AI coding tool flaws highlight the need for data-layer governance, access controls, encryption, and audit logs for AI agents.
The post The Next AI Security Failure May Start With a Trusted Assistant appeared first on TechRepublic.
Discover hidden Mac features for faster file previews, screenshots, dictation, iPhone scanning, automation, Spotlight shortcuts, and more.
The post 9 Hidden macOS Features That Feel Like Productivity Hacks appeared first on TechRepublic.
The FBI warned that Kali365 can hijack Microsoft 365 accounts by abusing device code authentication and capturing OAuth tokens.
The post FBI Warns: ‘Kali365’ Phishing Service Targets Microsoft 365 Accounts appeared first on TechRepublic.
Most electric motorcycles still behave like motorcycles first and utility machines second. They chase performance numbers, oversized displays, or aggressive styling while ignoring a simple reality: most urban riders just want something practical enough to replace short car trips. The ANY LUV1 approaches the problem differently. Instead of behaving like a sportbike with batteries attached, it feels more like a compact urban tool designed around everyday life.
Created by Belgian startup ANY Mobility, LUV1 is sandwiched somewhere between an electric scooter, cargo bike, and lightweight motorcycle. The company calls it a “Life Utility Vehicle,” and the name makes sense once you look beyond the styling. Nearly every part of the vehicle revolves around usability, whether that means carrying groceries, office gear, camera equipment, or handling the kind of short-distance errands people usually default to using a car for.
Designer: ANY Mobility
That practicality starts with its packaging. The integrated cargo compartment offers 120 liters of storage, which is significantly more useful than the tiny under-seat compartments found on most scooters. It is large enough to carry shopping bags, delivery equipment, or a backpack and helmet without forcing riders to strap everything externally. Front and rear cargo racks expand that flexibility further, while configurable dividers allow owners to organize storage depending on the task at hand.
The modular approach is where the concept becomes genuinely interesting. Instead of locking owners into one fixed setup, the LUV1 can be customized with interchangeable body panels, seating layouts, storage accessories, and optional weather protection. One configuration can prioritize cargo hauling during the week while another leans toward casual commuting on weekends. It follows the same logic that made modular furniture and adaptable workspaces appealing: people increasingly want products that evolve with their routines rather than forcing routines around the product.
Visually, the bike avoids the exaggerated “future mobility” look many startups lean on. The clean bodywork and restrained surfacing come from Granstudio, the Italian design firm led by former Pininfarina design director Lowie Vermeersch. That design pedigree shows in the proportions and detailing. Even functional components like the storage compartments and structural frame feel integrated into the design rather than added as an afterthought.
Underneath the bodywork sits a modular aluminum chassis produced using high-pressure die-casting, a manufacturing method more commonly associated with larger automotive companies. The setup helps reduce complexity while providing the platform with enough flexibility to support various accessories and future configurations. Power comes from an 11 kW rear hub motor paired with dual swappable lithium-ion battery packs totaling 6.5 kWh. ANY Mobility claims a range of 68 to 87 miles, depending on use, while the top speed is rated at 62 mph, making the bike suitable for both dense city streets and suburban commuting. Charging the batteries through a standard 220V outlet reportedly takes under four hours.
The LUV1 also keeps accessibility in mind. It weighs around 352 pounds and features a relatively approachable 30.9-inch seat height, making low-speed maneuvering less intimidating for newer riders and shorter commuters alike. According to reports, the company expects pricing to fall between €7,000 and €10,000 (approximately $8,150 – $11,600) depending on configuration, and reservations have already opened ahead of production plans.
What makes the ANY LUV1 stand out is not raw performance or futuristic gimmicks, but how realistically it understands modern urban mobility. Most people are not looking for an electric motorcycle to replace weekend entertainment. They are looking for something convenient enough to replace unnecessary car usage, and the LUV1 feels designed precisely around that idea.
The post LUV1 modular bike replaces your car for daily errands with 120L storage and swappable batteries first appeared on Yanko Design.
There are designers who make beautiful things, and then there are designers who make things that make you think. Ronen Kadushin belongs firmly in the second camp, and his latest collection, Pieces, is proof that a home accessory can be both genuinely useful and quietly subversive.
The collection consists of three objects: a candle holder called Echoes, a tealight holder called Reality TV, and a Piggybank. On paper, that sounds like a fairly ordinary lineup for a home accessories range. In practice, it’s anything but. The Pieces collection is an elegantly formed, humorously thought-provoking group of home accessories that highlight the tension between function and cultural narrative.
