What if walking into a library felt a little like stepping into a forest? In Gresham, Oregon, that idea has taken shape through towering wooden columns, sunlit interiors, and spaces that gradually shift from lively gathering spots to quiet reading corners. Completed in 2026, East County Library brings the natural character of the Pacific Northwest into a public building, creating an environment where architecture, learning, and community life come together.

The 95,000-square-foot library draws inspiration from the experience of walking among tall trees. The connection begins outside, where slender wooden columns extend beyond the building’s exterior walls and support an expansive roof. Narrow vertical windows echo their rhythm, giving the facade a sense of depth and repetition. A sheltered entrance extends the public space toward the street, inviting visitors to experience the architecture before stepping inside.

Designer: Holst Architecture and Adjaye Associates

The forest influence becomes even more apparent indoors. Tall timber columns rise through expansive, double-height spaces, while exposed wooden beams form a geometric canopy overhead. Skylights introduce natural daylight, creating a changing interplay of light and shadow throughout the day. The building incorporates approximately 1,200 engineered wood beams and columns alongside nearly 300 cross-laminated timber panels. Much of this structure remains exposed, allowing the materials and construction to shape the atmosphere of the space. The result is an interior that feels warm, open, and closely connected to the landscape that inspired it.

At the center of the library, a sweeping curved staircase introduces movement into the otherwise orderly arrangement of columns and beams. Closely spaced wooden slats wrap around its form, creating a sculptural feature visible from multiple viewpoints. From the upper level, the staircase reveals a landscaped seating area below, with greenery and curved benches tucked into its footprint. Its flowing shape provides a welcome contrast to the straight lines of the surrounding timber structure.

Around this central feature, the library opens into what feels like a communal living room. Sofas, lounge chairs, and smaller seating arrangements create informal places to meet, read, or simply spend time. The generous ceiling height keeps the space feeling open, while the furniture introduces a more intimate, comfortable scale. It is an inviting setting that encourages visitors to stay beyond the time needed to find a book.

As visitors move farther into the building, the atmosphere begins to change. The western section accommodates the most energetic activities, with children’s play areas, a dedicated teen room, creative learning spaces, and an auditorium. Moving toward the center, visitors encounter book collections, community rooms, sensory rooms, and an audiovisual studio. The eastern end offers a quieter setting for reading, studying, and individual work. This gradual transition allows different activities to coexist comfortably, giving each part of the library its own character while maintaining a consistent architectural language.

In the quieter sections, tall windows illuminate reading chairs, shared tables, and individual workspaces. Timber columns and exposed beams remain a familiar presence, but the furniture arrangement becomes more focused on concentration and personal space. The design recognizes that people use libraries differently throughout the day. Someone might arrive for a community event, settle into a comfortable chair with a novel, or spend several hours working independently.

These varied experiences were shaped by the people who would eventually use the library. Conversations with local residents influenced several important decisions, including children’s spaces connected to outdoor play, an auditorium for performances and lectures, and a teen room designed around studying, technology, and social interaction. The community even participated in choosing the interior color palette, with more than 550 people voting for a scheme called Cool Coastal.

The library’s creative facilities further expand its role in everyday community life. A Creative Learning Room offers access to equipment such as 3D printers and laser engravers, supporting practical experimentation and creative projects. An audiovisual studio provides tools for producing music, podcasts, and videos, while the auditorium accommodates larger gatherings, presentations, and performances. Together, these spaces make the building a destination for learning through making, sharing, and participating.

That sense of accessibility extends beyond the building itself. East County Library occupies a former underused park-and-ride site near a light rail station and several bus routes. A landscaped pedestrian pathway connects the public plaza to nearby transit, making the library part of the neighborhood’s daily movement. Outdoor gathering spaces and a rooftop terrace offer additional opportunities to meet, relax, or spend time outside.

The post This Oregon Library Brings the Feeling of Walking Through a Forest Indoors first appeared on Yanko Design.

Two riveted portholes occupy the face of the Louis Erard × Vianney Halter Futur Antérieur, making it look like submarine equipment that escaped into a jewelry case. One window tells the hours and minutes. The other gives the seconds their own stage. I like the extravagance of that arrangement, especially because this limited-edition mechanical watch tackles a specific design challenge: delivering Halter’s distinctive aesthetic in a less prohibitively expensive package.

At roughly $6,000 before taxes, “less expensive” needs context. Halter’s Antiqua, the perpetual-calendar watch he introduced in 1998, occupies a six-figure collecting universe. The Futur Antérieur translates its porthole architecture into a simpler watch that tells the time. Nobody needs to pretend that makes it affordable. Still, I appreciate a collaboration that preserves an independent watchmaker’s recognizable ideas rather than borrowing a famous name and printing it on an otherwise ordinary dial.

Designers: Louis Erard × Vianney Halter

The cleverest decision sits behind those windows. Two separate Sellita SW100 automatic movements power the displays, one handling hours and minutes, the other running the seconds. That sounds wonderfully excessive for such basic information, and it is. But it also gives each dial its own mechanical foundation. Rather than developing an elaborate mechanism to reposition the indications, the designers have used two small, existing movements to support the layout they wanted.

Two movements might suggest a second time zone, but that isn’t what you get. Design Milk reports that Louis Erard chose running seconds partly because keeping two movements sufficiently aligned for dual-time use would be difficult at the intended price. That’s useful context, and a reminder that the extra mechanism serves the design more than the feature list. I’d approach this as an expressive object, not a purchase justified by having more functions.

The dimensions help that expression avoid becoming a costume. Its stainless-steel case measures 38mm across and 44mm long, with a thickness of just 8.85mm. Those numbers matter because the raised windows and prominent crowns could easily suggest a much chunkier watch in photographs. On paper, the profile is restrained. I haven’t worn it, but I appreciate the decision to keep this much visual activity within relatively compact dimensions.

Look closer and the metalwork carries much of the personality. Each bezel has 12 yellow-gilt rivets, while each crown gets six. Brushed steel sits beside polished edges, and the blue steel hands introduce a cooler color against those warm accents. In the product images, the separate nameplates feel almost like labels attached to an old scientific instrument. The appeal, for me, comes from those specific details rather than the broad steampunk label.

The two versions pull that character in slightly different directions. Gold combines gold-toned dials with a black ostrich-leather strap. Silver pairs silver-toned dials with blue ostrich leather, picking up the color of the hands. I’d choose Silver. Its cooler palette lets the little gold rivets register as individual details instead of joining a larger wash of gold. The asymmetrical layout already has plenty to say without needing a louder color scheme.

There are ordinary ownership considerations beneath the unusual face. Louis Erard specifies a minimum 38-hour power reserve for each movement, with 42 hours typical. Leave it unworn for a weekend and you may return to a stopped watch. Quick-change strap bars offer a more convenient detail, letting owners change the strap without making that another complicated operation. These are worth considering alongside the sculptural appeal.

Each version is limited to 178 pieces and listed at CHF 4,950 before taxes. As of November 6, 2026, both are marked sold out on Louis Erard’s website. That scarcity limits the accessibility argument, even at this lower price. Still, the design itself makes sense to me: keep the familiar task of reading hours and minutes, then spend the mechanical extravagance on giving the passing seconds an unnecessarily handsome room of their own.

The post Two Hidden Mechanical Movements Power One Slim Louis Erard Watch first appeared on Yanko Design.

My first apartment had a living room wall the size of a parking space and a TV budget the size of a parking ticket. Had the Optoma Photon Life PK31 existed back then, I would have eaten instant noodles for a month to buy it. This 4K projector can cast an image up to 150 inches, and it currently sells for around $599, which is what you’d pay for a decent midrange Android phone. One gives you a 6-inch screen. The other fills a wall, and I know which one my 25-year-old self would’ve picked.

The PK31 is a compact, 5.2-pound projector that looks more like a smart speaker than the beige AV boxes projectors used to be. A smooth top shell sits over a textured matte body, a perforated grille wraps around the side, and the lens sits inside a deep circular cowl. It uses a Texas Instruments DLP chip and an RGB LED light source, with claimed coverage of 95% of the DCI-P3 color space. At a rated 900 lumens, it’s best suited to a dark room. Input lag is rated as low as 4.6ms, though that’s at 1080p and 240Hz, not 4K.

Click Here to Buy Now

A Projector Built to Live on Your Bookshelf

The body measures 9.37 x 8.46 x 4.64 inches (238 x 215 x 118 mm), roughly the footprint of a hardcover cookbook lying flat. That lets it sit on a shelf between the plants and the Bluetooth speaker without looking like it wandered in from a conference room. Optoma prints its logo in copper on the top panel, a small, warm accent against the all-black body. Every port sits inside a recessed panel on the back, keeping connections out of sight from the front. The grille wraps around the side, helping the cooling vents blend into the textured body.

The lens sits off to the right, balanced on the left by a pill-shaped window for the IR receiver, giving the front a friendly, slightly lopsided face. Its 1.5 to 1.65 throw ratio translates to about 11 feet (3.4 meters) of distance for a 100-inch picture. The full 150 inches needs roughly 17 feet (5.2 meters), so this suits a long living room better than a cramped studio. Focus and the 1.1x zoom use manual rings, and a twist-adjust foot handles tilt. A standard tripod thread underneath adds mounting flexibility, while four-corner correction and a warp tool help adjust the image to an uneven wall or an inflatable backyard screen.

