry Pi Zero on its back or plug into ROS, the software framework most research robots run on. A browser-based simulator runs the same code as the real robot, so you can test ideas on a laptop or even a phone with no robot in sight.

LEGO bricks, a Nokia battery, and three Quaddles to pick from

The top of Quaddle’s shell takes LEGO bricks, and Petoi will publish printable shells and mounts for anyone with a 3D printer. Petoi’s own demos have turned it into a walking LEGO AT-AT, a waddling biped called the NanoDuck, and a rover on Mecanum wheels, which use angled rollers to slide sideways. Power comes from a swappable Nokia-format phone battery, the same BL-5C shape that lived inside Nokia’s famously indestructible early-2000s handsets. Quaddle ships with the bigger 1,800 mAh BL-10C cell, good for roughly 1 to 1.5 hours of walking depending on the model. Plug it into USB-C while you code and it charges as it runs, so marathon debugging sessions are fair game.

Builder PLUS ($179) handles walking and coding, Buddy ($219) adds AI chat and teach-by-hand, and Scout ($269) adds a sensor head that detects gestures, light, distance, and people. All three are priced at $144, $175, and $215, with deliveries starting in December. For context, Petoi’s own Bittle X lists at $279, Unitree’s Go2 starts around $1,600, and Sony’s Aibo launched in the US at $2,900. Petoi spent a decade shrinking big robots down to desk size, and Quaddle shows the smartest way to shrink one further is to give it fewer parts.

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Tall, divided windows wrap around Leah’s living room, giving this small home the appearance of a glazed garden pavilion. Offered by Swedish builder Vagabond Haven, the modular design combines an open living area with a separate downstairs bedroom and a sleeping loft. The company’s illustrations show a cottage-like interior, with white paneling, pale wood tones, and space for conventional furniture.

Leah measures 12 meters long and 3.45 meters wide, with a stated living area of 52 square meters, approximately 560 square feet, including the loft. It accommodates four sleepers. This isn’t a towable retreat: its timber structure sits on a steel chassis without wheels, and transportation requires a low-bed truck and crane. Choosing a site means planning for that delivery.

Designer: Vagabond Haven

The exterior uses vertical Thermopine siding beneath a steel-sheet roof. Vagabond Haven specifies 20 centimeters of mineral wool insulation in the walls and roof, alongside triple-glazed windows. Visually, the most consequential decision is concentrating the largest windows around the living area. That treatment gives the shared space a distinct identity, while smaller openings punctuate the more private rooms.

Inside, the illustrated kitchen follows an L-shaped arrangement, with a sink beneath a window and cabinetry extending around the corner. A freestanding dining table seats four beside the tall glazing. Keeping the table separate from the counter provides a dedicated eating surface, though it also occupies circulation space. Appliances and furnishings are configurable, so the pictured arrangement shouldn’t be mistaken for the base specification.

A corridor connects the communal area to the bathroom and main bedroom at the opposite end. That separation is useful: the bed doesn’t have to share the same open room as dinner, television, or visitors. The bedroom illustration includes a double bed, wardrobes, shelving, and a desk. Crucially, the primary sleeping space is downstairs, making the staircase optional for an owner’s nightly routine.

Upstairs, the loft is reached by stairs with integrated cabinets. The illustrated arrangement places a low bed beneath the pitched ceiling, with a desk nearby. Headroom remains the compromise here, particularly toward the roof edges. Roof windows are optional. Downstairs, bathroom choices include a glazed shower, washing machine provision, and flushing, composting, or incinerating toilets.

Leah costs approximately $66,300 unfurnished, $77,500 fully furnished, or $93,100 fully off-grid, excluding VAT. Those distinctions matter when budgeting: the lowest figure isn’t the illustrated, equipped interior. Leah’s strongest spatial choice is giving everyday living and the main bedroom proper downstairs rooms, while reserving the low-ceilinged loft for whoever actually wants to climb upstairs.

The post This Tiny Home Wraps Its Living Room in Glass and Keeps the Main Bedroom Downstairs first appeared on Yanko Design.

The PlayStation 2 was never something you could casually slip into a bag, unless you planned to bring a screen and controller along for the ride. The PlayStation 2 DUO brings those pieces together in an unofficial DIY handheld with an unusual trick. Its screen actually bends in the middle, letting you fold the console when it’s time to put the game away.

There’s plenty of familiar territory around that unfamiliar fold. A purple shell surrounds the display, with a D-pad and the four recognizable PlayStation symbols sitting above two analog sticks. Start and Select occupy the upper corners, while speaker grilles sit below the controls. The arrangement looks reassuringly conventional, which is probably helpful when the screen between your hands is doing something rather unconventional.