Designer: Ronen Kadushin
Each piece starts life as a flat sheet of laser-cut stainless steel, executed with Kadushin’s signature Twist-Hinge detail, making them easy and intuitive to bend by hand. They invite you to engage with the designs and co-create pieces that are an aesthetic statement with an edgy commentary. It’s a deliberate choice, not a shortcut. By asking you to participate in the assembly, Kadushin is making a point about who gets to be part of the creative process. You’re not just buying a finished object; you’re completing it.
That philosophy runs through everything he does. Kadushin is a pioneer of Open Design, freely sharing his designs to promote creativity, personal expression, and a positive social and economic impact. He embraces a “from the machine to the customer” approach, where extra manual processes and finishes are minimal, with pieces self-produced in Berlin in small-batch runs from high-grade stainless steel. There’s no bloated supply chain, no mass-market compromise. Just precision fabrication and a designer who has thought very carefully about what he wants his objects to communicate.
And communicate they do. The Piggybank is perhaps the most pointed piece in the collection. A traditional object redesigned to reflect a reality where saving is an illusion, it wears its cynicism openly. The pig is rendered as a flat stainless steel silhouette with a coin slot at the top, but there’s no belly to hold anything. Your coins rest on the surface. It’s funny, and it’s bleak, and it manages to be both of those things at once in the way that only good design pulls off. At a time when most people are watching their savings get swallowed by inflation, putting this on your shelf feels less like irony and more like cathartic honesty.
The Reality TV tealight holder takes a different angle. Shaped like a boxy, retro television set, it frames a tealight where the screen should be. When the flame is lit, you’ve got a broadcast. “Reflecting reality live, 24/7.” The concept is sharp without being heavy-handed. It makes you smirk, and then, a moment later, makes you think about the fact that we genuinely do stare at glowing rectangles all day as a form of comfort. Having a warm, flickering version of that sitting on your dinner table feels like Kadushin winking at us all.
Echoes, the candle holder, is the most sculptural of the three. A nuanced sculptural object echoing iconic 60s and 70s aesthetics with a contemporary edge, it’s the kind of object that earns a second and third look. The stacked, interlocking forms feel almost architectural, like a detail pulled from a midcentury design catalogue and rebuilt in stainless steel. Placed on a shelf without a candle, it still looks like it belongs in a gallery. With one lit, it earns its keep.
What ties Pieces together is the refusal to be decorative for decoration’s sake. Kadushin’s work is sculptural and communicates clever wit and free expression, and he designs user-assembled pieces that are an invitation to enjoy and participate in the creative process. The objects are funny, but they’re not novelty items. They’re precise, considered, and built from high-grade stainless steel that will still look good long after the trend cycle has moved on.
If you’re the kind of person who thinks about what your home objects say about you, and more and more people are, then Pieces is a collection worth paying attention to. Good design doesn’t just fill space. At its best, it holds an opinion. Kadushin’s does both.
The post Objects With Opinions: Ronen Kadushin’s Pieces first appeared on Yanko Design.
Summer 2026 is a different kind of season for EDC. The carry conversation has matured past keychain gimmicks and bulk-heavy multitools into something sharper; gear that’s actually thought through, built from aerospace-grade materials, and designed with the same care as the objects that live on your desk. These five pieces represent the best of where that shift has landed: practical without being boring, minimal without being precious.
Whether you’re navigating festival crowds, weekend camping trips, or the daily urban grind, the right loadout isn’t about carrying more — it’s about carrying smarter. Each of the picks below earned its spot not through spec sheets alone, but through intentional design choices that make the experience of using them genuinely different. These are the five pieces worth making room for this summer.
Gravity-powered deployment sounds more cinematic than practical — until you hold the Cubik. Designed by IF and machined from aerospace-grade titanium, this pocket knife opens with a button-flick and the natural pull of gravity: no springs, no mechanisms to fail, no audible snap. At 2.6 inches long, 0.98 inches wide, and just 0.2 inches thick, it slips into a pocket and disappears. The Cubik looks more like a designer flash drive than a knife, which is exactly the point — and what makes it so easy to live with every single day.
The blade runs a standard trapezoid utility format — the same geometry used to slice linoleum, roofing materials, acrylic, and thin sheet metals. When one edge dulls, flip it; when both are spent, swap it. That interchangeable format turns a consumable item into something genuinely sustainable over time. A deep-carry titanium clip keeps it flush to the pocket edge, and a tungsten carbide glass-breaker on the rear makes it a legitimate lifesaver when it counts. At $59 with five replacement blades included, it’s one of the most sensibly priced titanium tools in the category.