Sharp 4K and Low-Lag Gaming

The 0.47-inch Texas Instruments chip uses microscopic mirrors to direct light toward the screen. XPR pixel shifting shifts the projected image by fractions of a pixel to produce a 3840 x 2160 picture. Separate red, green, and blue LEDs handle color, and the projector supports HDR10 and HLG. Projector Reviews measured 862 lumens in the brightest mode, close to Optoma’s 900-lumen rating. The reviewer also rated its color as good as or better than that of any RGB LED compact projector he’d tested.

That review recommends about 90 inches for everyday content and 75 to 80 inches for HDR, so don’t expect the same brightness at the maximum 150-inch size. Gamers get the bigger surprise. Input lag, the delay between a button press and the corresponding action on screen, is rated at 4.6ms at 1080p and 240Hz, 8ms at 1080p and 120Hz, and 16ms at 4K and 60Hz. The reviewer’s lag tester confirmed those figures. One catch: low-latency mode disables keystone correction, so line the projector up straight before the boss fight.

How It Stacks Up Against TCL, BenQ, and Hisense

TCL sells a smart projector for considerably less: the TCL C1 normally goes for about $250 with Google TV, Wi-Fi, and Bluetooth built in. The fine print says 1080p, though, and its “4K support” means it accepts a 4K signal and scales it down. The PK31 produces a 4K image but skips the smart OS, Wi-Fi, and Bluetooth entirely. Its single HDMI 2.0 port takes a Roku or Fire TV Stick, and the USB-A port can supply power to it, letting the setup run from one wall outlet. A 5W mono speaker provides onboard audio, and a 3.5mm jack connects external speakers for movie night.

Another 4K option is the BenQ GP520, a cube-shaped projector with a higher 2,600-lumen rating and Google TV. It launched at $1,499 and now has a street price closer to $999. Optoma’s own PK32 adds an amber LED, autofocus, and two HDMI ports for $1,299, while the Hisense M2 Pro costs the same with Android TV on board. The PK31 launched at $1,099 and now sells for about $599 at Walmart and Amazon. At that price, you could add a streaming stick and still spend considerably less than you would on those three.

Click Here to Buy Now

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Fujifilm celebrated the QuickSnap’s 40th birthday this year the way any responsible camera company would, by announcing new models. The QuickSnap Black and White ($22.90) and the waterproof QuickSnap Active ($24.75) are due this fall, marking the first time Fujifilm has loaded black-and-white film into a QuickSnap. One LEGO Ideas builder took a different approach to the celebration, reaching for green, black, red, and white bricks to rebuild the Japanese version at full size. Of the two birthday presents, I know which one hits the nostalgia button harder.

That builder is MarshallThrilledLobster, and the subject is the Simple Ace, known in Japan as Utsurundesu, which roughly means “It takes pictures!” The name came from a Fujifilm employee who blurted it out when someone asked whether the camera would really work. It might be the best product naming story in camera history. The LEGO version sits at 1:1 scale, comes with a full-size brick replica of its retail box, and packs a few working details. Fujifilm designed the original cameras to be collected after use, taken apart, and rebuilt, making them a fitting subject for LEGO.

Designer: MarshallThrilledLobster

A 1:1 Simple Ace, Right Down to the Clicking Wheel

The real Simple Ace measures 4.25 by 2.1 by 1.3 inches (108 by 54 by 34mm), and this build recreates it at full size. That works out to 13.5 studs across, an awkward number that helps explain why so much of the build runs sideways using SNOT (studs not on top) techniques. The green body wears its red and white stripes, with a domed black lens right where your finger used to block every third shot. Up top, a half-buried Technic gear stands in for the winding wheel. Turn it and it clicks, like advancing a fresh frame.

The viewfinder is a clear tunnel that lines up front to back, so you can actually squint through it. That’s more faithful than it sounds, since the real camera uses a simple reverse-Galilean plastic finder, essentially a tunnel with two lenses. A strap loop is worked into the side of the shell, and the outer surfaces are tiled smooth with no exposed studs. The result reads as molded plastic from across the room. Only up close do the seams give away that this camera came out of a parts bin.

The Box Gets the Brick Treatment Too

My favorite detail, though, is the packaging. The builder recreated the Simple Ace’s tall retail box at full size, with the 写ルンです logo rendered in blocky pixel lettering and barcode details built from black and white tiles. Stand it next to the camera and you’ve got a Tokyo convenience store shelf on your desk. It doubles as a display stand, giving the small camera some height and context. For anyone who grew up with these, the box is half the memory, since tearing it open meant the vacation had officially started.

Packaging as an accessory has precedent in LEGO Ideas. The Polaroid OneStep SX-70, which started as a fan build by Marc of Minibrick Productions, became set 21345 in 2024 with a buildable film pack and three illustrated photos. That set established a precedent for collaborating with a real camera brand, while this QuickSnap remains a fan proposal. A full-size retail box goes further than a film pack, giving Fujifilm’s graphic design the same care as its industrial design. That feels right for packaging this recognizable in Japan.

A Disposable Built for Second Lives, Now Up for a Vote

Fujifilm opened a QuickSnap recycling center in 1988, just two years after the camera launched. By 1998, it was running an automated factory that disassembled returned cameras, inspected the parts, and built new cameras from them. In the US today, up to 60% of each QuickSnap is made with reused camera materials. The builder frames the project around that idea: a so-called disposable product designed for a second life. LEGO bricks have been taken apart and rebuilt since 1958, though their next life might be a spaceship.

The Fujifilm QuickSnap build went live on LEGO Ideas on November 6 and has 105 supporters as of this writing, with 425 days left to reach the 1,000-supporter milestone. Fans submit builds, and projects that reach 10,000 supporters get reviewed by LEGO for an official set. That’s a long climb for a camera most people know as a $20 impulse buy. If you’ve got a shoebox of fuzzy prints somewhere, head to the LEGO Ideas page and give it your vote. It’s the one QuickSnap you’ll never have to drop off at the lab.

The post This LEGO Fujifilm Quicksnap is a 1:1 tribute to the camera on its 40th anniversary (box included!) first appeared on Yanko Design.

Just in time for the summer season next year, when you’re going to begin weighing your adventure choices, you will have an excellent option in the new Volkswagen California campervan. The company has unveiled in the UK its new models of the people’s favourite campervan, which is expected to start deliveries in early 2027.

The adventurers in the UK should be able to order the new generation California campervans now, for a starting price of £54,065 (approx. $72,000). Based on its basic DNA of adventure, the campervan models are designed with all types of travelers – solo, family, or romantic couples in mind.

Designer: VolkswagenVolkswagen

The new design of the California campervan starts with the front below the bonnet. Here, the LED headlights are the new defining feature. The cabin has been uplifted with driver comfort and safety in mind. State-of-the-art technologies now find their way into the campervan setup, which complements the on-road lifestyle. Thus, new safety and comfort features have been added through software-level integration and interesting driver assistance systems.

The cosmetic changes to the shape of the California render it a sharper appearance and feature power-latching sliding doors and tailgates. Before you lose the plot, Volkswagen has narrowed the campervan range to three new specifications titled the Beach, Coast, and Ocean. The Beach is the basic and the cheapest of them all, with 17-inch alloy wheels and heated front seats. The model features a manually operated pop-up roof, awning, and a sliding door on the passenger side with a mini-kitchen to prep food on the go.

Coast model packs all the basic features and builds on it with the addition of a larger kitchen, some cabinetry, a fridge, and large battery power. The top-of-the-line California Ocean comes with 18-inch alloy wheels, an electric pop-out roof, climate control, and ambient lighting. The new models come in 19 new colors across solid, metallic and two-tone paint options. These campervan models feature a 12.9-inch infotainment system that also works as the control center for everything from media and navigation to camping monitoring.

Specific to the new Volkswagen California, eHybrid 4MOTION is an electric stationary air conditioning system that can keep the campervan heated or electrically cooled for eight hours. The two latest California Coast and Ocean modes come with two rear seats that fold into a 78 x 43-in (198 x 108-cm) lower bed. They also feature new driver assistants: the Travel Assist system for assisted lane change and an integrated Emergency Assist, which, according to the company, “guides the vehicle to the hard shoulder or outermost lane in the case of the driver suffering a medical emergency.” All the interesting comfort and safety features onboard make this new California campervan the go-to choice for summer campers.

 

The post Volkswagen’s new 2027 California Campervan models with smarter features and prices starting at $72,000 first appeared on Yanko Design.

A wire-grid lounge chair sounds like a hard sell for an afternoon off. Yet Moritz Schmid’s Patio Chair for Swiss furniture maker Embru has a visual ease that makes me want to give it a chance. The open seat and back leave much of the chair transparent, while the frame gives it a clear outline. Its more persuasive detail, though, addresses a familiar frustration: having to replace an entire object because one part has given up.