Designer: LCLDIY

That screen is a single flexible panel, rather than two separate displays interrupted by a hinge. The project’s earlier development notes describe a 7.8-inch screen salvaged from a foldable phone. It gives the DUO a generous central canvas when opened, without committing the handheld to that same width inside a bag. Of course, making a screen bend doesn’t make its limitations magically disappear.

The panel needs room to curve, and forcing it into a sharp fold would damage it. That requirement shaped the casing and its hinge, leaving a broad bend instead of squeezing the halves completely flat together. It’s a less tidy package than a closed clamshell might suggest, but the extra space has a practical purpose: keeping that delicate display in one piece.

There’s genuine PlayStation 2 hardware inside as well, rather than a newer computer pretending to be Sony’s console. Getting it to fit required cutting down the original motherboard and rearranging its supporting electronics. A 3D-printed enclosure brings everything together, turning equipment once tethered to a television into something you can hold between both hands. The nostalgia extends beyond the buttons, in other words.

The folding body makes the electronics more complicated, of course. Separate control boards occupy the two sides, with a ribbon cable linking them across the center. The trimmed motherboard also carries a small cooling fan and heatsink. There’s quite a bit happening underneath that playful exterior, particularly for a device whose moving parts include the surface you’re supposed to be staring at.

Folding it up reduces the footprint, but doesn’t automatically make this a pocket console. The published project information doesn’t establish its weight, closed dimensions, or battery runtime, so there’s little reason to start planning an entire flight around it. More importantly, this is a completed hobby build, not an upcoming Sony handheld with a price tag and a place on store shelves.

Enclosure printing files and a PCB archive are available on the project page, although they don’t amount to a complete assembly guide. Recreating the DUO still involves board modification and careful work around a flexible display. That might temper the urge to make one immediately, especially if your experience with PlayStation hardware mostly involves inserting discs rather than cutting up circuit boards.

The post This DIY PlayStation 2 Handheld Gives a Foldable Phone Screen a New Job first appeared on Yanko Design.

Apple spends plenty of effort making the iPad thin and light, but that doesn’t mean holding one for an entire chapter feels effortless. A protective case can give it more bulk without giving your fingers much help. Strapsicle’s iPad cases take a different approach, adding a silicone strap that lets your hand support the tablet from behind instead of constantly squeezing its edges.

The most conspicuous part of the design is also its most useful idea. Strapsicle calls it the XO strap, a circular center with four diagonal arms attached to the case. Slide your fingers underneath, and the flexible silicone sits across the back of your hand. That gives the iPad another point of support without turning it into something with a bulky carrying handle.

Designer: Strapsicle

That arrangement also leaves room to change how you hold the tablet. Your fingers can slip under different parts of the strap for portrait reading or landscape browsing, with either hand taking a turn. Of course, the case doesn’t make an iPad weightless. It’s intended to reduce reliance on pinching the edges, not remove the need to support the device at all.

Eventually, though, even the most interesting book has to make way for something else. The front cover folds along its geometric creases to become a stand, offering portrait support for reading and a steeper 75° landscape position for watching videos. There’s also an 8° setup for typing and drawing, bringing the screen closer to the tabletop rather than holding it almost upright.

The cover doesn’t have to follow you through every activity, thankfully. It detaches completely, leaving the rear strap accessible without a folded flap competing for space behind your hand. Small pins connect it to the shell rather than magnets, so removing it is a deliberate step. Put it back on when you’re finished, and the screen has a cover for the trip home.

There’s a smaller silicone loop along the edge for an Apple Pencil, keeping the stylus with the tablet instead of loose in a bag. The main straps are interchangeable, too, so changing colors doesn’t require replacing the whole case. Pink, dark teal, and black give that unusual rear shape a little personality, while the transparent back leaves the iPad’s own finish visible.

Strapsicle lists two sizes, fitting the sixth- and seventh-generation iPad mini or the 10th-generation iPad and iPad (A16). Its announced US launch prices are $69.99 for the mini case and $79.99 for the larger version. The company says they’re shipping now, with the October 26, 2026, announcement marking their B&H retail debut. DataVision sales are scheduled to follow in November.

There is a tradeoff to all that extra support, however. Strapsicle lists the complete mini case at about six ounces and the larger version at 9.8 ounces, including their covers and straps. You’re adding weight to something you’ll still have to hold. Taking the cover off for a chapter on the couch makes sense, then, provided you remember to put it back before heading out.

The post Strapsicle’s iPad Cases Trade Gripping the Edges for a Silicone Hand Strap first appeared on Yanko Design.