Most EDC scissors ask you to accept a compromise — either you get a folding design that sacrifices cutting power, or you get a rigid tool that’s too bulky to pocket. The 8-in-1 EDC Scissors from Eiger Design, available through the Yanko Design Shop, sidesteps both problems. Made in Japan and compact enough to sit in a palm at just 13 centimeters (5.1 inches) closed, it packs scissors, a knife, a lid opener, a can opener, a cap opener, a bottle opener, a shell splitter, and a degasser into a single carry-ready object.
The scissors themselves are the real story — full-strength blades that don’t rely on a collapsible pivot to achieve their compact profile, which means they cut with conviction through materials that foldable scissors would snag or mangle. The remaining seven functions are genuine, not ornamental. For summer specifically — camping weekends, beach cookouts, farmers market errands, festival packing — this is the kind of tool that earns its weight early and keeps earning it. At $53 through the YD Shop, it’s the most versatile item on this list per dollar spent.
NoxTi is the kind of object that makes you reassess what belongs on your keychain. Designed by Xedge and built from Grade 5 titanium, it measures just 45mm and weighs 10.7 grams. The core of the piece is a tritium vial — a sealed, self-luminous insert that glows continuously for 25 years without batteries, charging, or any external power source. Quartz glass protects the vial from impact, and the titanium housing supports interchangeable vial options alongside a glass-breaker tip at the rear, making it far more than a novelty.
In practical terms, NoxTi solves a problem most EDC setups don’t realize they have: passive orientation in the dark. When your keychain is at the bottom of a bag, buried in a jacket pocket, or left on a nightstand, the glow orients you without reaching for your phone. That always-on, zero-input utility is a design philosophy most gear claims but rarely delivers.
Exceed Designs doesn’t do anything conventionally, and the HYZER is the clearest proof of that. At its core, it’s a hatchet — but calling it that undersells the engineering. The handle is fully skeletonized and CNC-machined from a solid block of 6AL-4V Grade 5 titanium, available in two lengths: a full-size 9.75 inches or a compact 8.15 inches. The head runs on an infinitely modular nested system that lets you swap cutting formats without replacing the handle — a level of adaptability that no conventional hatchet even attempts.
For summer carry — backcountry hiking, basecamp setups, or serious van-life configurations — the HYZER changes the math on what a hatchet needs to be. The D2 steel axe head delivers serious chopping performance, while the titanium handle keeps the tool lighter than any steel-handled competitor in its class. The stonewashed finish gives it a visual identity that’s unmistakably premium without being precious about it.
A 2,300-lumen output in a tactical flashlight isn’t rare in 2026 — but a 2,300-lumen flashlight that looks like it belongs at a design exhibition rather than a military surplus store is still genuinely hard to find. The BlackoutBeam, available through the Yanko Design Shop at $90, pairs that blinding output with an industrial aesthetic that wears well whether it’s clipped to a backpack or sitting on a shelf. The 300-meter throw distance cuts through darkness with clinical precision, and the IP68 waterproof rating ensures it performs regardless of what summer throws at it.
Five operational modes — including strobe and pinpoint — give the BlackoutBeam tactical flexibility that goes well beyond on-off cycling. The 0.2-second instant-on response is the detail that separates tools built for designers from tools built for actual use: in a power outage, a trail emergency, or any situation where you need light immediately, that activation speed matters in a way that a spec sheet can’t fully communicate. With longer days turning into late evenings outdoors and camping season running hot, the case for a serious flashlight in your summer kit has never been more straightforward.
What these five pieces share isn’t material or price point…it’s intention. Every one of them was designed by someone who cared enough to solve the actual problem rather than approximate a solution. That’s the standard worth holding EDC to in 2026, and it’s becoming a higher bar to clear as the category matures and the market fills with near-misses. The best loadout is never the one with the most gear. It’s the one with the right gear.
Summer tends to be the season when carry gets edited down; lighter layers mean fewer pockets, and heat means less patience for bulk. These five designs all pass that test. They’re compact enough to disappear when you want them to and capable enough to matter when you don’t. Whether you pick up one or all five, the upgrade from whatever you’re carrying now is real.
The post Forget Your Old Loadout — 5 EDC Essentials Built for Summer 2026 first appeared on Yanko Design.
Before streaming queues and binge-watching algorithms rewired how we consume film and television, there was a ritual. You drove to the video store, walked the aisles, made your pick, and came home to slide that chunky black cassette into a slot that swallowed it with a satisfying mechanical thunk. The VCR wasn’t just a piece of consumer electronics. It was the centerpiece of a whole cultural ceremony, the thing that turned an ordinary Tuesday night into a genuine event. Polar-Angel_UA, a LEGO builder and 10K Club Member from Ukraine, has captured exactly that feeling in brick form with the Video Home System.