Embru describes the construction as modular, with individual components that can be replaced or repaired. A specially developed mounting system accommodates different seating surfaces. That makes the announced chair interesting beyond its appearance. If the seat becomes damaged, the design allows the remaining structure to stay in use. I’d rather see that possibility built into a chair from the beginning than encounter it as an expensive customer-service question later.

Designer: Moritz Schmid for Embru

The visible connection between backrest and frame is worth a closer look. In Embru’s detail photograph, a circular metal fitting interrupts the blue grid, making the attachment point part of the composition. It’s a small, deliberate-looking piece of hardware, and I like that it hasn’t been disguised. You can read the chair as an assembly of parts. Visually, that gives the repairability story a little credibility before anyone starts explaining the engineering.

The material options give that construction another purpose. Embru plans an outdoor grid version and an indoor version with wood-veneer panels, including oak, ash, black ash, and walnut. Listed finishes include wine red, gray-blue, black, and silver hot-dip galvanizing. My preference would be the gray-blue grid: it gives the industrial geometry enough color to feel intentional without turning the chair into the loudest object on the patio.

The wood version changes the visual balance considerably. Where the grid lets the background pass through, the broad panels create solid planes. The rear view of the black version makes this especially clear: the backrest reads almost like a sheet suspended above the slender frame. That’s a useful distinction for anyone who likes the underlying shape but doesn’t want outdoor furniture setting the tone inside their living room.

Schmid has explored related territory with Embru before. His earlier Park Chair uses a tubular steel frame, with curved rear legs that give a straightforward garden chair an unexpectedly animated profile. Embru says that design was developed around the manufacturing capabilities at its Rüti factory. I appreciate that context because it makes the Patio Chair feel less like an isolated styling exercise. There’s an ongoing conversation here between a designer, a material, and the people equipped to shape it.

Appearance only gets a lounge chair so far, of course. I’d want to sit in the grid version before calling it an all-afternoon favorite. The photographs establish its shape, not how the seating surface feels after an hour with a book. For me, that’s the unresolved question that matters most. An appealing frame and replaceable parts are good reasons to pay attention, but neither substitutes for getting comfortable. The word “lounge” still has work to do.

Embru currently expects the Patio Chair to become available at the end of 2026. Its preview doesn’t provide a price or confirm US availability. I’d also want to know how replacement parts will be ordered and priced. Designing a component to come off is valuable; making its replacement straightforward to obtain is what turns that decision into a useful ownership benefit.

Still, the premise earns my interest. I don’t need every chair to become a family heirloom, and I’m wary of furniture being described as timeless before anyone has lived with it. I do want the option to keep a chair I like when one component wears out. The Patio Chair gives that ordinary expectation a considered form. Provided the parts support follows through, its most attractive feature may become apparent years after the first photograph.

The post Embru’s Patio Chair Can Get a New Seat Without a New Frame first appeared on Yanko Design.

Taking photographs has become almost effortless, but getting them off our phones is another matter. There’s always a favorite vacation snapshot that deserves better than being buried between screenshots and receipts. Inkanva is developing a color E Ink canvas that gives those pictures a more permanent place at home, with a paper-like display and indoor-light charging on its two smaller models.

The difference starts with what the display doesn’t do. There’s no backlight turning a family portrait into another glowing rectangle in the living room. Instead, E Ink Spectra 6 reflects ambient light and uses six physical pigments to create color. Like a printed photograph, it needs light to be seen, which makes its relationship with the room quite different from a backlit tablet’s.

Designer: Inkanva

Click Here to Buy Now: $159 $239 (34% off). Hurry, only a few left! Raised over $358,000

Light also has another job here. The 7.09-inch and 13.3-inch editions include a perovskite photovoltaic component that harvests indoor light to replenish the battery. That’s a rather technical way of addressing a familiar decorating problem: finding somewhere for an electronic object without planning around a nearby power outlet. The component attaches magnetically and can be removed without opening the display housing.

Of course, the room still has a say in how that works. Charging depends on available light and how often you change the picture, so a dim corner isn’t the same as a well-lit shelf. E Ink helps by retaining a static image without continuous display power. The aim is fewer charging interruptions, rather than a promise of unlimited activity.

Changing the picture follows a routine that should feel familiar to anyone who’s edited a photo on a phone. Choose an image in the Inkanva app, adjust the crop, and send it over Wi-Fi. A trip to the coast could replace last year’s family portrait without another print order, leaving the physical frame where it is while the memory inside changes.

There’s room for less conventional contributions, too. The app offers AI tools that turn spoken ideas or doodles into artwork, giving a quick sketch another direction to explore. A child’s drawing could become the starting point for something new, although there’s no obligation to involve AI at all. Your own photograph can take the same place without being reinterpreted by software.

Those who’d rather manage their pictures closer to home have a separate local mode with a browser interface and its own image library. It’s an alternative to app-based management, rather than another remote control running alongside it. Home Assistant support also leaves room for custom routines, such as putting a different artwork on display for the start of the week.

The surrounding frame matters almost as much as the image, especially when it shares a room with furniture you’ve chosen carefully. On the 13.3-inch edition, a separate decorative wood surround can be swapped without replacing the display. Moving it from a study to a living room doesn’t have to mean keeping the same finish, even if the photograph stays exactly as it was.

Scale changes that relationship as well. The 7.09-inch canvas suggests a personal photograph beside a desk, while the 13.3-inch version gives an image more presence on a shelf or wall. There’s also a 28.5-inch edition for a larger wall composition, although it doesn’t include the light-harvesting panel.

A photograph doesn’t need to change every morning to deserve a place on the wall. It might stay there for months, gathering the sort of familiarity that makes a room feel like yours. Inkanva leaves that decision with the person living beside it. When another picture finally earns the spot, you can change what’s inside without taking down the frame.

Click Here to Buy Now: $159 $239 (34% off). Hurry, only a few left! Raised over $358,000

The post This Light-Charging E Ink Frame Gives Your Photos a Home Beyond Your Phone first appeared on Yanko Design.

I am not much of a flower person and, consequently, not much of a flower vase person. As much as I know that they can add to the aesthetic beauty of any space, I don’t have much space to display them or add to my messycore clutter. Also, most flower vase designs don’t appeal to me enough that I’d actually make space for them. But as a certified book lover, anything that’s close to the look of a book is something I might actually consider.

The Pop-up Book Vase is one such flower display that has a certain look I might go for if I decide to buy a few flowers and display them. It uses a book aesthetic where you can turn the page and get a new look with its three-dimensional paper vase silhouette. This way, you get a different look by switching among the three designs if you’re the kind of person who wants something new to look at every once in a while.

Click Here to Buy Now: $45.00

The way this vase is designed goes beyond printing a book pattern on a regular vase. The flowers go into a glass test tube, which fits into the book’s spine. Each book has three vase shapes that you can change as you turn the page. Turning the book upside down changes which end of the silhouette is wider, so you get something new again. You basically get six possible configurations of a vase in just one object, rather than six separate containers.

That division between the materials is what makes the idea work. The paper creates the decorative shape, while the glass holds the water. MECLI calls the design Flowery Tale and specifies water-resistant paper, but that doesn’t mean you should treat the whole thing like a waterproof vessel. The brand advises wiping up water promptly and letting the paper dry thoroughly before storing it. I’d still keep the messy part of refilling away from my actual books.

The storage aspect is probably what appeals to me most. MECLI says you can return it to a bookshelf when it’s not in use. The closed book measures approximately 3.9 inches wide, 1.2 inches deep, and 7.2 inches tall. For someone who doesn’t regularly buy flowers, that’s more useful than having an empty vase taking up display space between bouquets. It still needs room when open, of course, so I wouldn’t expect it to magically solve my clutter problem. But I like that it has somewhere to go when the flowers are gone.

It’s also a nice option for someone who wants a small floral gesture rather than a full centerpiece. The test-tube format suggests starting with a single bloom instead of trying to squeeze in a large bouquet. For me, that makes the idea of displaying flowers feel a little less like another decorating project. The page-turning is part of the appeal, too: I’d be choosing a shape to go with the flower rather than buying another vase.

At $45, though, the Pop-up Book Vase is a decorative purchase rather than the cheapest way to display a flower. IKEA’s VILJESTARK, a 6¾-inch glass vase listed at $1.99 in the US, handles the basic job for much less. Its shape stays the same, whereas the Pop-up Book Vase offers changing silhouettes and book-shaped storage. If all you need is a small container for a stem, IKEA makes more financial sense. Here, the extra money is buying the paper construction and the pleasure of changing the display.

I don’t think this would suddenly turn me into someone who always has fresh flowers at home. But it gives me a reason to consider making room for one. A vase that can spend its downtime on a bookshelf feels more suited to my habits than one that needs a permanent spot on the table.

The post A Pop-Up Book Vase Offers Six Looks Without Extra Vases first appeared on Yanko Design.

Opening a laptop to write a paragraph can quickly turn into checking messages, rearranging windows, and forgetting the sentence you had in mind. The Micro Journal Rev.2.1.MINI, nicknamed Baby Shark, puts writing at the center of a small, folding computer instead. Its wide screen and compact mechanical keyboard give your words their own space, while Linux supplies the editing tools beneath that colorful clamshell.

The chunky enclosure doesn’t try to resemble a slim aluminum laptop. A bright red shell, dark panels, exposed screws, and ridged side knobs give it the character of a little workshop instrument. Its hinged display folds down over the keyboard when you’re finished. The 3D-printed construction makes color part of the customization, rather than limiting everyone to another black rectangle in their bag.

Designer: Un Kyu Lee

The 8-inch LCD is unusually wide and shallow, with a 1280×400 resolution that stretches a document across the device. It leaves space for your passage without offering the vertical expanse of a conventional laptop screen. That’s a useful distinction for drafting: there’s room to work through a sentence, but reviewing several pages still means scrolling rather than shrinking everything into an overview.

The keyboard makes a similar trade. Its 48 keys form a four-row, 12-column grid, rather than the staggered rows most typists know. Numbers and additional symbols live on layers accessed by holding another key, which keeps the footprint small while asking your fingers to learn new combinations. Vial software lets you remap assignments, and hot-swappable switches let you change the feel without soldering.

A Raspberry Pi Zero 2 W runs Linux inside, with WordGrinder and nano available for drafting and editing. That gives you somewhere to revise yesterday’s work as well as start today’s entry. Files can leave through a USB flash drive or a browser-based interface on your local network, so a writing session doesn’t have to end with retyping everything on your main computer.

Portability also depends on what you put inside. Baby Shark takes up to four replaceable 18650 cells, sold separately, or runs directly from USB power. The connector is USB-C, but the documented setup requires a USB-A charger and a USB-A-to-USB-C cable, not USB Power Delivery. That means the charger already serving your laptop may not be the one this little writing machine needs.

Linux brings a pause before the writing starts: the seller estimates about 30 seconds to boot. This isn’t an instant-on notebook, and closing the screen isn’t a substitute for shutting the system down properly. On the other hand, published enclosure files, circuit-board designs, and firmware give owners ways to repair or modify it, instead of treating the device as a sealed appliance.

Baby Shark is sold as a DIY project even when ordered assembled, with no seller warranty. Later batches are planned without the Raspberry Pi, leaving buyers to supply it themselves. There’s considerable room to make both the hardware and software your own, provided that adjusting the keyboard doesn’t become another way to postpone the paragraph you originally sat down to write. There’s also a Purple Black Mint Green, nicknamed Witch, version inspired by the EVA-01 from the famed anime, Evangelion.

The post Micro Journal Rev.2.1.MINI Writing Laptop Pairs a Wide Screen With Just 48 Keys first appeared on Yanko Design.

Reaching for your phone to pause a song can easily turn into reading messages you weren’t planning to open. Aina Ring proposes keeping those small decisions on your hand instead, with a display and thumb-operated control built into a substantial titanium band. The upcoming wearable is designed to handle quick commands and AI suggestions while your iPhone stays tucked away in your pocket.

The design doesn’t pretend to be an ordinary piece of jewelry. A rectangular OLED display sits above the index finger, with glass covering its face and rounded edges easing the transition to the band. Four titanium body parts enclose 140 components. Eclipse Black, Amber Gold, Mercury Silver, and Slate Titanium offer different finishes, although none makes that raised screen disappear into a conventional ring.

Designer: Aina

The more interesting detail sits beside your thumb. A joystick-like button on the band accepts seven gesture types, including directional flicks, presses, and holds. Depending on the current task, flicking upward can approve a suggestion, answer a call, or pause music. Displayed hints explain the next action, giving that tiny screen a role beyond repeating notifications from a device you already carry.

Aina calls its suggestions Cues and says its software learns from your routines and calendar. A regular departure time might bring up a ride suggestion; an approaching meeting could offer a shortcut to join. The important design choice is that approval remains yours. Ignore the suggestion and nothing happens, rather than letting a guessed preference quietly become a booking you didn’t request.

Voice provides another route when a flick isn’t enough. Hold the button to dictate a note or set a reminder through the built-in microphone, while a speaker enables calls from the ring. On a Mac, that same control can dictate into applications. It’s a way to catch a thought during a walk, without stopping to compose it on a phone keyboard.

The ring remains an accessory to Apple’s ecosystem, not an independent phone. It requires an iPhone running iOS 18 or later, with macOS 15 or later for Mac features; Android and Windows aren’t supported. Meeting controls depend on the nearby Mac and Aina’s app, so muting from your finger doesn’t mean you can leave the computer behind and keep every function.

Aina claims up to 18 hours per charge, with a cube-shaped dock included for overnight charging. Sizes run from 7 through 13, but only the band changes; the display stays the same. A smaller finger therefore doesn’t get a less conspicuous screen. The IP65 rating allows everyday splashes, although the company says to remove the ring before swimming or showering.

Starting at $399 for early-access preorders, against a $499 list price, Aina is scheduled to ship in early 2027. That leaves the usefulness of its predictions and the comfort of its substantial shape to be established beyond launch demonstrations. A thumb-sized shortcut might save a trip into an app, but wearing it all day needs a better reason than simply having somewhere else to check incoming notifications.

The post Aina’s AI Ring Puts an OLED Screen and Joystick on Your Finger first appeared on Yanko Design.

A welding tool is only useful if you can get it to the seam. Inside a ship’s steel structure, that can mean bringing a worker, equipment, and a platform into position before the actual welding begins. It’s the less glamorous side of industrial work, and arguably one of the more compelling reasons to build a climbing robot.

South Korea’s Diden Robotics approaches that problem with four widely spread legs and magnetic feet. Its Diden Spider is designed to carry welding equipment onto steel walls and ceilings, taking the tool to places that are awkward for people to reach. I like how directly its strange-looking body answers the task. The low stance and broad footprint aren’t there to give it personality. They help it stay attached while carrying equipment that has a job to do.

Designer: Diden Robotics

That spider shape also came from a practical failure. In a company interview, co-founder and COO Youngha Shin explains that early, dog-shaped configurations struggled when turning sideways on walls. The arrangement left fewer joint actuators supporting the body, and feet that failed to sit flat could cause the robot to flip. Spreading the legs outward kept the body closer to the wall and improved how the feet met the surface. The silhouette follows the problem.

The feet use electropermanent magnets, which deserve a little attention because they make the whole idea possible. An electrical pulse switches their magnetic state on or off. Once attached, they don’t need a continuous supply of electricity to maintain that magnetic hold, according to Diden. That doesn’t make the entire robot power-free. Its joints, sensors, and computing still have work to do. It means staying attached doesn’t require constantly feeding electricity into the magnets.

Diden rates the Spider 30 configuration for a payload of 30 kilograms, roughly 66 pounds. That capacity is important because climbing alone doesn’t accomplish much welding. The platform needs to carry useful equipment once it gets there. Diden describes interchangeable task modules, including robotic manipulators and inspection equipment. I find the traveling-tool-platform idea more compelling than treating the machine as a single-purpose mechanical welder. Its mobility could serve different jobs along the same steel structure.

One of my favorite details is much smaller than the legs. Shin says feedback from people using the robot led Diden to add LEDs to its feet, allowing them to see whether each foot had attached. That’s a sensible concession to human nerves. A control system may know its magnetic foot is holding, but someone watching expensive equipment hang from steel deserves a readable signal, too.

Finding the work is another challenge. Diden describes a navigation system that compares live, three-dimensional sensor data with a ship’s CAD model to estimate position and orientation. Its mapping system also reconstructs nearby obstacles from depth-camera data. In practical terms, the robot needs to understand where it is and what blocks its next step. A magnetic grip provides attachment; navigating a cluttered structure requires a separate layer of perception and control.

This is a physical machine with reported industrial use, rather than a speculative rendering. Diden says Spider 30 has completed field deployment at major Korean shipyards and that its welding results have been applied to vessels in production. Separately, Maeil Business Newspaper reported in May 2026 that Diden had completed sales to some major Korean shipbuilders. Those are meaningful signs of progress, although neither establishes dependable performance over every production shift.

I’d judge it by the less photogenic parts of the job: repeatable weld quality, maintenance demands, setup time, and how often somebody needs to intervene. Still, the design makes a persuasive starting argument. It gives an awkwardly placed tool a way to reach its work. If that removes even some occasions when a person has to climb into position with welding gear, the unusual body has earned its place.

The post Diden Spider Robot Climbs Steel Walls and Actually Welds Them first appeared on Yanko Design.

The Brightside puts the kitchen beside the front door, so the first thing you encounter is a place to make dinner. That feels like a sensible starting point for a small home. The problem with squeezing everyday life into 250 square feet is deciding which routines get compromised. Backcountry Tiny Homes gives cooking and eating a prominent role in this 26-foot, towable design for one or two people, rather than leaving them whatever space remains.

The kitchen includes a two-burner electric cooktop, a 10-cubic-foot refrigerator, a ceramic sink, and laminate counters with a detachable dining table. It’s a modest setup, not a chef’s fantasy, but I like having an actual spot to sit down with a plate. Two burners would suit my expectations for cooking here: a skillet, a pot, and some acceptance that Thanksgiving probably needs another venue.