The build recreates a classic VHS setup with the kind of specificity that only someone who actually lived through the era could pull off. The main unit nails the flat, utilitarian slab aesthetic of a proper 80s or 90s VCR deck, complete with a cassette slot, a row of playback controls, and a PAUSE indicator rendered in green. A top-loading lid flips open to reveal the tape mechanism inside, and the real delight here is in that interaction. The tapes go in. The tapes come out. For a build that’s ostensibly a static display piece, that single interactive element transforms the whole experience.
Designer: Polar-Angel_UA
Four items accompany the main unit: a movie cassette, a cartoon cassette, a remote control, and a VHS case. The distinction between the movie tape and the cartoon tape is a quietly brilliant design decision because if you grew up in that era, you absolutely had a dedicated shelf section for each. Saturday morning cartoons lived in their own plastic sleeve, carefully rewound and stacked away from the movie collection. Polar-Angel_UA understands the taxonomy of the VHS-era household intimately, and it shows.
The MOC’s inherently block-ish nature (thanks to the LEGO bricks) works well for this product. VCRs were not delicate objects. They were heavy, deliberately black, and looked like they meant business sitting under your television set, blinking 12:00 in perpetuity because nobody ever set the clock. This LEGO version carries that same hulking, I-mean-business energy, with the cassettes propped against it like they’re already queued up for a double feature. The remote control sitting casually beside the deck is a small touch that completes the tableau perfectly. You can almost feel the carpet under your feet and smell the takeaway boxes.
The Video Home System is currently gathering votes on the LEGO Ideas platform, where fan-created builds compete for the chance to become official retail sets. Cross the 10,000 vote threshold and LEGO’s internal team reviews the submission for potential production. With 688 supporters on the board right now and 422 days left on the clock, there is plenty of runway here. Head to the LEGO Ideas page and cast your vote!
The post This LEGO VHS Player Actually Has Cassettes You Can Insert and Remove first appeared on Yanko Design.
This vibe coding cheat sheet explains how plain-language prompts can build apps fast, plus the planning, testing, and security checks needed.
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OpenAI says Mac users must update ChatGPT, Codex, and Atlas apps by June 12 after an npm supply-chain attack exposed signing certificates.
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AI devices, robotics advances, security threats, tech IPOs, and major platform updates define this week’s fast-moving tech landscape.
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What do you do with your Altoids tins after devouring the mints? Maybe for keeping your coins, hand it over to your mom for storing the sewing accessories, for keeping handy a first aid, or perhaps keep the watercolor paint for your little niece. DIYer “Exercising Ingenuity,” however, has a very unique use for the aluminium container.
The inventive YouTuber wanted to build a fully functional Cyberdesk inside of the Altoids tin. Sounds bizarre? Surely it is, given the size of the thing. In his video, he asked himself, “That looks like a tiny computer?” It was clear from the outset that the assembly would require the utmost level of detail and sourcing all the hardware inside the tiny housing. While it might not be the most powerful machine you can own, it surely is ultra-portable and quite nice nonetheless.
Designer: Exercising Ingenuity
Normally, Cyberdesks are built inside ammo cans, rugged Pelican cases, or anything that has a boxy form factor. The machines piqued in popularity during the 1980s after the science fiction novel Neuromancer. Altoid tins have all these attributes, just the smaller size makes them a very odd proposition in the Cyberdesk world. That said, he set out anyway on putting together the hardware. For the CPU, he used the Raspberry Pi Zero W he had lying around, and a 2-inch LCD from another unfinished project. The power comes from a 750mAh lithium-ion polymer battery.
The real challenge was to find the tiny mechanical keyboard and fit it inside the small space. According to him, this was the most enjoyable part of the project, even though the video suggests it was a difficult one. It required learning how to construct the diode matrix for configuring the input, along with the assembling and soldering methodology of each of the keys. The final step here involved painting the keys with a white ink pen. Once this bit was taken care of, the DIY headed into the moderate level difficulty (at least for us). The next step was to create a 3D-printed frame to keep all the components inside the tin in place.
Wiring had to be kept to a minimum, and soldering of other components had to be done efficiently, as space was a premium. As a last step to make more room for components like the UPS HAT board and the display, the original hinge was extended with another Altoids tin hinge for a makeshift, slightly bigger replacement. Once all the hardware components were secured properly inside the tin, it was just a matter of running the system using the software. To make the thing look and feel like a vintage desktop computer, the DIYer painted the front panel beige.