Designer: Backcountry Tiny Homes

The photographed interior is much less restrained about color. A red retro-style refrigerator sits beside a yellow patterned backsplash, surrounded by natural wood. A suspended branch carries pendant lights, giving the kitchen a slightly handmade, woodland character. I’m fond of that willingness to be cheerful. Choosing a smaller home shouldn’t require signing up for a lifetime of beige. Here, the refrigerator gets to contribute to the room’s personality instead of being an appliance to disguise.

Of course, giving the kitchen priority means making choices elsewhere. The sofa tucks beneath the staircase, which also incorporates storage. That arrangement uses the space below the route upstairs, but I’d want to check seated headroom before committing. It’s a clever use of volume with a practical test attached. The place you settle into after dinner needs to feel inviting enough to use every night, and a floor plan can’t establish that completely.

Upstairs, the builder says the loft accommodates a queen mattress, reached by stairs and a cable-railed walkway. The sleeping area has a maximum headroom of 3 feet, 5 inches, so nobody should confuse it with a conventional upstairs bedroom. I appreciate stairs over a ladder, but they don’t erase the low ceiling. For someone happy to reserve the loft for sleeping, that compromise may be reasonable. For someone who dislikes crouching, it’s significant.

The bathroom provides a plumbed toilet, a vanity sink, and a 32-inch shower. Laundry isn’t included as standard, although the company offers options during the design phase. That last detail deserves attention because washing clothes is part of living somewhere, not an optional lifestyle accessory. I’d sort out that routine before choosing finishes. A home can make excellent use of its footprint and still need a few practical decisions from its owner.

Backcountry currently lists the Brightside at $106,750 turnkey, $99,025 unfurnished, or $53,380 as a shell, excluding taxes. The word “unfurnished” needs careful reading here: that version omits the refrigerator and woodstove as well as furniture. I wouldn’t treat the three prices as interchangeable ways to buy the same experience. They represent different amounts of work, equipment, and spending left to the buyer.

The shell is particularly important to understand. Backcountry describes it as a dried-in structure with a completed exterior, but without utilities, roof and wall insulation, or interior finishes. That could appeal to someone with the skills and appetite to finish a home themselves. It isn’t a move-in-ready bargain hiding behind a different label. Personally, I’d weigh the appeal of making it my own against the time required to make it livable.

The Brightside’s most persuasive decision, for me, is leaving room for a meal that doesn’t happen on the sofa. I’d happily consider a smaller living area to keep that everyday ritual intact. But I’d make that choice with the loft dimensions and laundry plan beside me. The useful question isn’t how many features fit inside. It’s which spaces you’ll still enjoy using on an ordinary Tuesday.

The post A 26-Foot Tiny Home That Refuses to Go Beige first appeared on Yanko Design.

Since I live alone, listening to music or podcasts before I sleep is not really an issue, as there’s no one to complain about the sound. But when I share a hotel room or someone sleeps over, this may become a problem. Sure, there are earbuds, but I have this irrational fear that they may get buried deep in my ears when I fall asleep and move around. One possible solution would be speakers that can sit under the pillow and play close to my ears, with the aim of keeping the sound from bothering other people in the room.

The Baseus Sleep SK1 is one such speaker. It uses what Baseus calls micro-vibration conduction to carry audio through the pillow to your ears. Basically, your pillow becomes part of the audio system, while two sound-producing units are intended to direct the music, audiobook, or podcast toward the sleeper’s head. The idea is to keep the listening area small rather than fill the bedroom with sound.

Designer: Baseus

The Sleep SK1 looks like a Bluetooth speaker, with two circular pods joined by a narrow, curved bridge. It looks more like connected pucks than a bedside speaker. Its reported dimensions are about 6.5 by 1.8 by 0.55 inches, and it weighs roughly 1.55 ounces. The low profile is designed to minimize intrusion, although that doesn’t mean you won’t feel it through a compressed pillow. Comfort would still need to be tested.

The device has three physical buttons around the edge of one pod for operating the speaker. There’s also a digital display integrated into one circular face, showing the time, operating mode, and remaining battery level. That gives you another way to check the time when you wake up in the middle of the night instead of automatically reaching for your phone. Of course, you’d still have to uncover the display if it’s underneath your pillow.

For people who prefer background sounds to music or conversation, Baseus says its companion app offers more than 100 sound options, including rain, ocean waves, campfire sounds, and ASMR. You can also set up to 10 alarms for different schedules. The alarms use the same pillow-directed approach, which could be useful if you need to get up before the person sleeping beside you.

Baseus claims more than 10 hours of playback from the built-in 300 mAh battery, which would cover an overnight listening session if it holds up in practice. Charging is via USB-C, with a full charge reportedly taking about two hours. For something intended to stay beneath a pillow, the useful part is having enough battery life to use it without leaving a charging cable attached.

Your pillow is an important part of the setup, though. The Gadgeteer reports that Baseus recommends pillows up to about 3.1 inches thick and suggests increasing the volume for thicker pillows or when sleeping on your back. That makes pillow thickness and sleeping position things to consider before buying. Turning the volume up may help you hear, but whether it stays quiet enough for someone nearby is another question.

The SK1 is listed on JD.com in China, with a reported price of 184 yuan. That shouldn’t be mistaken for a confirmed US retail price, and an official US release hasn’t been established in the available sources. It’s worth checking regional availability and app support rather than assuming an imported unit will offer the same experience everywhere.

For me, the appeal is being able to listen without putting anything in my ears. But I’d want to know how clearly a podcast comes through my own pillow and how much of it someone else can hear. Those would be the deciding factors for me. If the SK1 can keep a familiar voice close to my pillow without sharing the whole conversation with the room, that would be a good enough reason to consider it.

The post Baseus Sleep SK1 Brings Bedtime Audio Without Earbuds first appeared on Yanko Design.

A campsite gets complicated through small inconveniences: a flashlight that’s running low, cookware competing for space, nowhere inviting to sit once dinner is done. Those are useful starting points for an outdoor gear roundup. This November’s selection looks at designs that address the practical business of spending time outside, with room for a telescope that gives you a reason to stay out long after the dishes have been put away.

These are our editorial picks for November 2026, selected for their approach to carrying, setting up, and using outdoor equipment. They aren’t five releases from the same month, and this isn’t a ranking based on comparative field testing. Each offers a specific design detail worth considering, along with compromises that deserve attention before anything joins your packing list. Think of the collection as five different possibilities, not one mandatory kit.

1. Olight Baton 4 Premium Edition

The smartest part of Olight’s Baton 4 Premium Edition is the case. Its flip-top enclosure carries a 5,000mAh battery, recharges the flashlight, and lets you operate the light without removing it. Open the lid, press the case’s button, and the flashlight can illuminate while remaining docked. Holding the button adjusts brightness. That gives the enclosure a useful role beyond storage, particularly when you only need a quick look inside a bag or around the campsite before putting everything away again.

The flashlight itself measures just 2.48 inches long and weighs 52.5 grams with its battery. Olight rates its maximum output at 1,300 lumens, though the manual shows that turbo brightness begins stepping down after 90 seconds. The case also supplies USB-C power to external devices, offering backup charging without another dedicated battery pack. There’s a packing tradeoff: the 142-gram case weighs considerably more than the light. Bring both when charging flexibility matters; carrying only the flashlight keeps things much lighter.

What we like

• The flashlight remains usable while docked in its charging case.
• USB-C output gives the case a second job: powering other devices.

What we dislike

• The charging case adds considerably more weight than the flashlight alone.
• The 1,300-lumen maximum is a brief turbo setting, not sustained output.

2. DWARFLAB Draco Smart Telescope

DWARFLAB’s Draco is the indulgence in this selection: a preorder smart telescope designed for photographing the night sky. Its 90mm aperture, folded optics, and integrated cameras bring several astronomy components into one portable instrument. The particularly interesting mechanism is a rotating imaging sensor that compensates for field rotation, the apparent twisting of stars across an image during an exposure. DWARFLAB advertises single exposures of up to 300 seconds, with guiding hardware built into the telescope instead of attached as another accessory.

The practical appeal is how much setup the system takes on. Through the DWARFLAB app, Draco automates focusing, targeting, tracking, and image stacking, while its wide-angle and telephoto cameras can capture simultaneously. Scheduled shooting also makes an overnight session possible without constant supervision. At 5.5 kilograms, though, this is equipment to transport rather than casually add to a hiking bag.

Click Here to Buy Now: $1599

What we like

• Integrated guiding and automated capture reduce the number of separate components to manage.
• Simultaneous wide-angle and telephoto imaging offers two views of the same night.

What we dislike

• A 5.5-kilogram body makes this a substantial addition to your luggage.
• Preorder status rules it out as a dependable purchase for an imminent trip.

3. Zempire Stealth-Jet Wide Camp Stove

Zempire’s Stealth-Jet Wide addresses a familiar packing problem: a camp kitchen can occupy a surprising amount of the trunk. This two-burner stove closes into a powder-coated pressed-steel body just 2 inches thick. Its packed footprint remains a substantial 23.2 by 12 inches, but the shallow profile gives you a flatter object to arrange around other equipment. Open it, and the extra width provides space for larger pots and pans, with independently controlled burners rated at up to 10,000 BTUs each.

The supporting details are refreshingly practical. Rear and side wind shields surround the cooking area, pull-switch piezo ignition removes the need for matches during normal operation, and a removable pot stand provides access for cleaning. The $210 stove includes a propane canister hose connector, though fuel is separate. At 10 pounds, 13 ounces, its thinness solves storage bulk rather than backpack weight. That makes it a sensible design to consider for car camping, where fitting equipment matters more than carrying it.

What we like

• The 2-inch packed profile reduces the stove’s storage bulk.
• Two independently controlled burners provide flexibility for cooking a meal.

What we dislike

• Its nearly 11-pound weight makes it poorly suited to backpacking.
• A compatible propane canister and fuel must be purchased separately.

4. Nike ACG x Helinox Chair Zero LT

The Nike ACG x Helinox Chair Zero LT makes its construction the visual attraction. An orange frame sits beneath translucent Ghostgrid fabric, drawing attention to the supporting structure rather than hiding it under a substantial upholstered seat. Helinox describes Ghostgrid as a monofilament mesh with a reinforced ripstop grid, developed to balance low weight with resistance to abrasion and tearing. It’s an appropriate material story for a chair whose appeal depends on how little furniture you’re willing to carry outdoors.

The specifications make that argument concrete: 534 grams packed, a 265-pound stated capacity, and a carry case measuring 14 by 4.5 by 4.5 inches. Shock-corded aluminum poles form the frame, while an included X-Strap increases ground contact area to help reduce sinking on softer surfaces. Fit deserves attention before the branding: Helinox identifies adults under 5 feet, 9 inches among its ideal users.

What we like

• A 534-gram packed weight makes the case for carrying a separate seat.
• The included X-Strap addresses sinking on softer ground.

What we dislike

• Helinox’s stated ideal-user guidance makes fit worth checking for taller buyers.
• The collaboration is currently sold out on the US site.

5. Clip&Go Radio

The Clip&Go Radio puts its carrying method directly into the body. A built-in carabiner attaches the 220-gram device to a backpack or other gear, keeping its AM, FM, and shortwave radio accessible without assigning it an interior pocket. The design makes particular sense for something combining everyday listening with backup functions. There’s a flashlight, an audible SOS alarm with a flashing light, and a replaceable 2,000mAh battery that can also supply power to compatible smartphones.

The charging hierarchy is worth understanding before heading out. USB-C is the recommended primary method, with the shop listing approximately two hours for a full charge. The hand crank and solar panel are emergency alternatives, with listed charging times of approximately six and 67 hours, respectively. Neither should be mistaken for a quick substitute for plugging in. The replaceable 18650 cell is the more appealing ownership detail: when the battery wears out, you can replace it rather than retire the radio.

Click Here to Buy Now: $60.00

What we like

• The integrated carabiner keeps it accessible.
• Its 18650 battery is replaceable.

What we dislike

• Solar charging is extremely slow.
• Hand-crank charging is a lengthy backup method.

Packing Around the Trip

Before adding any of these to your equipment, decide what kind of outing you’re packing for. A trunk, a bicycle pannier, and a backpack impose different limits. Put the complete setup on the scale, including cases, cables, fuel, and accessories, rather than judging an object by its headline measurement. A thin stove still needs room around it; a compact instrument can still represent a substantial share of what you’re carrying.

It’s also worth separating the job you need done from the extra functions that sound appealing on a product page. Choose lighting around how you’ll use it, seating around your body, and specialist equipment around an activity you genuinely enjoy. Multifunctional gear earns its place when those functions match your habits. The better purchase may be the object that replaces something awkward, rather than another addition to an already crowded bag.

The post The 5 Best Outdoor Gear of November 2026 first appeared on Yanko Design.

Installing a jetted tub usually means a new tub, a plumber, a dedicated electrical circuit, and some tile you never planned on replacing. That’s a lot of renovation for the simple pleasure of moving water. WAVORA’s Z1 shrinks the whole idea into a cordless puck that fits in your palm and suction-mounts inside the tub you already own. It’s roughly a hockey puck’s chubbier cousin, and it runs on a rechargeable battery, so there’s no cord dangling over the edge or near the water. Think of it as a jetted tub’s greatest hit with the remodel left out.

WAVORA, a Louisville, Kentucky brand, sealed the Z1’s motor away from the bath water entirely, so there’s no spinning shaft poking through a rubber seal and waiting to leak. Most compact pumps use a rotating shaft that passes through the housing, guarded by a dynamic seal that rubs and wears every time the motor spins. The Z1 separates the drive from the transmission and closes everything up with static seals, which have no moving surfaces to grind down. The surrounding water doubles as coolant, pulling heat off the housing while it runs, which is a neat bit of free engineering. Your bath, in other words, is also the radiator.

Designer: WAVORA

Click Here to Buy Now: $129 $235 (45% off) Hurry! Only 6 days left.

A Grapefruit-Sized Jet That Mounts on the Wall or the Floor

The Z1 measures 4.3 by 3.5 inches (109 x 89mm) and weighs about 19 ounces (545g), which puts it in medium-sized citric fruit territory. Its form is a soft, cream-white drum with a slatted grille where the water exits and two control buttons on its flank. Small indicator LEDs glow through the shell, so you can check the setting without fishing the thing out. Most cordless bath jets on Amazon are taller cylinders with swiveling nozzles, and they tend to look like pool equipment. The Z1 reads closer to a diffuser or a candle, which helps when it’s sitting on a shelf between soaks.

A double-sided suction mount does the holding, sticking to the tub on one face and the Z1 on the other. It grips best on smooth, non-porous surfaces, which covers acrylic, enamel, glass, polished stainless steel, and glazed tile, so most American tubs qualify. Mount it on the side wall and you get a directional stream that sweeps across the tub like a classic jet aimed at your back. Set it on the floor and the water pushes upward through the bath instead, closer to a spring welling up from below. Swapping between the two takes seconds, which means you pick where the movement starts every night, something a built-in jet can never do.

Three Flow Modes and Up to Five Hours Per Charge

Gentle Flow keeps a soft, steady current moving around you, perfect for a bath with a book in one hand. Power Flow cranks up circulation and shoves water and existing bath foam around the whole tub, which is the setting for sore legs after a long run. Spa Rhythm pulses the intensity up and down in waves, mimicking the ebb and surge of a proper spa jet. One button cycles through all three, so switching moods doesn’t require reading a manual with wet hands. The Z1 moves water rather than injecting air, so the fizzy, aerated feel of a whirlpool comes from your bath bombs, which the launch bundle conveniently includes.

Gentle Flow runs for up to five hours on one charge, Power Flow for about two, and the pulsing Spa Rhythm for around an hour. Five hours in the gentlest mode covers several evening soaks before you need to think about a cable, unless you’re the type who refills the hot water three times. Charging happens over the included USB cable outside the tub, so the only thing near the water is a sealed puck on battery power. Being cordless also frees the Z1 from the nearest outlet, which in most bathrooms sits over by the sink. Corded rivals solve that with a 13-foot cable, which is a lot of wire to drape around a tub of water.

An Outlet You Can Rinse in the Sink, and a $129 Launch Price

Built-in jets have a reputation, and anyone who has fired one up after months of disuse has seen the flakes that come out of the plumbing. The Z1’s outlet section detaches completely, so hair, petals, and bath bomb debris get rinsed out at the sink instead of building up inside. Smaller snags come off by hand without removing anything. The entire water path lives inside a body you can hold under a faucet, so there’s no hidden pipework for gunk to colonize. Budget bath jets on Amazon run about $30 to $70, and their swiveling nozzle assemblies offer more nooks for that gunk to settle into.

The Z1 launches at $129 in a Spa Ritual Set, against a $235 MSRP, bundled with a USB charging cable, the double-sided suction mount, and a manual. WAVORA throws in six botanical bath bombs, six bath liners, and a mesh pouch, which turns the box into a ready-made gift. A single cream-white finish appears across the launch materials, with no other colors announced. Orders ship worldwide, including the US, with delivery estimated for January 2027. WAVORA hasn’t listed warranty terms yet, so check the product page before ordering. That’s a jetted tub’s worth of moving water for the price of a nice dinner, and the tile gets to stay exactly where it is.

Click Here to Buy Now: $129 $235 (45% off) Hurry! Only 6 days left.

The post This $129 Portable Jacuzzi turns any bathtub into a personal spa first appeared on Yanko Design.

 At East County Library in Gresham, Oregon, timber columns rise through gaps in the acoustic ceiling, keeping the structure visually separate from the surfaces around it. Holst Architecture designed this detail to suggest tree trunks reaching toward a canopy. The forest reference is built into the architecture, rather than applied afterward as a decorative theme.

Opened in May 2026, the approximately 95,000-square-foot library serves eastern Multnomah County. Holst led the design, collaborating with Adjaye Associates through the design development phase. Its scale addresses a longstanding imbalance: more than 40 percent of county residents live east of Interstate 205, yet East County previously had the library system’s smallest footprint.