The post This pocket-sized cyberdesk built inside Altoids Tin is a portable workstation for geeks first appeared on Yanko Design.
The original Hario V60 is the kind of object that earns its own mythology. Released in 2004, it became the face of the third-wave coffee movement: a simple cone of heat-resistant glass (or ceramic, or plastic, depending on how serious you are) that turned the morning cup into a ritual of patience and precision. Baristas loved it. Coffee nerds obsessed over it. And somewhere along the way, it became as recognizable as a kitchen object can get without appearing on a museum shelf.
That legacy makes the V60 Dripper NEO an interesting proposition. Hario could have left well enough alone. Instead, they spent two years quietly engineering a redesign that touches the one part of the V60 nobody talks about but everyone deals with: the ribs.
Designer: Hario
The original V60’s spiral ribs are the reason it works the way it does. They create space between the paper filter and the cone wall, allowing air to escape as water flows through. The result is a controlled extraction, but one that demands attention. Get your grind wrong, pour too fast, let your focus wander, and the brew either stalls or races past the point of no return. The V60 has always been a beautiful, slightly unforgiving thing.
The NEO changes that equation with a genuinely clever structural update. Instead of a single spiral rib pattern, it introduces 72 ultra-fine vertical ribs along the upper walls of the cone, which then converge into 9 deeper ribs near the base. This dual-zone design guides water evenly down the entire wall before accelerating it through the outlet. The effect is a faster, more uniform extraction that minimizes bitterness from water lingering too long in contact with the grounds. The cup you get out the other end is cleaner, sweeter, and more vibrant, with a balanced acidity that doesn’t tip into sourness.
Two years of testing went into getting this right. Hario’s engineers ran exhaustive trials on rib counts, angles, and flow dynamics before landing on this configuration. The fact that they filed a utility model patent on the structure suggests they believe it is genuinely novel, not just cosmetically different.
The material choice is also worth noting. The NEO is made from Tritan resin, a lightweight, high-clarity plastic that handles heat retention better than standard plastic alternatives. It keeps the brewing temperature more stable from the first pour to the last, which matters more than people think. Temperature consistency is one of those variables that separates a good cup from a great one, and the NEO addresses it without requiring you to do anything differently.
For anyone already embedded in the V60 ecosystem, the compatibility factor is a quiet win. The NEO works with all existing V60 switch bases, so you don’t have to rebuild your setup from scratch. It comes in two sizes, both made in Japan, and retails for around $23.50, which is an accessible price point for a piece of equipment that functions this thoughtfully.
Not everyone is convinced, though. Since hitting the market, the NEO has sparked a genuinely divided response from the coffee community. Users describe the brew as cleaner and more tea-like, which sounds appealing until you realize that some people loved the original V60 precisely for its acidic punch and intensity. One Reddit user put it plainly: the NEO presents coffee “differently,” not necessarily better. For experienced brewers who spent years dialing in their pour technique to coax specific flavors from the classic cone, the NEO’s smoother, more forgiving nature feels less like an upgrade and more like a personality change. That’s a fair criticism. Hario didn’t make a bad V60. They made a different one, and that distinction is exactly what has the coffee internet divided.
Pour-over coffee has always had a slight gatekeeping problem. The ritual appeals to people who love it precisely because it requires care, but that same learning curve turns off anyone who just wants a good cup without turning their kitchen into a science experiment. The V60 NEO doesn’t eliminate that ritual. It just makes the margin for error a little more forgiving, which means more people get to enjoy the result without years of practice behind them.
The original V60 deserved its legacy. The NEO earns its own, just a slightly different one.
The post Hario’s V60 Gets Its First Real Upgrade in 20 Years for $23 first appeared on Yanko Design.
The best free business checking accounts with no monthly fees, plus tools to help you manage cash flow and grow your business.
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The FCC’s proposed robocall crackdown could force carriers to verify customer identities, raising privacy concerns over anonymous phone use.
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Hackers are using Google Ads and Claude shared chats to target Mac users with fake setup instructions that can install malware.
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Google’s new Gmail AI personalization features are raising privacy concerns. Here’s what users should know and how to review smart settings.
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I compared the best cash registers for small businesses, including POS systems and electronic cash registers (ECRs), based on pricing, payment processing, inventory tools, and ease of use.
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Microsoft says Win32 remains central to Windows decades later, showing how compatibility still shapes Windows 11 and enterprise apps.
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Microsoft Secure Boot certificates from 2011 begin expiring in June 2026. Here’s how to check whether your Windows PC has the 2023 update.
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