Designer: Holst

The project replaces an underused parking lot with a public destination connected to transit. A tree-lined pedestrian route links the MAX light rail stop and northern civic space to a terraced entrance plaza on Division Street. That arrangement makes the approach part of the project, giving pedestrians a defined route between transportation and the library’s entrances.

Inside, glulam beams and cross-laminated timber panels form the primary structural system. Double-height entrances and a central living room establish larger clearings within the column grid. Holst paired overhead beams and introduced recessed lines in the timber to give the ceiling depth and rhythm. These choices make the forest analogy legible through construction, without requiring literal representations of branches or leaves.

The building isn’t exclusively timber. Concrete shear walls around the auditorium and along the eastern side provide structural support, with concrete also used around acoustically sensitive spaces. This hybrid approach is worth noting: the material palette responds to different demands rather than treating exposed wood as the answer to every problem.

Holst organizes the plan from active spaces on the west toward focused reading and work areas on the east. Entrances, creative activities, and children’s play occupy the busier edge. Collections and specialized rooms sit toward the center, while window-lined seating provides a quieter destination. The layout acknowledges that a contemporary library needs room for conversation and concentration.

That range includes an audiovisual studio, a creative learning room, indoor and enclosed outdoor children’s spaces, and a rooftop terrace. Two sensory rooms, one oriented toward children and another toward adults, offer adjustable lighting and different ways to engage or withdraw. Community consultation helped shape these provisions, giving the expansive brief specific places to land.

Radiant flooring and rooftop solar panels accompany a LEED Gold target, not a confirmed certification. Beyond those systems, the useful architectural decision is spatial: a large civic building makes room for different levels of participation, including the simple wish to sit quietly with a book.

The post An Oregon Parking Lot Was Transformed Into a Forest-Inspired Library first appeared on Yanko Design.

In 1999, LEGO sold an official McDonald’s restaurant brickset through its Shop at Home catalog in the US, and it was adorably tiny. Set 3438 used 98 pieces to build a little drive-through window, a car, and an umbrella table, with stickers doing most of the branding work. The employee was basically a standard LEGO chef with the logo slapped on his chest. One collector paid $75 for a sealed copy back in 2011, for a set that cost around ten bucks new. Twenty-seven years later, a fan builder thinks the next LEGO McDonald’s should skip the building entirely and go straight for the food.

Called McDonald’s Menu, brickbybrick_’s LEGO Ideas submission rebuilds a classic combo big enough to hold its own on a shelf. There’s a red tray with giant Golden Arches in the middle, a cheeseburger, a red carton overflowing with fries, and a white cup loaded with transparent ice and a striped straw. Zero minifigures, zero drive-through, all lunch. The project went up on October 29 and is already sitting at 1,440 supporters, which tells me a lot of AFOLs (adult fans of LEGO) are hungry. I’m one of them, and I’m writing this before lunch.

Designer: brickbybrick_

Red plates form the tray, finished with a raised, rounded rim and a handle at each end, so it reads as molded plastic instead of a stack of bricks. A big yellow set of Golden Arches sits dead center, breaking up what would otherwise be a whole lot of red. The food is arranged in the classic triangle: burger front left, cup at the back, fries off to the right. It’s the exact layout you’d find on any table at your local McDonald’s around noon. That framing makes the build look like a meal someone just set down, which is half the fun of it.

The cheeseburger starts with a dome of tan curved elements, smooth on top like a plain hamburger bun. Under it sits a red layer that reads as tomato, then bright green leaf pieces fanning out as lettuce, a slice of yellow cheese, and a dark brown patty. Those leaves are a nice bit of NPU (nice part usage, for the uninitiated), taking foliage meant for LEGO gardens and jungles and turning it into a salad. Each layer sticks out at slightly uneven angles, giving the burger that freshly squished look of something just pulled from its wrapper. Real fast food never comes perfectly stacked, and this one looks like it survived a lunch rush.

A pile of yellow plates and bricks spills out of the red fry carton at every angle, some standing tall and some flopped over the edge the way the last few always are. The carton gets the real thing’s shape right, the one McDonald’s introduced in 1970 with a wide mouth for quick scooping and a profile that keeps the fries from falling out. The Golden Arches appear on its face in yellow, the same red-and-yellow combo that has been selling fries for over five decades. Building fries in LEGO is easy, but making them look casually messy takes real effort. My only complaint is that I can’t salt them.

My favorite detail, though, is the drink. The white cup’s top is left open, showing a load of transparent pieces packed in as ice, with a red-and-white striped straw sticking out at a jaunty angle. That straw does three jobs at once. It gives the composition its tallest point, adds a splash of red to an otherwise white element, and nods to a real McDonald’s quirk, since the chain says its straws are slightly wider than average so more Coke hits your taste buds. The ice tells its own story, because McDonald’s pre-chills its syrup and sets the ratio expecting the ice to melt. Leaving the lid off is what lets you see all of it.

Back in 2021, adammark’s McDonald’s Franchise 1955-1969, a walk-up burger stand with a Speedee System kitchen, hit 10,000 supporters and reached the Third 2021 Review. It was one of 36 projects in that round, and Hocus Pocus ended up as the only one approved. brickbybrick_ takes a different route, shrinking the subject from a restaurant down to a single meal sized for a shelf. The build is unlicensed, so those Golden Arches are a fan’s tribute, and any official version would need McDonald’s on board. The two companies have teamed up before, going back to LEGO’s first Happy Meal promotion in 1983, so the precedent exists.

McDonald’s Menu currently has 1,440 supporters and 599 days left to reach its next milestone of 5,000. LEGO Ideas runs on community momentum: fans submit their builds, supporters rally behind the ones they love, and projects that hit 10,000 get reviewed by LEGO for a shot at becoming real sets. It’s a long climb for a lunch order, but every Ideas set on store shelves started at zero votes. If you’d like to see this combo in a box, head to the LEGO Ideas page and give it your vote. Personally, I’m holding out for a Super Size edition, which McDonald’s retired in 2004 but LEGO is more than welcome to bring back.

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I like an outdoor sneaker that doesn’t look as though it came with a survival briefing. For everyday walks, the visual intensity of technical footwear can feel like more commitment than the outing requires. The Story mfg. x ASICS GEL-TRANSCEND FJ addresses that small but familiar wardrobe problem with hiking-blanket-inspired checks and a trail-derived sole. The collaboration’s online debut is scheduled for November 11, 2026, so this is a forthcoming release rather than something already on shelves.

The blanket reference deserves a closer look. These aren’t described as shoes made from repurposed blankets. Instead, the collaboration translates that familiar check into an upper combining mesh and synthetic leather overlays. Plaid travels across the toe, lacing area, side stripes, and heel. It’s a clever place to put the pattern: the reinforcing pieces become the decoration, so the checks follow the shoe’s construction rather than appearing as a graphic dropped onto an otherwise unrelated sneaker.

Designers: Story mfg. x ASICS

The two color directions make that approach easier to live with. There’s a black-and-gray version and a rich brown alternative, both keeping the pattern within a restrained palette. Personally, I’d lean toward brown for the full camp-blanket association, although the black pair makes a convincing case for itself. In the product photograph, its pale crossing lines pick out the overlapping panels while the black mesh recedes. There’s plenty happening without a bright accent demanding attention.

ASICS supplies more than a recognizable logo here. The underlying GEL-TRANSCEND FJ draws on the company’s hiking and walking footwear from the 1990s, including elements of the TRANSCEND series, GEL-ODYSSEY, and GEL-RADIUS. That matters because the slightly old-fashioned proportions have a genuine design lineage. To my eye, they also give Story mfg.’s plaid a more convincing home than a streamlined racing upper would. The references feel compatible, even before the collaboration’s storytelling enters the picture.

Underneath, the model uses the GEL-FujiTrabuco 7 tooling system, which brings that jagged profile into the design. ASICS describes the base in terms of durability and grip across different conditions. Those are manufacturer claims, not a substitute for wearing this particular pair, but the borrowed platform gives the collaboration a functional foundation beyond its surface treatment. I’d still want to know how it fits and feels over several miles before calling it an everyday favorite.

The campaign gives the shoe a broader setting than an outfit photograph. A forager, a blacksmith, dancers, farmers, and cyclists appear in their own environments, extending the brands’ idea of rambling beyond a designated hiking route. I like that choice. It leaves room for movement that isn’t measured as exercise, and for people whose relationship with their surroundings comes through work, curiosity, or routine. A sneaker doesn’t need an athletic achievement attached to every outing.

Then comes the Rambling Club, which adds a pleasantly silly layer to the release. Events are scheduled at Story mfg.’s London studio on November 7 and 8, followed by a New York chapter on November 10. Prospective members submit an application and a hand-drawn self-portrait for early access. Asking someone to draw themselves is a charmingly awkward alternative to the usual frictionless checkout. I’d rather a launch have a little personality than another countdown timer.

For anyone skipping the club, the wider shopping details are straightforward: Story mfg.’s online release is scheduled for November 11, followed by ASICS and select retailers on November 20, 2026. Hypebeast lists the retail price at $180. That puts some responsibility on the design to offer more than a nice campaign, and I think the placement of the plaid does more persuasive work than the club membership ever could.

My interest would ultimately come down to how often I’d reach for them after the novelty wore off. The checks give the shoe character, but the subdued colors leave room for ordinary clothes and ordinary plans. I can picture the brown pair with faded jeans more readily than a coordinated hiking outfit. That’s the useful design proposition here: an outdoor-looking sneaker that doesn’t require the rest of the day to dress up around it.

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Tesla is pulling the plug on the Cybertruck, and the official reason involves real estate. Elon Musk posted on X on November 6 that production at Gigafactory Texas will wind down around the middle of 2027 to make room for more Cybercab production. That would be a reasonable explanation if Giga Texas were a studio apartment. The factory has more than 10 million square feet (roughly 929,000 square meters) of floor space, and the Cybertruck line has been running at a fraction of its installed capacity. Call it the most polite breakup text in automotive history.

The less polite version is that nobody’s buying it. Electrek estimates Tesla is moving around 30,000 Cybertrucks a year on a line built for 250,000, and Cox Automotive counts just 11,586 US sales through the first nine months of 2026. This is the same truck that debuted in 2019 with a promised $39,900 price tag and a pair of freshly shattered “Armor Glass” windows. Back then I called it a Toblerone on wheels, and being right seven years later brings me zero joy. Okay, maybe a little. The truck peaked on a stage in 2019, and nothing it did on the road ever topped that.

Price cuts, price hikes, and a convenient excuse

A cheaper rear-wheel-drive Cybertruck launched in 2025 and vanished within months, setting the tone for two years of Tesla trying one pricing strategy after another. A more affordable dual-motor trim reached customers this summer, then Tesla raised prices by $5,000 in August, putting that version at $74,990. Some of the most dependable demand came from inside the family, with S&P Global Mobility data showing SpaceX bought 1,279 Cybertrucks in the last quarter of 2025. Musk’s companies accounted for roughly 19% of US Cybertruck registrations that quarter. When your rocket company is one of your best customers, the truck has a demand problem.

Tesla used the same “make room” framing earlier this year, when it ended Model S and Model X production to free up its Fremont factory for Optimus humanoid robots. Retiring a product sounds a lot better when it’s framed as making space for the future. The Cybertruck’s exit also leaves plenty unanswered: no firm end date, no word on outstanding orders, and nothing yet on parts and service for existing owners. Tesla hadn’t responded to Gizmodo’s request for comment, either. The closest thing to an official goodbye came from lead engineer Wes Morrill, who posted that the truck “lives on through Cybercab.” Engineers write better eulogies than CEOs, apparently.

A mood board of movie cars met a real winter

The Cybertruck’s problems started on the mood board. A photo Walter Isaacson shared from Tesla’s design studio shows a wall of film and game vehicles, including James Bond’s submarine Lotus Esprit and the Back to the Future DeLorean, and Musk has openly credited Blade Runner as a major influence. Movie cars only have to look incredible for the length of a shot. Chief designer Franz von Holzhausen later conceded that most of the studio hated the final faceted shape, and Musk shot down every attempt to soften it, famously declaring he doesn’t do focus groups. One man’s taste beat an entire design team, and the market eventually sided with the team.

In early 2024, owners in rain-soaked California started posting photos of orange rust specks on their stainless panels after just a couple of days of driving. Morrill blamed surface contamination that cleans right off, which is technically reassuring and terrible marketing for a truck sold as indestructible. A year later, Tesla recalled 46,096 trucks because a stainless trim panel called the cant rail, bonded with structural adhesive, could delaminate and detach. Owners had reported failures in cold weather. In between, 3,878 trucks were recalled because an unapproved dab of soap during assembly let the accelerator pedal pad slip loose and get trapped in the trim. Armor, it turns out, still depends on glue.

The Cybertruck became a statement about its creator

No other Tesla carried Elon Musk’s fingerprints like the Cybertruck. The Model 3 is a mainstream sedan, while the Cybertruck was one person’s vision, pushed through over his own design studio’s objections. That made it the most personal object Tesla ever sold, and its meaning shifted with its creator’s public image. As Musk became one of the most polarizing figures in American politics, buying a Cybertruck started reading as a political statement. One Yahoo Finance commentator put it bluntly, calling it a middle finger on four wheels. Tesla even tried controlling who owned one, briefly threatening early buyers with a $50,000 penalty for flipping their trucks.

A Yale study put a number on that effect, estimating Musk’s “polarizing and partisan actions” cost Tesla between 1 million and 1.26 million US sales from October 2022 to April 2025. Rival EV and hybrid makers saw their sales rise 17% to 22% over the same stretch. CleanTechnica argued the headline figure was far too high, while agreeing that the partisan effect was real. Federal Election Commission data also shows Musk as the 2026 midterm cycle’s biggest individual donor, at roughly $446 million to Republican-aligned groups. That money came from his own pocket, and the Cybertruck got its end date three days after Election Day. A car built as a personal statement eventually gets judged as one.

The engineering lives on in Cybercab, and so does the playbook

The Cybertruck did introduce some significant engineering changes for Tesla, starting with the company’s first 800-volt architecture. Higher voltage means less current for the same power, which can allow thinner cables and faster charging. It also swapped the industry-standard 12-volt low-voltage system for a 48-volt one, reducing wiring requirements. Its steer-by-wire setup eliminated the mechanical steering connection entirely, a first for a production car and something even the Infiniti Q50 retained as a backup. Morrill’s farewell points straight at the Cybercab, the gold two-seat robotaxi with no steering wheel, pedals, or mirrors that Tesla started building in April. The truck basically served as a very large, very shiny test bench.

Last month, Tesla unveiled a new Roadster with cold-gas thrusters, asking for $50,000 deposits for the Performance version and $250,000 for the Thrust version, under a reservation agreement that says Tesla can’t guarantee when, or if, the car will be delivered. That’s nine years after Tesla first took deposits on a next-gen Roadster that never shipped. The Semi, unveiled that same year with production promised for 2019, only reached volume production this September, and the Cybercab is already facing two NHTSA reviews. Back in 2019, I wrote that the only number that would matter for the Cybertruck was its sales. I’d like to think Elon’s announcement is the proof I was looking for.

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Picture a blender with a stovetop hidden in its base, so it can turn soybeans into hot soy milk or rice into congee without you touching a pot. Heated blenders like this are a breakfast staple across China, and most share one annoying flaw: the drink comes out scalding, leaving you to blow on it like it owes you money. Midea’s Fully Automatic Air Flow Blender targets that wait with an airflow system designed to help with both cooking and cooling. Midea claims it brings drinks down to 131°F (55°C) within five minutes of finishing. That’s roughly where breakfast stops being a dare and starts being breakfast.

The machine comes from Guangdong Midea Consumer Electric, with a design team led by Peng Xi and Wang Jin, and it received a Red Dot Award: Design Concept 2026 in the Ready for Market track. That track recognizes near-finished products that haven’t reached shelves, judged partly on whether they can realistically ship within a year. Midea says the airflow lets the motor blend at full power without soy milk foaming over. A built-in water tank sits alongside the blending jar, and the linen-textured shell looks ready for a Scandinavian café. The Chinese-language interface suggests a launch in China first, though there’s no word yet on US availability.

Designers: Peng Xi, Wang Jin, Li Qianlun, Jo Jeongmin, Ru Guanhong & Wang Xingzhe

Soybeans contain saponins, compounds that contribute to soy milk’s bubble-bath foam when heated. Heated blenders typically manage this by blending in short bursts and pausing the heat to keep the foam from reaching the lid. That stop-start rhythm helps explain why a batch of soy milk on Midea’s existing machines takes around 30 minutes. The company credits its airflow system with cutting prep time in half, though it hasn’t detailed how the system controls foam.

A freshly cooked batch of soy milk or congee can come out near 212°F (100°C), then sit in the jar cooling a degree at a time while you wait. Midea’s existing heated blenders hold drinks at 131°F (55°C) on keep-warm for up to six hours, so the target is familiar territory for the brand. The new machine’s trick is getting there fast: Midea says cooling takes about five minutes. That’s roughly the time it takes to find your shoes and your keys. Paired with overnight scheduling, it could have freshly made soy milk ready to drink when you wake up.

Visually, the appliance splits into two towers that share a figure-eight footprint. On the left, a linen-textured column holds a water tank that lifts straight out from the top, with a corrugated grip that echoes the ribbed base beneath the glass jar. On the right, the jar wears a copper-colored lid ring that appears to double as a status light. Midea’s description of the surface as a linen texture suggests a molded finish rather than real cloth, a sensible call next to a jar of hot congee. The touch panel flips up for easier reading and carries illustrated buttons for soy milk, juices and milkshakes, porridges, and cleaning, including one porridge program labeled for better sleep.

The closest thing US readers will recognize is the Ninja Foodi Cold & Hot Blender, which pairs an 800-watt heating element with a 64-ounce glass pitcher and sells for around $200 at Walmart. It can cook soup from raw ingredients, but you’re still the one pouring in water and waiting for everything to cool. Midea’s pitch is to automate more of that work, drawing water from the built-in tank and offering a high-temperature wash and drying cycle through the menu. The tank will still need refilling, of course. There’s no price or US release date yet, so this one stays on the wishlist.

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